A beautifully romantic French Art Nouveau heart-shaped coin purse, bordered in square cut blue sapphires and centered with a heart-shaped sapphire. The sapphires have very slightly violetish-blue sapphires color and eye clean clarity. The frame is engraved in a geometric pattern and the closure is set with cabochon sapphires. The frame's interior is engraved with a pair of serial numbers, indicating the purse was made by one of the more important French joailliers at the turn of the century...

Gorgeous vintage 1960s signed Kramer bracelet in goldtone metal with amazing huge brilliant headlight glass stones in prong settings. Marked KRAMER. With box slide clasp with matching smaller rhinestone. 6 3/4 inches wearable length and 9/16 inch wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

This Antonio Pineda bracelet is a rare and stunning piece, with thick curved arcs studded with garnet beads. Absolutely gorgeous, this sleek and modernist design measures a closed, wearable length of 7 1/8", with a width of 7/8". Garnets have vivid hues and the light plays off them beautifully. Tongue in groove clasp is perfect and tight. Weight is 96.5 grams. Signed and hallmarked with the Antonio Taxco crown, Hecho en Mexico JVL and the eagle assay 208. Collector quality.

This early Mexican bracelet, 1930's - early 1940's, is a spectacular hand-wrought work of art from noted silversmith P. Ochoa.

P. Ochoa work is very seldom seen, and closely mirrors that of Matilde Poulat/Matl and M. Velazquez. This bracelet is collector quality.

There are five repoussé panels which make up this bracelet. The center link has a large oval onyx cabochons as the face...

Circa pre-1940, this set of Matilde Poulat bird pins are signed with her early hallmarks. Collector quality, beautifully hand-crafted, with superb repoussé silver work, this matching pair of doves feature turquoise eyes, with one bird facing left and the other facing right. Absolutely fabulous.

Each measures 1 3/8" x 1 1/8"...

A classic pair of mmid-Century modernist cufflinks by Lucien Piccard, featuring a circlet of round brilliant-cut garnets around a central plaque of gold enhanced with a Florentine finish. Piccard more often used synthetic sapphires or synthetic rubies in his cufflink designs. The garnets have a subtle, deep red coloring that contrasts beautifully with the richly-textured gold without being too flashy. Signed "Lucien Piccard" and marked "14K."

• Origin: America, ca...

A large 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957...

A classic target-style ring featuring a luminous pearl surrounded by a ring of calibre-cut synthetic rubies set in an 18K yellow gold setting. Originally a stick pin, this ring was created with the addition of an 18K shank. The rubies are synthetic—as they often were in the Art Deco period—are a beautiful deep red color that nicely accents the creamy white pearl.

• Origin: French stick pin, ca...

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with applied green and rose gold flowers surrounding collet-set rubies. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn, and the small rubies add a subtle shot of color. Each is stamped with French 18K gold marks.

• France, ca...

A handsome pair of double-sided cufflinks, the faces set with with oval brilliant-cut amethysts set in simple 10K yellow gold collets. The amethysts have nicely saturated, even color that would look particularly good with a white or light blue cuff. The faces are fairly large, so they are connected with a removable s-link for ease in putting them through a buttonhole. Tested and guaranteed 10K.

• Origin: probably America, ca...

The spectacular violet color of this oval brilliant-cut glows in this lovely 14K yellow gold Art Nouveau setting featuring iris blossoms and foliage. In Victorian flower language, the iris often represented the sentiment "I have a message for you," but in this instance I think the use of irises probably relates more to the purple tones of the gemstone. The reverse retains the original pinstem and folding bail, so it can be worn as a brooch or pendant...

The pansy carries the message "Think of me" in the Victorian language of flowers. Certainly, the giver of this beautiful enameled gold pansy ring will be thought of often and fondly. The beautiful violet, cream, yellow and black enamels have a velvety texture to suggest the feel of a real pansy's petals and the whole is set off by a sparkling old mine cut diamond at the center...

An imposing, yet very wearable Retro ring featuring a large, deeply colored honey-gold rectangular step-cut citrine flanked by lines of calibre-cut synthetic rubies (typical of the period) between lines of bead-set old European and single-cut diamonds...

An astonishing figural pendant necklace featuring a natural semi-baroque pearl in the shape of a pear, accented with platinum and 18K yellow gold leaves and a stem, all set with old European cut diamonds. The pearl has very fine orient, with all the colors of the rainbow skating over the creamy white surface. The diamonds are graded at an average of H/SI1. Converted from an Edwardian stickpin, the pear is now a gorgeous pendant hanging from a French 18K white gold chain.

