Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

Color print, 8 1/4 by 12" inside the mat, 14 1/2" by 18" as framed, (no glass), the subject the famous booksellers by the Seine in Paris, Notre Dame cathedral in the distance, numbered at lower left 166 out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed...

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century...

Original etching on paper, pencil signed at lower right margin, titled on mat "Portuguese Fishermen", the subject the wharf at Provincetown, Massachusetts where the artist spent considerable time in the famous art colony. The work measures 3 3/4" by 5 1/4" inside the mat and 8" by 8 3/4" framed. This is by the noted American artist MORGAN DENNIS (1892-1960). Born in Boston, Dennis spent much of his life in Massachusetts, though he did live elsewhere including Key West, Florida...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

A small etching of a bearded, religious Jewish man, a title at bottom of the image in Hebrew characters translating approximately as "to good year you shall be written"---for Rosh Hashanah, the Jewish new year. The print is pencil signed at lower right by the noted, well-listed American artist LEONARD BASKIN (1922-2000). Baskin was born in New Jersey and educated at Yale, where he founded a small fine books press...

Fine etching of windmills in a landscape in a brownish-black ink, 9" by 11" (14 1/2" by 16 3/4`" framed), pencil signed at lower right by listed artist DIRK BAKSTEEN (1886-1971). The quality of the work is excellent, reminding the viewer of Rembrandt and other better known artists, though Baksteen is a somewhat obscure figure today. Born in Rotterdam and educated in art there at the academy, by 1912 he was in Mol, Belgium, becoming part of the "School of Mol" landscape artists...

A small etching, 5 1/4" by 4" (13 1/2" by 10 1/2" in wood frame) featuring the famous familiar front view of Notre Dame Cathedral in Paris, the foreground including the famous bookstalls and a number of figures, signed in the plate (in reverse) "Slanska" and with penciled "Eau-fort original/Slanska" in the lower margin. The name seems to be of Czech origin, and I have not located information on the artist. There is evidence of very slight hand coloring in blue, yellow and pink...

Complete original portfolio of etchings by Hirst Dillon Milhollen (American, Virginia, 1906-1970), complete and in excellent original condition, dated 1937. This portfolio contains 10 etchings of Haiti (plus one attached to the portfolio cover) and is number 24 out of fifty sets. All the etchings are pencil signed and titled by the artist. Hirst Dillon Milhollen is an American artist from Virginia who for years ran the prints and photographs division of the Library of Congress...

Nicely drawn impressionistic drawing of fresh peaches, the leaves still attached, apparently unsigned and measuring 8 1/2" by 11 1/2" (11 1/2" by 14 1/2" framed in oak). Would look attractive in a pantry or breakfast nook. Squarish light area at top is a reflection only.

Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

Hand colored botanical print, 8 3/8" by 4 3/8" inside the mat (the actual print as trimmed just a bit larger), 16" by 11 3/4" as framed, the words "Pub. by Wm. Curtis St. Geo: Crescent Aug. 1. 1798. S. Edwards del. ESansom sculp" below and "No. 417" at upper right corner. This is a decorative work with fresh colors, in the tradition of 18th century botanical engravings and etchings, by a noted artist...

Frederick H Swoffer, British School, early 20th century pair of prints of boys "La Guaira" plate signed on both F.H.S /25 one pencil signed below etching plate mark. Both matted. sight 5" by 6.5"

Oil on canvas, 16" by 20", unframed, signed at lower right in red "SOON" and with artist's device, signed there "86", the subject a thatched roof village fronting low mountains, clothes hanging to dry in the breeze. This appear to be most likely Korean art, perhaps by a Korean-American, considering the American size stretcher...

A contemporary drawing in gouache in the classic Indian manner, depicting mounted royalty on elephants, other mounted apparently royal figures (maharaja?) on a camel and horse, in an exotic landscape including a palace in the distance. The work is in the style commonly seen for at least 500 years in India and Persia. The artist has taken great care with the amazing details. Measures 13 1/2" by 10 3/4" framed. Possibly acquired originally in India (see reverse partial sticker).

A contemporary painting of figures, the principal subject staring into a cooking pot, the others seated in the background, signed at lower left and again on the reverse, where it is dated 2005. The work is mixed media (gouache and perhaps some thinned oil) on card, and measures 10 1/2" by 7 1/4" (24" by 18 1/2" in an interesting burl laminate frame). The artist is from Zimbabwe in southern Africa: MUNYARADZI MAZARIRE (born 1981). There is information about him online, with his impressive exhi...

