Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

Robert Fulton Logan, Canadian, 1889-1959, drypoint etching, Factory Scene, image size 13 x 8 3/4 inches, pencil signed and numbered 61/100.

Oil on canvas of a clapboard cottage by a lake in spring, 18" by 24" with 3" frame, signed at lower left "J.C. FRANCES". I do not see a listing for the artist but he or she was obviously at the very least familiar with the paintings of Henry Pember Smith (1854-1907) and George W. Drew (1875-1968), who painted eerily similar scenes. This painting shows a gambrel roofed cottage with blooming pink blossomed trees and ducks----an idyllic spring idyll in New England or New York state perhaps...

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

Oil on board impressionist oil painting of architecture on dramatic coastal mountains, signed at lower right in red "A. Dickert" and titled there "Camogli". The coastal town renowned for its views is popular with tourists visiting the Liguria coast around Genoa. The work measures 13 1/4" by 10 1/4" (21" by 18" in its original black wood frame). The artist was born in 1878 but there appears to be little biographical information...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Original watercolor on paper, 6" by 10" (12" by 16" as framed), signed at lower right "William J. Schaldach, Jr." and inscribed at left "To Nellie, with love, from Billy". This could be an oriole but I am not an ornithologist. This is a very clean work and it appears not to have been opened since the 1960's or 1970's. A few tiny black spots visible in some photos are on the glass and not the art itself...

John Winkler, American, 1894-1979, "Standard Fisheries". This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching, "Bellisima", image size: 7x7, pencil signed

John Edward Costigan Open John Edward Costigan configuration 1888-1972 American This is perhaps the best known etching by American Regionalist, John E. Costigan. The title is: Fishermen Three, it was created and printed in 1938 and sold by Associated American Artists in New York. This etching has an image size of 8 7/8X11 7/8 inches Hand signed in pencil lower border. This image appears in the book, A Treasury of American Prints by Craven.

An example of the etching originally dating to 1891, "Sitzender Mannlicher Akt" (Sitting Nude Man), by famous German artist KATHE KOLLWITZ (1867-1945). The sheet measures 7" by 6" inside the mat, 16" by 15" as framed. This is a circa 1946-48 posthumous edition on cream wove paper, with the A.V.D. Becke blind stamp from Berlin Halensee impressed at lower right (which I have tried my best to photograph). Kollwitz was born in Konigsberg in the old East Prussia...

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Nicolas Mignard, French, 1606-1668, "Athena Advises Odysseus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Karl Dehmann, German, 1886-1974, "Woolworth Building Through the Arch," etching, 9 3/4 x 7 inches on 15 x 12 inch laid type paper. Printed in brown-toned ink. Pencil signed in the lower right. C. 1925.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes...

George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Joseph Hirsch, American, 1910-1981, Lithograph, "The Confidence", 1944,image size: 9 3/4X11 1/8", published by Associated American Artists, edition of 250, printed by George Miller, Awarded a purchase prize,Library of Congress 1945, Pencil signed