NOTE: The pendant...

Red speckles stand out brightly against the dark greenish-black background of the bloodstone plaques featured in this pair of double-sided Victorian cufflinks by Larter. NOTE: the color contrast is more apparent in person than shown in the photos due to the reflectivity of the stones. Bloodstone, or Jasper, is also considered to be the "traditional" birthstone for March, while Aquamarine is considered to be the "modern" birthstone for March. Bloodstone is aligned with the Zodiac sign of Aries ...

Circa 1930's-40's, here is an early obsidian moth pin from Matilde Poulat.

This is a superb piece, with hand-wrought repoussé silverwork and seven dangles. Centered with a round obsidian cabochon, the stone is truly beautiful, with a glowing gold sheen throughout.

Measures 3" tall, 2 1/16" wide.

Signed and hallmarked "Matl".

Weight is 29.4 grams grams.

In excellent vintage condition. Pin closes with a roller.

A fabulous Art Nouveau 14K gold ring set with a round brilliant cut peridot flanked by seed pearls. The gem is set in a distinctly Gothic revival quatrefoil design. The gold surfaces are hand-finished and have a matte surface typical of Art Nouveau jewels. The peridot has excellent color and clarity that contrasts beautifully with the bright white pearls. Converted from a stickpin, the piece is now a gorgeous ring. The crown retains the original maker's mark for Shanley Jewelry Company, of the l...

This is a spectacular bracelet from Antonio Pineda, one which is rarely seen, and a book-piece design from Silver Seduction.

Eight amethyst cabochons are set with a shadowbox effect with alternating trapezoid panels. The amethysts are gorgeous, perfectly matched in color, and the open-backed settings make them appear to glow from within. It's a truly magnificent bracelet, very substantial, and collector quality.

Measures a closed, wearable length of 7", a width of 1", and...

Hallmarks date this Hector Aguilar necklace to 1940-1948. Collector quality, this is a heavy hand-wrought piece with fifty turquoise cabochons. Stones are all original. It's a substantial gorgeous necklace with a very solid feel, and it lays perfectly upon the neck. A timeless elegant design, and a piece which works with just about any outfit and occasion. Length is 16 1/2" without the tongue portion of the clasp. Width is 3/4". Weight is 108 grams. Signed and hallmarked with the win...

An amazing sterling French Cuff Bracelet by the well known Arizona modernist silversmith, H. Fred Skaggs. Has three large jewels in varying shades of purple and pink and one small purple stone on the other end. Not sure if they are stones or art glass. May be amethyst.

Measures 7" around the inside with an opening of 2". Can be adjusted slightly. Measures 2" at the widest. Has darkened textured areas in contrast to shiny polished sterling. Can be worn on either wrist depending if you...

A striking 14K yellow gold ring, the medallion depicting a yachting scene in engine-turned engraving of extraordinary quality. The scene depicts a yacht in the foreground with a more distant boat in the background. The design is completed with waves, seagulls and a lighthouse atop a rocky cliff. Originally an Edwardian blazer button, our jeweler added a 14K gold shank to make a wonderful seafaring ring. The back is stamped "14K" and has an unidetified American maker's mark.

• America, ca. 1...

Circa mid-century, this Antonio Pineda amethyst bracelet is a book piece design, known as "Architectural Cuff with Amethyst Closure".

Shown in both "William Spratling and the Mexican Silver Renaissance" and "Silver Seduction The Art of Mexican Modernist Antonio Pineda", this piece is an extraordinary example of the brilliant work put forth by Antonio. It's a superb modernist cuff bracelet, sleek and chunky, and it looks stunning on the wrist. To open you simply push down on the amethy...

With hallmarks dating 1955-1962, this bracelet from Hector Aguilar is nothing short of spectacular.

It's a hand-wrought piece, with three huge oval azurite stones separated by silver twisted barbells. The back is a long silver ID bar, with the closure tongue sliding into it. Tight, secure, perfect.

This is a book piece design, shown in Penny C. Morrill's "Silver Masters of Mexico". However, this one is quite rare, having three large stones instead of five smaller ones.

Beautiful purplish rhodolite garnets sparkle from the engraved tops of these earrings with foxtail tassels. Each tassel terminates in a small golden ball. These tassels have substantial weight and are unusual for having gemstones set at the top. Stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Excellent condition.
• Dimensions: 1-5/8" from top of wire.
• Weight: 7.1 grams.
• Approximate Total Garnet Weight: 1.72 carats.

