A vintage c1930s-40s Mexican sterling silver double or sweater pin with two donkeys joined by a chain. They measure 2-3/4" x 1-1/4" and 2" x 1-1/8"; the brass chain is 1" long. Each donkey features a large claw-set natural malachite cabochon stone and each pin has a safety catch. It weighs 26.6 grams, it is stamped MEXICO SILVER with a joined NF maker's mark, and it is in excellent original condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs...

A wonderful late Victorian 14K yellow gold animal pin in the form of an English bulldog. The details are finely worked right down to the studded dog collar. The back is marked 14K and retains the original pinstem and clasp. A small folding bail could easily be added for wear as a pendant.

Origin: America, ca. 1900. Condition: excellent; all original; sharp detail. Dimensions: 7/8" x 11/16". Weight: 6.2 gr.

A solid 14k gold charm by Bernard Hertz. Marked 585 BH Denmark, it weighs 6.8gr and stands 7/8".

Mid-century silver and amethyst ring by Mexican Master silversmith Antonio Pineda. One of his very recognizable designs, perhaps you are fortunate and have the necklace, bracelet or earrings that match this ring. It is a size 5 1/2 - 6, weighs 11 grams, and is in fine original condition. There are no chips or cracks to the amethysts. There are inclusions under the surface of the stones as typical of amethyst. Signed as shown. Everything Antonio Pineda created is a masterpiece.

This 14Kt yellow gold filigree bar pin is from the late 1910’s or early 1920’s. The great filigree design is further decorated and centered by a bezel set 3 millimeter round faceted aquamarine. The length of the pin is 2 3/16” and the width is 3/16” – ¼”.

Vintage beautifully chased all around silver cross over adjustable ring as if by a fine Mexican silversmith, yet marked with a KACHINA DOLL MARK and STERLING for Maisel's?
Presently @ 9 1/2, yet can be adjusted up or down.
North to South: 1 1/8"
Band width: 1/4" ...

This is a wonderfully executed figural ring depicting a man in a turban with snakes on either side, made of sterling silver and decorated by a 5 millimeter round fire opal. The hall mark is a bell within a bell. The ring is size 6 1/4 and it can be sized.

A beautiful handmade sterling cuff bracelet with a wonderful minimalist, modernist center design from the White Hogan Shop which was in Scottsdale, Arizona. Some of the most famous Navajo Silversmiths worked in this shop including Kenneth Begay, Allen, George and Ivan Kee and Johnny Mike Begay. This bracelet measures 5 3/4" around in the inside plus an additional 1 1/4" opening. It is 2" wide in the front and tapers to 1 1/8" at the terminals...

A classic pair of mmid-Century modernist cufflinks by Lucien Piccard, featuring a circlet of round brilliant-cut garnets around a central plaque of gold enhanced with a Florentine finish. Piccard more often used synthetic sapphires or synthetic rubies in his cufflink designs. The garnets have a subtle, deep red coloring that contrasts beautifully with the richly-textured gold without being too flashy. Signed "Lucien Piccard" and marked "14K."

• Origin: America, ca...

Fabulous French glass beaded necklace in transparent chartreuse, opaque pink, opaque light green, and glass faux pearl beads. Not marked but probably by the French maker Louis Rousselet, who produced jewelry for many French couturiers. Circa 1960...

An elegant pair of Edwardian 14K yellow gold, platinum and mother-of-pearl cufflinks by Carrington. The round, slightly concave mother-of-pearl faces are centered with small natural pearls and enclosed within engraved platinum borders. Both the mother-of-pearl and the pearls have very nice luster and color overtones. Each face is hallmarked by Carrington, one of the leading American manufacturing jewelers at the turn of the 20th century.

Origin: America, ca. 1900. Condition: excellent...

A sophisticated 18K gold necklace, the baton links enhanced with black and white en plein enamel. The batons are separated by seed pearls that reappear as a band across the middle of the teardrop-shaped onyx pendant. The pendant hangs from the clasp, so the necklace can be worn alone or with the pendant. Both the clasp and the mounting of the pendant are stamped with French 18K hallmarks and an unidentified maker’s mark.

• Origin: France, ca...

This a an old gilt Hairpin used by Indonesian ehnic group during 30s, it is of flora pattern, in good condition and please ask for more detail photos. Thanks

Hand made modernist sterling and robin's egg blue(front) and white(back) enamel screw back earrings by Willett, c.1950's. They measure 3/4" square and are each signed "WILLETT STERLING" and are in fair condition, with some enamel missing et the edges.....$6 for insured USA shipping & appicable NY tax.

This late 19th century sterling silver bar pin features suspended medallions of classical profiles and other similar elements, exemplifying the iconic design of George W. Shiebler of New York. This piece was part of Shiebler's Etruscan or Homeric line. It has a secure modified C-clasp on the back as well as the maker’s mark of a winged S, and a design number of 590. It is also marked sterling. The pin measures 3 inches wide by a little over 1 1/2 inches at its longest drop. Weight: 20.9 grams

Edwardian 14K gold crescent moon pendant necklace set with round sapphires and pearls. The sapphires have a lovely medium blue color with just a hint of violet. The pearls are slightly button-shaped and have very pretty luster. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoon. Tested and guaranteed 14K.

• Origin: America, ca...

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls...

Formed as an arch with a central drop set with what could be polished obsidian. The stone has embedded diagonal bands of light brown, with an iridescent surface. There is a tiny chip to one edge; it is hardly noticeable and doesn’t affect the stability of the stone, which is quite secure. The back of the pendant is marked 925 on the bail, drop and arch; the arch also shows a London import mark, maker’s initials of ED, and the date letter for 1973...