Oil on canvas river scene with fishermen, 12" by 24" (was 18" by 30" as framed---however I have misplaced frame and consider the work currently unframed), signed at lower left in red "Boddington" (EDWIN H. BODDINGTON JR, 1836-1905). This is a typical subject of this nineteenth century British artist, who is listed in most dictionaries of English painters of the Victorian era...

A PAIR of early portraits in pastel on paper, of a middle-aged man and woman (about 45 or 50 years of age), the male portrait signed along the lower right edge "E. Yohn 1841". The works measure 20 3/4" by 17 3/4" as framed. Considering the advanced age, condition of these fragile works is excellent. There is a small edge tear at extreme upper edge of the female portrait...

Pastel on paper laid on thick paperboard, 22" by 18", unframed, signed at lower left and dated 1921 by the artist, DAVID COMBA ADAMSON (1859-1926). In this drawing the artist shows his skill with the pastel medium. This is a sensitive portrait of an attractive young lady against an interesting striped pattern background, a red rose before her. There is no indication as to who she might have been (no writing/labels on reverse)...

Pastel on paper laid on board, the subject fruits and a porcelain cup on a tabletop, a vase with at top center, 20" by 15 1/2" (27" by 23" as framed), signed at lower right "Olds" (MARION VALE OLDS 1901-1993). The work is a fine example by this talented woman artist, the cramped artistic space and carefully thought-out arrangement of the objects in that space indicative of an artist of great talent who is taking from Cezanne as well as the WPA (I would guess the age as circa 1930's or 1940's)...

This is an exceptionally fresh example of the 1969 print "Summer", approximately 18" by 24" (25" by 32" framed) by the famous modern artist ALEXANDER CALDER (1898-1969). The print is protected behind Plexiglas, in a black shiny laminated frame. On the reverse is a certificate of authenticity from the Collectors Guild of New York...

Sir Francis Seymour Haden, British, 1818-1910, Etching with drypoint, "The Holly Field", 1st state, image size 2 X 4 7/8", pencil signed, 1860, Cat. S-33

Joseph Pennell 1857-1926 American This is a fairly scarce etching by American artist Joseph Pennell. The title is: Chelsea, No. II, it was created and printed in 1886, in an edition of only 20. Hand signed in pencil by the artist. The image measures 6 1/2X9 1/2 inches. This imag appears in the Wuerth catalog as image number 114. Printed on a medium weight wove type sheet. Chelsea Bridge is a bridge over the River Thames in west London.

Albert Abramovitz, Latvian/American, 1879-1963, "Construction Work, Moscow". A remarkable original linocut, image size 8 3/4 x 11 1/2 inches, c. 1930s, pencil signed and titled. Albert Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

A colorful and whimsical painting of tropical fruits in a basket, two birds adding to the charm, signed at lower right by early Haitian artist ANDRE SATURNE (1927-1983). The work is painted on board and measures 15 1/2" by 19 1/2" (19" by 23" framed in wood with gold leaf inner portion). Saturne was born in Petionville, a Port-au-Prince suburb. He attended the now-famous Centre d'Art in 1956 when the Haitian art movement as we know it today was just beginning to come together...

Albert Abramovitz, Latvian/American, 1879-1963, "The Hold Up". A dramatic original linocut by Albert Abramovitz, image size 6 3/4 x 5 3/8 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.

Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.

Original scarce to rare etching of the year 1910, "The Avenue, Valenciennes", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The print measures 10" by 13" inside the mat (12 1/2" by 15 1/2" in the framing). After the signature, the "imp." indicates that Pennell would have printed this himself...

Poem 70-10 is the kanji for day 日. It is a striking, simply executed print. Created in 1970, it is now over a half-century old. The print is 17.5in W x 24.5in H, large (but not huge). As Daniel Tretiak has said: In 1970 quite suddenly Haku Maki started producing truly large prints. He tells us that this one was large but Maki was destined to do even larger ones, that year and in 1973.

An 18th or early 19th century painting of a noble gentleman, oil on canvas, 30 1/2" by 23 1/2" on the stretchers 35" by 27 3/4" framed. This work does not appear to be actually signed, though there is much writing in blurred old ink on the stretcher in old German hand, seemingly identifying the sitter. The old style script and the way the ink has spread into the wood makes it all difficult to read...

"Arab Market Scene" by Dean Cornwell. Framed Print 22.5 x 30.5".

Japanese limited edition woodblock print by Tadashige Nishida (b. 1942) depicting a white cat set against a vibrant red background...

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972), titled "Head of a Woman" or "Trinity". Artist Proof. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25 plus a couple of proofs printed posthumously by Berkley Chappell. No lifetime edition exists. 16 1/4" by 23 3/4". cf: The Lost Works of Wendell H. Black. This works is illustrated as plate 12 in this volume.