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been ...

An extraordinary and rare 14K yellow gold bangle bracelet by Krementz adorned with enameled white and pale blue forget-me-nots. Krementz made some of the best Art Nouveau enameled jewelry, and continued producing enamels well into the 20th century. Blue and white forget-me-nots, a particularly popular motif in the early 1900s, frequently appeared in small pins and pendants. This piece, however, is the first bangle bracelet we've seen. Bangle bracelets are notoriously subject to damage and it is ...

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

Origin:...

Circa mid-century, this Los Castillo bracelet is a book-piece design, known as "Fish in Waves".

Entirely hand-wrought, with amazing detail which is second to none, this bracelet is composed of eight copper domes., each with applied silver work of two fish swimming in the waves, with their tails wrapping around the sides.

Measures a closed, wearable length of 6 3/4", and a width of 3/4". Closure is a "J" hook and eye. Original safety chain attached.

Weighs 46.6 g...

Circa pre-1960, this necklace produced by Matilde Poulat has a generous length of 23", with a 3 1/4" wide center. There are amethyst stations on each side, with double chains continuing up the neck. The palomas sit next to a vase with turquoise flowers. Length on the center is 2 1/2".

Weight is a substantial 91.1 grams.

Signed and hallmarked "Matl Mexico 925 Patente 10966", along with the eagle assay 129.

A striking 14K gold peridot ring converted from a Victorian stickpin. The oval brilliant cut peridot has superb intense green coloring and is bezel-set in a elegantly-engraved gold collar. The ring has a 14K gold shank.

• Origin: America, ca. 1890.
• Condition: converted from a Victorian stickpin; excellent condition.
• Dimensions: crown, 1/2" x 7/16".
• Finger Size: 6 1/2.
• Weight: 2.2 grams.
• Approximate Gemstone Weight: 2.16 carat.

A fine green-toned cat's eye chrysoberyl cabochon surrounded by delicate scalloped border set with seed pearls centers this Victorian stickpin conversion ring. The stone displays excellent chatoyancy, with a clear milky white streak down the center of the stone that seems to "wink" as it is rocked from side to side. The surrounding pearls pick up the creamy color of the eye. The setting is 18K gold attached to a 14K shank.

• Origin: France, ca 1890.
• Condition: converted to a ring; n...

This Antonio Pineda wave bracelet is a spectacular masterpiece.

It's a book piece design, shown in "Silver Masters of Mexico", among others. Composed of twelve silver "waves", each of which is formed from a single sheet of heavy gauge silver.

Weighing in at a massive 202 grams, this is the ultimate showpiece that commands instant attention, compliments, and envy. It's also the largest version of this design, with a closed, wearable length of 7 3/8" and a width of 1 3/8". ...

An early design by Margot van Voorhies Carr, this necklace features a design of hammered niello hearts framed with thick raised silver edges. The centerpiece measures 3" wide and 2 1/2" on the diagonal. The side hearts alternate with silver beads, and each side finishes with rectangular silver tubes. Closure is a tight and secure tongue in box.

Measures 15" closed, wearable length.

Signed and hallmarked "Margot de Taxco Sterling Made in Mexico", with the eagle assay 16...

This is a very rare and spectacular necklace from Hector Aguilar, hand-wrought and executed in 940 silver.

It's a stunning piece which won't fail to be noticed and looks magnificent on the neck.

It's composed of two separate pieces, one measures 1 3/4" and the other at 14", combining to 15 3/4". It's wide at just over 1 1/4". Fits more like choker because of the width, but a jeweler could easily make an extension to wear longer.

Weight is a very substantial 154.1...

Hallmarks date 1940-1944 on the superb William Spratling bracelet from his first design period. Tested to be 980, or 98% pure silver.

This is a heavy, gorgeous, luxurious bracelet which looks and feels amazing on the wrist. It's an extra large size, measuring a closed, wearable length of 7 1/2" and a width of 7/8".

Weight is 116.6 grams.

Signed and hallmarked with the WS Print Circle "WS Spratling Made in Mexico", and "Spratling Silver".

In ex...

