This fabulous snarling tiger is glowing with lifelike translucent enamels in multiple shades of gold, orange, brown and black. The nostrils and tongue are accented with deep red enamel. Each eye is set with an old European cut diamond and the fangs grasp a third diamond. The stones are good quality, graded at I color, SI1 clarity. The pendant is deeply three-dimensional with superb detailing. The back is also stamped with Alling & Co.’s mark...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889...

A gorgeous enameled clover, worked in several shades of green is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The clover is set on a sturdy 14K gold split shank...

A lovely, colorful Art Nouveau 14K gold, seed pearl and enamel pin in the form of a violet by the Newark firm Crane & Theurer. The flower petals are enameled in cream darking gradually through lilac to deep violet along the edges. Each of the petals is finished with an arc of tiny seed pearls echoing the larger pearl set at the flower's center. The reverse is stamped with the maker's hallmark and "14K."

• Origin: America, ca...

An elegant pair of Victorian 14K yellow gold earrings set with Mediterranean coral. The engraved mountings are set with coral bars and an applied vine motif. The drops can be removed from the surmounts for a more restrained appearance for daytime wear. Tested and guaranteed 14K gold.

• Origin: America, ca 1860.
• Condition: excellent; all original.
• Dimensions: 1-5/8" from top of wire.
• Weight: 5.5 grams.

This bracelet is the work of Horatio de la Parra, whose company Plateria Azteca produced hollowware for both William Spratling and Hector Aguilar.

It's an early piece, dating to the 1940's. Six repoussé silver panels, each with a high domed amethyst cabochon, make for a regal deco design bracelet which closes with a pin.

Closed, wearable length is 6 3/4"...

This mid-century necklace from Los Castillo is a heavy and very substantial seldom seen design.

Thirty-eight modernist twisted panels drape perfectly upon the neck, conforming perfectly with a fluidity which compliments the wearer. The wide J-hook closure forms an almost seamless appearance.

Measures 15 3/8" end to end, with a 1" width...

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb...

Here is an exceptional necklace and earrings set from Antonio Pineda, circa mid-century. Collector quality.

This set is a book-piece design, shown in Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda."

The design is known as "Crossing Arches with Teardrop Amethysts", and it's a heavy modernist design which is hand-wrought with superb craftsmanship. The necklace has seven teardrop amethysts dangling beneath the crossed arches...

A stunning Art Nouveau 18K gold brooch featuring an enameled and engraved portrait of Pallas Athena, the Greek goddess of wisdom, horses and olives. Her beautifully engraved helmet is adorned with a small rose cut diamond. Her armor and the embroidery along the edges of her gown are also engraved. The quality of the painted enamel facial details and the background champleve enamel in royal blue is gorgeous. The edges of the medallion are enhanced with natural pearls...

An elegant Art Nouveau 14K gold pendant and watch pin depicting the Greek goddess Pallas Athena. The design is worked in the medallist style more typical of French Art Nouveau jewelry, but this piece is American. The workmanship is first rate. Athena was the goddess of wisdom, horses and olives, and was the patroness of Athens. Here she is shown wearing her helmet, but it is adorned with wings instead of the usual dragon...

This is a very early work from Sigi Pineda, and dates to the early 1950's when he first opened his own shop. The shop was named "Plateros", later renamed "Sigi".

It's an amazing piece, with three huge red coral branches in a modernist setting which is sterling silver with 14k gold plated over it. The gold is perfect and even throughout, both front and back. The coral measures from 2 1/4" to 2 1/16". Closure is a tight and secure tongue in box.

Closed, wearable length is 16 ...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side. Both ways l...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box. Weight is 60.9 grams. Closed, we...

Circa 1940-1945, this bracelet is a book piece design produced by Hector Aguilar at the Taller Borda, known as "Six Spheres". It's a spectacular piece, wide and substantial, and it drapes over the wrist with a luxurious feel. Shown in bookplate III-88, page 130, of the Penny C. Morrill book “Silver Masters of Mexico”. Measures 7 7/8” without the tongue portion of the clasp. Closed, wearable length is about 7 1/4”. Width is 1 5/8”. Clasp is a tight and secure tongue in box. ...

