This is an original hand-colored, 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century series in the small octavo size. Inside the present mat, dimensions are 6" by 10" (13 1/4" by 17 1/4" as framed). The title is "Clapper Rail or Salt Water Marsh Hen" and this is Plate number 310 in a long series of bird prints in the small octavo size...

Old (possibly 19th century, early 20th at latest) American watercolor painting of a small cove and beach, unsigned, 9" by 12 5/8" inside the present mat (13" by 16 3/4" in modern framing), with some experimental sketching by the artist on the reverse. On that side he/she wrote "Aug. 19 water deeper, especially in the curve". The drawing is by a talented hand which unfortunately did not sign it. Could be as early as 1880's, as late as about 1930 I would imagine...

Mid nineteenth century watercolor, gouache and gum arabic drawing on paper of a young woman with the ringlet hair and prim dark dress fashionable at the time, holding the back of a Hitchcock chair, all against an extensive landscape. The drawing measures 6" by 4 1/4" inside the mat, and comes with a newish 1" wide gold colored frame. I don't see a signature. The gum arabic has oxidized and aged and is crackly, with tiny losses in the sleeve, and her lower face has lost some detail...

Watercolor on paper, unsigned, 14" by 18" (19" by 23 1/2" as framed/matted), American, dating likely from the late thirties to the mid fifties. The work is obviously by a talented artist, considering the way in which the flowering trellis vine has been depicted. There is a Somerville, New Jersey label on reverse from the framing outfit, from 1959, naming an Earl Potter from Potterville, NJ, but I don't believe this is the artist's name...

Old vintage pastel on paper drawing of a New England landscape in the fall, including a white 19th century house and a lone figure, 12" by 9" (15 1/2" by 12 1/2" framed), no glass, signed very faintly at lower right corner as (I believe) "F. Will" (or, T. Will, or T. or F. Wills). I do not think the artist is the listed Frank-Will. This particular scene seems to be after a well known original by a noted American artist...

Interesting gouache abstract painting in subtle grays and blues, signed on the reverse side of the Crescent art board "Jeannine Isaacs". The piece, measuring 9 3/4" square inside the mat opening, comes in an aluminum frame without glass. I do not see a recognized, listed artist by this name. The art probably dates to the 1970's I would suggest. Condition is excellent.

A dramatic early black and white photo of the Empire State Building in Manhattan, photographer unknown, the structure featuring prominently at center of the image, surrounded by the lower buildings from which it emerges. The building was completed in 1931. Some information I saw online suggests the antenna was not placed until as late as 1952. The photo dates from somewhere in that period, and very likely to the early/mid 1930's...

An oil on canvasboard 1967 painting titled "Girl Clown", signed by listed American artist Denise Burns (born 1943). The work measures 14" by 10" (19" by 15" framed). A simple, colorful work sure to please the clown painting aficionado. Brush strokes and color reflect the skill of the artist. According to the AskArt listing for the Burns, she was born in New Jersey in 1943 and grew up in La Jolla, California...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians...

A painting on board, unsigned, subject one of the 21 California missions, the size 9 1/4" by 12" (12 1/2" by 15 1/2" as framed). The piece has some age but is not extremely old by any means. Gold frame adds to the appeal. For your Southwestern interior.

A watercolor painting of a fountain on an elegant seaside or lakeside property, 8 1/2" by 6" (12 1/4" by 9 3/4" framed), signed at lower right by listed Swiss artist JOSEPHINE VERNAY (1861-?). Vernay's birth/death dates are suspect, or possibly confused with those of her brother, artist Francois Joseph Vernay; one source lists hers as 1864-1950, the same as her brother's. My brief net research has failed to turn up a painting dated after 1918...

Contemporary pencil and watercolor drawing in simple metal gold framing, the subject two women apparently dancing in a late 19th century cafe, the drawing 8 1/2" by 5 1/4" inside the mat (the entire sheet significantly larger, at 11 3/4" by 8 1/4"), signed at lower right "Dan" or "Han" or similar. The scene reminds of George Grosz' 1920's drawings of Berlin cafe goers, or even Toulouse Lautrec's Parisian cafe's. The drawing is nicely crafted.

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow. The work is signed at lower right by the talented contemporary Russian gallery artist NIKOLAI TROSCHENKOV (1961-) and dated there 1989, and at lower left, I'm told, is the name of the town (all this related to me by Russian speakers)...

Impressionist American painting of a beautiful landscape in late spring or early summer, unframed, unsigned, contemporary, likely acrylic, on canvas laid down on a foamboard, measuring 20" by 24". The work is obviously by a trained and skilled hand. Condition is excellent; needs only a frame. This being a "standard" size at 20 by 24, a suitable, flattering, pre-made frame should be easy to locate.

Oil on canvas painting of a street scene, presumably in Israel, 16" by 11 1/4" framed, signed at lower left "Moshe M.". This does not appear to be by Moshe Mokady, the best known artist with whom that name corresponds closely. Nevertheless it is a competently handled work in excellent condition.

A work of fine calligraphy that stands on its own as a work of art, the drawing in watercolor, and gouache/tempera, with a reflective gold paint applied in small diamond shapes, by Southern California contemporary calligrapher artist CAROL HICKS. The work measures 8" by 11" (12 3/4" by 15 3/4" in gold frame). Close examination reveals a wonder of lettering, and even a pattern of finger-like branching three dimensional paint. Hicks stamped the backing with her West Hills, California address. ...

Chinese-inspired lithograph by American artist THOMAS SCOFIELD HANDFORTH (1897-1948), pencil signed by the artist at lower right, where the artist wrote ed. 25 - 9. Handforth was an American artist best known today for his etchings and lithographs, many of which dealt with Asian subject matter. Born in Tacoma, Washington, Handforth studied at the University of Washington, and later at the Art Students League and National Academy in New York. After military service in Europe in World War I, he ...

This is an etching by the important American artist JOHN SLOAN (1871-1951), titled "Dupont's Ride", on wove paper, in an edition of apparently 1,000 examples, published in Boston in 1902 by the Frederick Quinby Company. It is part of a series issued to illustrate the writings of French novelist Charles Paul deKock. Artist William Glackens did the primary work and then talented artists including Sloan, George Luks, Maurice Sterne and others were brought in to turn the images to etching. The pap...