Beautifully fluid, this hand crafted design was called the "Collar Gola" by Taxco, Mexico artist William Spratling circa 1948-52. Weighing 70 grams the necklace has a wearable length of 19 inches. The center element is 4" across at the top & 1 1/2" high at the center. Spratling used a subtle vermeil wash adding to the 3 dimensional effect of the design. All in beautiful condition with excellent patina. Fully hallmarked with the rare eagle # 1 & WS. Featured on p. 245 of WILLIAM SPRATLING AND THE...

A nice and perfect Peranakan silver belt with Phoenix and flora pattern , repousse work

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber. It also has a completely seamless appear...

This brooch by Matilde Poulat features a large amethyst front and center, with turquoise cabochons and coral branches in a butterfly design with dangles.

Measures 2" tall x 1 1/2" wide. Pin closes with a rolling "C" clasp.

Weight is 11.8 grams.

Signed and hallmarked "Matl Mexico 925", with the eagle assay 129. Dates to pre-1960.

Circa 1930's - 1940's, this bracelet is a stunner. Hallmarked simply "Silver Made in Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one.

Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box.

Weight is 78 grams.

Closed, wea...

Reminiscent of Frank Lloyd Wright Art Deco designs this silver & stone necklace was created & signed c. 1949-52 by American & Taxco, Mexico artist William Spratling. Weighing 100 grams, the necklace has a wearable length of 18 1/2 inches. The central element is 2 1/2" X 1 1/2". Signed on the clasp SPRATLING DE MEXICO STERLING. Both stones & silver are in beautiful condition. Clasp is tight & secure. This design is pictured on p. 242 of WILLIAM SPRATLING & THE MEXICAN SILVER RENAISSANCE by Penny ...

With hallmarks dating 1940-1944, this necklace is an iconic piece from William Spratling's 1st design period.

It's very rare to see this design complete with the original five strand tubular silver necklace, and it is collector quality. The large amethyst cabochon measures 1 1/4" in diameter, and is a gorgeous stone with natural inclusions and quartz marbling. The five strand chain connects at the sides with the signature turtle back Spratling clasp.

This is a spectacular...

The Clouds is one of the most sought after Spratling designs. It is shown full page in the book WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penney Morrill. With a silver quality of 980 and weighing 132 grams it displays a rich presence. An inner diameter of 4inches which is approximately 16.5 + inches allows the necklace to fit most. The links are built on a curve and are 1in. tall. The stones are a lovely well matched and warm teal colored turquoise. There is no damage to the silver...

This is an exceptionally rare piece produced by Antonio Pineda, with his early "Silver by Tono" hallmark which dates 1948-1953. The design speaks to the influence of Valentin Viadurreta, for whom Antonio Pineda apprenticed in Mexico City.

Entirely hand-wrought, with open-back repoussé, this cuff is a collector's dream. In excellent vintage condition, with no issues whatsoever. This can be gently adjusted for a larger or smaller fit, but should be done by a professional jeweler.

Pre-eagle, circa 1930's-early 1940's, this necklace is a gorgeous statement piece.

It's entirely hand-wrought, with a center medallion measuring 4" wide. It's studded with tiny silver beading, and the oxidized background provides great depth and dimension.

Closed, wearable length is 15 3/4"". Centerpiece is 4" x 2".

Weight is 66.7 grams.

Hallmarked "Sterling Taxco Mexico", with a design # 15.

In excellent vintage condition, with a beautiful ...

Circa mid-century, this parure is an extremely rare design from Margot van Voorhies Carr / Margot de Taxco.

The original design drawing is shown in the Penny C. Morrill book "Margot Van Voorhies: The Art of Mexican Enamelwork".

The necklace consists of three tiers alternating with two round button links, and a thick chain on each side with a ball tassel on one and a hook on the other. This is original to the necklace. You can see this same chain and ball closure on the M...

This spectacular necklace is the work of Matilde Poulat, produced before 1960.

A true statement piece which drapes perfectly upon the neck, measuring about 17" closed wearable length, with a width just over 1 1/2". Composed of thirteen panels studded with pyramidal amethysts and turquoise stones, all original, with a tight and secure tongue in box closure.

Signed and hallmarked Matl Mexico 925 Patente 10569 M Reg 142093, along with the eagle assay 129.

Weight is ...

Very early Kenneth Jay Lane hinged cuff with the earliest K.J.L. mark. Covered with pave white rhinestones and green, red and ruby cabochons, as well as emerald color square cut accents. A hair under 1" (2.3 cm) wide, the interior diameter is 2 3/8" (6.4 cm) x 2 1/8" (5.3 cm). The snap closure is tight and the cuff is in original vintage condition. This is the Moghul style at its best.