An imposing 18K yellow gold hinged bangle bracelet set with sapphires and diamonds. A row of alternating old mine cut diamonds and cushion cut sapphires stretches across the top of the bracelet, flanked on either side by a row of rose cut diamonds set in silver. The sapphires, each of about .75 carat, are of outstanding quality, with vibrant pure blue coloring, eye-clean clarity, and a velvety appearance. The diamonds, each of about .6 carat, are graded as G/SI1. The bangle is double-hinged so i...

A lovely Art Nouveau depiction of the Greek goddess Iris worked in 14K yellow gold. The goddess wears an elaborate floral headdress punctuated with an old mine cut diamond. Her wings, in folded position, can just be seen behind her shoulders. The brooch is finished with a garland of iris blossoms and foliage. Iris was the goddess of the rainbow and, as such, connected the earthly and heavenly worlds. The back of the brooch retains the original c-clasp and watch hook. It can easily be converted t...

Circa mid-century, this is a killer bracelet from Margot de Taxco. In absolutely pristine collector quality condition, complete with all nine charms.

It's a book-piece design shown on p. 63 of Penny C. Morrill's "Margot Van Voorhies : The Art of Mexican Enamelwork". The cherubs are highly detailed, with exquisite repoussé silver work.

Measures a closed, wearable length of 7 1/16". Width is 2 1/16".

Weight is 50 grams.

Signed and hallmarked "Margot de ...

Circa 1940's, this is a spectacular necklace from Marcel Boucher. It's hand-wrought and extremely substantial, weighing in at 158.2 grams, or over 5 troy ounces.

Boucher was born in Paris, and apprenticed with Cartier. He has a reputation of being perhaps the greatest costume jewelry designer. In the 1940's, he produced silver jewelry in Mexico under the name Parisina. In 1957, he opened his business in New York.

This is a truly luxurious necklace. Composed of twenty-four d...

Circa 1950's, this belt buckle is was produced by Antonio Pineda. I have never seen this one before, and it's quite similar to one which William Spratling designed. Antonio Pineda began his career working for William Spratling. It's hand-wrought with criss-crossing lines which are deeply carved with oxidized recesses.

Measures 2 5/8" x 15/16". I believe this will accommodate up to a 3/4" belt.

Weight is 34.9 grams.

Signed and hallmarked with the Antonio Taxco cro...

Hallmarks date this Hector Aguilar necklace 1948-1962. It's a beautiful heavy hand-wrought necklace in a seldom seen design.

Composed of twenty-two panels which resemble a lyre, executed in .940 silver with a warm patina, this piece is collector quality.

Measures 16" closed, wearable length. Width is 1/2".

Substantial in weight, at 90.3 grams.

Signed and hallmarked ".940 HA Taxco Mexico", with the eagle assay 9.

In excellent vintage conditio...

Circa mid-century, these earrings are a rare find. Produced by Margot de Taxco, these are a book-piece design shown on page 34 of Margot Van Voorhies : The Art of Mexican Enamelwork. Both earrings and original design drawing are shown.

Referred to as "Egyptian Scroll", the colors are bright and vibrant. Gold, black, and green enamel.

Measure 1 9/16" x 1 1/4". Clips are tight and perfect.

Hallmarked with the design # 5758 on one earring, and the eagle assay 16 on ...

The "Jewels by Antonio" hallmarks dates 1949-1953. This is a book-piece design shown on page 152 of Silver Seduction : The Art of Mexican Modernist Antonio Pineda.

It's a fabulous ring with a huge presence. Size is 8.25. Height on top is just shy of 1/2". 1" wide.

Weight is a substantial 17.3 grams.

Signed and hallmarked "Jewels by Antonio Taxco Mexico", with the design # PP451.

In excellent vintage condition. Collector quality. Beautiful patina.

Hallmarks date this William Spratling brick link bracelet to 1940-1944. This design is shown on the Spratling Silver website. It's a hand-wrought bracelet which feels like silk on the wrist. Certainly a timeless design, and one which is understated in both beauty and elegance. Three rows of brick like links with a foldover clasp give this a completely seamless appearance. The silver has a rich warm glow.

Measures a closed, wearable length of 7 1/2" with a width of 3/4".

...

A stunning mid-19th century brooch featuring a pansy, the lower petals set with rose cut diamonds and the upper petals with buff-cut amethysts of a deep violet hue. The colorful flower is simply presented against a plain gold background. In Victorian flower language, the pansy represented the sentiment "Think of me" and jewels with pansies were often given as love tokens or going away gifts. The brooch could easily be converted to a pendant with the addition of a bail at the back. The original c...

A fantastic and rare pair of 14K yellow gold Art Nouveau cufflinks by Krementz, the double faces depicting Native American warriors. The facial and hair details are beautifully worked in a design that also includes a bow and a quiver of arrows. Krementz made at least two different designs depicting Native Americans, with this being the more ornate of the two. The backs are fully marked by Krementz.

• Origin: America, ca. 1900.
• Condition: excellent; sharp detail.
• Dimensions: ...

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

• Origin...

A classic 18K gold “Open Heart” in the large size by Tiffany & Co. Created by Elsa Peretti, this design became one of Tiffany’s most popular and identifiable pieces. This pendant is the second largest of the four sizes available. The back of the pendant is signed “Elsa Peretti “ and is fully hallmarked by Tiffany & Co. The pendant is presented with its original Tiffany 18" 18K gold chain. This piece currently retails for $2200.

• Origin: America, ca. 2000.
• Condition: excel...

This classic Boucheron baton design has been in fashion since the Art Deco era. Worked in 18K gold, the removable batons are elegantly decorated with simple reeded engraving. Each cufflink is signed "Boucheron Paris" and is stamped with French 18K marks and serial numbers.

• Origin: France, ca. 1950.
• Condition: excellent.
• Dimensions: batons, 7/8" long.
• Weight: 10.7 grams.

A handsome pair of silver double-sided cufflinks in the form of horseshoes. The faces are nicely detailed and the cufflinks have good weight. The connectors are marked "935", indicating a purity slightly higher than sterling silver, and also have an unidentified maker's mark "MV."

• Origin: Continental Europe, probably Switzerland, ca 1950.
• Condition: excellent
• Dimensions: faces, 5/8" x 5/8".
• Weight: 8.5 grams.

Circa mid-century, this Antonio Pineda bracelet has a sleek hand-wrought modernist design. It's a stunning bold piece which looks fabulous on the wrist. Composed of eleven V-shaped links which flare out on one side. Closure is a tight and secure tongue in box, complete with original safety chain. Please see matching necklace listed as well.

Measures a closed, wearable length of 6 1/2", and a width of 1 1/8".

Weighs 84 grams.

Signed and hallmarked with just the co...

This is a spectacular and very rare hand-wrought necklace from Margot van Voorhies Carr / Margot de Taxco, featuring superb repoussé silver work. Opposing Chinese dragons are at the center of this piece, which measures a closed, wearable length of 15 1/2". A variation of this necklace is shown in Penny C. Morrill's book "Margot Van Voorhies: The Art of Mexican Enamelwork".

Signed and hallmarked "Margot de Taxco Sterling Made in Mexico", with the eagle assay 16 and the design # 5243A....

A vintage 18K yellow gold heart-shaped pendant/charm, the border set with alternating cushion cut Burmese rubies and old mine cut diamonds. Like most Retro pieces, the large size has great presence. The rubies have fine, bright red color and VS clarity, and display all the characteristics of Burmese rubies. There are no indications of heat or other treatment. The diamonds are of similarly fine quality, graded as I color, SI clarity. The bail is marked “750” for 18K gold. The pendant is ideal...

A classic 18K gold “Open Heart” in the rare extra-large size by Tiffany & Co. Created by Elsa Peretti, this design became one of Tiffany’s most popular and identifiable pieces. This pendant is the largest of the four sizes available. The back of the pendant is signed “Elsa Peretti “ and is fully hallmarked by Tiffany & Co. This piece currently retails for $2400.

NOTE: The pendant is shown on a 16" 14K gold chain available for an additional $125.

• Origin:: America, ca. 2000...

Beautifully detailed in 940 sterling silver this delightful, hand crafted brooch was designed & signed c. 1940-45 by Taxco, Mexico Maestro Hector Aguilar. The "puffy heart" body supports the obsidian head, face and large ears all defined in silver. Pin measures 2 3/4" x 2 1/4" and weighs 50 grams. Beautiful condition and patina. 1/16" scratch on stone. Fully hallmarked Taxco HA 940. Pinback & safety are in fine working order. This design was used on the cover dustjacket of WILLIAM SPRATLING AND ...