Rare vintage Thierry Mugler Couture runway festoon necklace. Large cascading rhinestones with even larger pear shaped, unfoiled drops. 15 1/2" (39.5 cm) long from the toggle to the square holder. The center drop is 6 '' (15.6 cm) long. All the stones are brilliant and the necklace is in pristine vintage condition. A truly amazing piece!

Fabulous 1960s or 1970s big glass beaded necklace with jewel tone art glass beads, most likely French. Also from the same estate, coordinating pierced earrings with black and white glass cabochons which are very similar to the black and white embedded in some of the beads on the necklace. There is a silvertone bead at the back that looks like a French style screw barrel clasp, but it appears to be a faux decorative clasp. It is not needed as the necklace is long enough to go over the head easily...

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern. The leaves extend beyond the triangular borders to create a slightly assymetrical shape. The opals are much more attractive in person than in the photos, and have fine play of green, blue, orange and red color, evenly spread over the gemstones. Clips of this sort would have originally been worn on either side of a nec...

French Art Nouveau 18K gold and sapphire cufflinks, the triangular faces pierced in a decoration of stylized flowers and set at the centers with cabochon blue sapphires. The gold surface has a very handsome matte finish that allows the sapphires to shine. The connectors are stamped with French 18K marks and an unidentified maker's mark (SAS).

• France, ca 1895.
• Excellent condition; sharp detail.
• 5/8" x 5/8".
• 7.3 grams.
• Approximate Total Sapphire Weight: 1.04 ...

An elegant Art Nouveau silver brooch depicting a maiden smelling a rose. She is surrounded in a bower of climbing roses and enclosed in a frame of whiplash curves typical of French Art Nouveau. The clasp is marked for silver and bears the maker's mark of Fernand Boursot, who opened shop in Paris in 1894. THe brooch could be converted to a pendant with the addition of a bail at the top or a pair of bails and a split chain at the upper corners.

• France, ca 1895.
• Excellent condition; ...

A wonderful 18K yellow gold brooch depicting Diana (Artemis in the Greek pantheon), goddess of the hunt, animals (wild and domestic), and childbirth. She was also the protector of girls until marriage. Here she is shown with her The goddess is shown wearing her moon-studded tiara and with her bow and arrow attribute. This design was created by the nobleman Prosper, Comte d'Epinay de Briort, one of France's leading sculptors in the Art Nouveau style. He favored mythological subjects and sometim...

A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval brilliant cut amethysts and pearls. The gold surface is heavily decorated with applied wire-work and rosettes. The amethysts have vivid, even coloring. The pearls display good luster with a slightly rose overtone that nicely complements the amethysts. The jump ring is marked "Italy 18K." This is easily the largest and heaviest Venetian Etruscan piece we've had.

• Italy, ca. 1955.
• Excellent condition.
...

Napier silver plate over brass, c1955, three strand bracelet with center overlapping talon ends holding coral ceramic balls. It is 8 1/4" (20.9 cm) long and the three wheat chain strands together are 1 3/8" (3.8 cm) wide, not including the ceramic balls. They are each 3/4" (2.2 cm) in diameter. The bracelet was designed by Eugene Bertilli and is signed Napier on the clasp. It is in beautiful vintage condition with no plate loss that I could spot.

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop. It is also mar...

Centered with an intensely violet amethyst, this Victorian pendant will add a pop of rich color to any wardrobe. The gold setting in a fleur-de-lis pattern is adorned with natural seed pearls that contrast beautifully with the intense color and brilliance of the large amethyst. This piece was originally a brooch, but now has new life as a wearable pendant. Tested and guaranteed 14K.

• America, ca. 1890.
• Excellent condition.
• Dimensions: 7/8” x 1-1/16” (excluding bail and ...

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca. 1900.
• Excellent condition; no water damage or scratches.
• Dimensions: 7 1/2” long; 15/16” maxi...

French gold and sapphire stirrup cufflinks never go out of style. The strirrup (étrier) design was popularized by Cartier in the Art Deco era and continues to one of the most stylish elements in a gentleman’s jewelry wardrobe. The sides are worked in the classic curb link chain style and the hinged closures are capped with bright blue sapphire sugarloaf cabochons. Each cufflink is stamped with French 18K gold marks and un unidentified maker’s mark (“Ste DC”).

• Origin: France, ca 1...