A striking Art Nouveau 18K gold and pearl necklace in the form of a pendant of chestnut leaves suspended from a cluster of chestnuts. The gold surfaces are entirely hand engraved with very fine detail. The pendant is set with a natural button pearl and suspends a second pearl at the bottom. The chain is enhanced with a series of tiny pearls, as well. Chestnut trees have traditionally represented fertility, but in Victorian flower language, came more to represent “luxury and abundance.” This ...

Circa mid-century, this Los Castillo pin is a spectacular work of wearable art, and features one of their most iconic designs.

It's a multi-dimensional piece with superb repoussé silver work, highly detailed, and absolutely collector quality.

Measures 3 1/4" x 2". Pin closes with a roller.

Weight is a very substantial 30.8 grams.

Signed and hallmarked with the early linear mark "Los Castillo Taxco Sterling Made in Mexico", along with the design ...

Circa pre-1948, this is a gorgeous bracelet from Fred Davis. It's a modernist design, with exquisite repoussé silver work.

Six turquoise cabochons are nestled within opposing silver "V"s which form diamond shaped panels, tiny silver beads between them. Alternating with these panels are large silver domes. Closure is a tight and secure tongue in box. Recesses are oxidized. This is a bracelet which really shows up beautifully on the wrist.

Measures a closed, wearable length...

An extraordinarily fine pair of Georgian hardstone cameo earrings set in 15K yellow gold. The cameos, certainly of Italian origin, and possibly several hundred years older than the earrings themselves, are carved from a grayish-green stone with white and rust banding. The images depict a satyr with exaggerated pointy ears and a leering grin, and a female companion with a floral wreath in her hair. In both, the grayish-green stone forms the background, while the facial features are picked out in ...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is h...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonn...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonn...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the...

A nice man's ring featuring a large cat’s eye quartz cabochon. The stone has pronounced chatoyancy (the cat’s eye effect) with excellent color contrast. The interior of the shank is stamped “10K.”

• Origin: America, ca. 1960.
• Dimensions: cabochon, 13.7 x 11.4 mm; 5/8” wide at crown, tapering to 1/8” at the back of the shank.
• Finger Size: 12-1/4.
• Approximate Gemstone Weight: 7.4 carats.

A delightfully feisty-looking cat is featured in the French Art Nouveau brooch. We’re particularly fond of his enormously long whiskers that stretch the full width of the pin. The pin is stamped with French silver marks and with an illegible maker’s mark.

NOTE: The pin could be worn as a pendant with the addition of a bail to the back.

• Origin: France, ca. 1905.
• Condition: excellent; all original.
• Dimensions: 1” diameter.
• Weight: 5.4 grams.

This Art Nouveau medallion brooch depicts the beautiful Ophelia (spelled “Ophelie” in the French tradition), surrounded by cattails, willow branches and waterlilies, as symbols of watery grave in Shakespeare’s “Hamlet.” Her hair is studded with small old mine cut diamonds. This design was created by the French jeweler and sculptor Emile-Séraphin Vernier (1852-1927) for the 1908 Exposition de la Parure Précieuse de la Femme in Paris. Like many other Art Nouveau medalists, Vernier lice...

A lovely Art Nouveau brooch depicting a lady surrounded by birds in 14K yellow gold and diamonds. The design is beautifully worked with tremendous textural detail, and the old mine cut diamond set in the headdress adds a touch of sparkle. The designer of this brooch is most certainly of French origin and was created with the idea of licensing it to manufacturing jewelers in France, England and the U.S. When this design appears with French hallmarks, it’s hollow and worked in 18K; English versi...

This mid-century kinetic design necklace is the work of Erika Hult de Corral.

It's a stunning signature piece which features an extra-long length of 28 1/2". Erika Hult de Corral studied at the Parsons School of Design in Paris, later on working with both Sigi Pineda and Enrique Ledesma before opening her own shop.

Moon crater balls and long tubes combine on the sides, with a centerpiece which has free swinging pendulums of varying lengths. Closes with a tight and secure to...

A fine Art Nouveau medallist brooch depicting Demeter (Ceres), goddess of the harvest, in 18K gold by Louis Rault. She is shown in profile with several of her attributes a tiara of wheat and poppies and a scythe. The wears a rose-cut diamond earring, a diamond toga clasp, and a third in her tiara. Louis Armand Rault was a lead designer for Boucheron 1868-75 and this is one of his signature designs. The brooch is stamped with French 18K gold marks and also with an illegible maker's mark. The fron...

A spectacular example of Austro-Hungarian Renaissance Revival jewelry from the period 1876-1918, this necklace features a central pendant drop in the form of a leaping stag suspended by pearl-enhanced chains from a neckchain of sapphire- and ruby-set plaques. The necklace is enameled throughout in shades of opaque white and black, and translucent green, red and purple. The stag is decorated with realistic shaded brown and gold enamels. The stag is set with a sapphire- and ruby-encrusted saddle. ...

A stunning Art Nouveau medallist brooch depicting Athena, goddess of wisdom and war, and patron of the arts, in 18K gold. The goddess is depicted with several of her attributes, including a dragon-topped war helmet, a wreath of olive leaves, an owl, and a drama mask representing the arts. Her helmet is studded with a star-set ruby and a band of rose-cut diamonds and she wears a necklace of rose-cut diamonds. This design was created by Louis Armand Rault, a lead designer for Boucheron 1868-75. Th...

A lovely maiden surrounded by a bower of daisies is featured in this Art Nouveau 10K gold pendant/watch pin. In Victorian flower language, the daisy represented "innocence." The design is nicely detailed. Tested and guaranteed 10K.

NOTE: The pendant is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, ca. 1910.
• Condition: sharp detail; pinstem, clasp and watch hook are original; hidden bail was added by our jeweler.
• Dimension...

This pre-1948 bracelet produced by Frederick Walter Davis features nine amethyst cabochons set in repoussé silver panels with a sunrise design.

It's a beautiful piece, with oxidized recesses and amethyst gemstones which are perfectly matched in color.

Born in the U.S. in 1880, Davis moved to Mexico in 1910 and began designing and selling jewelry. Often, he designed jewelry and contracted with master artisans to produce these designs. He also bought silverwork from others, ...

Gorgeous heavy vintage circa 1950 French necklace with three strands of large blue glass beads wired in dark goldtone metal with a matching slide clasp with a large matching cabochon poured glass stone. With large and medium size poured glass beads in honeycomb shapes, and faceted transparent beads with a slightly iridescent finish. 16 1/2 inches wearable length on the inside strand and the center drops 2 1/2 inches. Excellent condition with a side loss to one small honeycomb bead; pictured but ...

An exquisite Art Nouveau enameled 14K yellow gold brooch depicting a peacock. The bird is worked in stunningly applied translucent enamels in shades of rose, blue, green, yellow, black and violet. The curling tail feathers are set with seed pearls and body is surrounded by an assymetrical frame set with seed pearls and suspending a small old European cut diamond and an oval brilliant-cut peridot. This is one of the very finest enameled bird brooches we’ve seen. The original clasp is stamped wi...

Circa mid-century, this is a fabulous necklace and a real attention grabber. Measuring 4 3/4" wide at the top of the centerpiece, 2 5/8" wide at the bottom, it's a huge piece which lays beautifully upon the neck and frames it perfectly. The repoussé panels have silver domes graduating in size. Recesses are oxidized. Signed and hallmarked "SrC Taxco Mexico Sterling", with the eagle assay 3. Measures a closed, wearable length of 18". Weight is 95.6 grams. In excellent vintage c...

A beautifully romantic French Art Nouveau heart-shaped coin purse, bordered in square cut blue sapphires and centered with a heart-shaped sapphire. The sapphires have very slightly violetish-blue sapphires color and eye clean clarity. The frame is engraved in a geometric pattern and the closure is set with cabochon sapphires. The frame's interior is engraved with a pair of serial numbers, indicating the purse was made by one of the more important French joailliers at the turn of the century. The...

Gorgeous vintage 1960s signed Kramer bracelet in goldtone metal with amazing huge brilliant headlight glass stones in prong settings. Marked KRAMER. With box slide clasp with matching smaller rhinestone. 6 3/4 inches wearable length and 9/16 inch wide. Excellent condition. Display form is life size. Photos enlarged to show detail.