A very colorful fanciful idealized Central American (or, Mexican) landscape painting featuring mountains, churches and colorful houses, birds, peasants working the fields, executed on what I believe is called "amate paper", a woody-looking amalgam that in some ways can resemble a cork board. The piece measures 23 1/2" by 16 3/4" as framed in wood (no glass). There is no signature. Condition is good despite the absence of glass; there are a few wrinkles in the paper at upper left that may hav...

Gouache on black paper, 11" by 17" (17 1/2" by 23 1/2" as framed), the subject a child-like angel in a nighttime winter landscape of fantasy, carrying a star staff, a doe like Bambi walking beside her. This was not easy to describe; best to just view the images! It is signed at lower right by artist HILDA GENTRY. I do not currently see a listing for this name, but do recall having seen something on the net about her at some time in the past. Other than some generalized rippling, the work is ...

An old watercolor painting of the famous Brandenburg Gate in Berlin, Germany, unsigned, circa 1940. The piece measures 9 1/4" by 7 1/2" inside the double mat and 14 1/4" by 11 1/2" as framed. The frame is modern and functional. Note the detail, including tiny figures and old cars and even double-decker buses. The gate, which dates to the 1730's, was severely damaged in World War II. I believe the artist may have created this during the war or just before it. It was not until 1961 that repa...

A small watercolor and ink drawing of the famous old Brulatour courtyard, 520 Royal Street in the New Orleans Vieux Carre (French Quarter), signed at lower right and dated there '51 (and titled/signed/dated again on the reverse backing) by New Orleans artist E. ALVA EDWARDS. Internet research suggests but cannot confirm that this be a work by one EDWIN ALVA EDWARDS JR. (1914-1988) of the Baton Rouge area. The clean piece measures 9 1/2" by 7 1/2" as framed. There does not appear to be an arti...

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained. The drawing appears to be laid down on another piece of paper or very...

Contemporary watercolor painting of whitish or pinkish roses, executed in a soft-focus manner, signed at lower right by artist Jean Percival. I do not see a listing by this name but we're looking at a talented artist. The work measures 13 1/2" by 9 1/2" inside the double mat opening and 21" by 17 1/2" framed. Silvery frame exhibits light wear. There are reflections in some images.

A watercolor painting of pine or cypress trees on the coast, perhaps a place like Carmel or Santa Barbara, measuring 14 3/4" by 18 3/4" (20" by 23 1/2" framed). The work is unsigned, (I have opened it up to peek inside, no writing anywhere) and judging from the framing it could date to the 1970's or 1960's. The artist used quality Arches paper (see blind stamp of same). The painting is clean and problem-free; over the years it has slipped inside its mat so will have to be probably re-affixed.

Watercolor on paper, with skilled use of wet-on-wet technique, 19" by 27" (31" by 38" as framed), the subject quite possibly a city with figures, (but that is just a guess---only the artist knew for sure), signed at lower right "G. Benaroyo" (or "Benaroya") and dated there 1962. I believe Benaroyo or Benaroya is a Jewish surname, and I discovered upon opening this up that there is writing in Hebrew on the back of the work, the words "Benaroya landscape" and the original $150 price. I do not se...

Watercolor on paper, unsigned, 15 1/2" by 11 3/4" and a 1/2" wide narrow modern frame, no glass, probably dating to circa 1950, the subject a fluted column 19th century style American framed mirror with flowers in a vase placed before it. This is a simple composition but the anonymous artist was obviously skilled in the use of watercolor and also had a sense of composition. There is a modernist touch, in the way the flowers are stuffed into the foreshortened space. Condition is good, with the...

A small very nicely painted contemporary work in watercolor and gouache, the subject water's edge with tidal rocks and sand. Measuring 10 1/2" by 12 3/4" framed and nicely matted, the work is signed at lower left corner by artist "Greenaway". The framing sticker on the reverse from San Luis Obispo suggests the possibility that the scene is somewhere on the central California coast.

Watercolor and ink drawing of the iconic world-class sight, the Parthenon atop the Acropolis in Athens, Greece. The work is signed in red in Greek at lower right and there is an inscription in Greek handwriting on the reverse. Measurements inside the deep blue mat are 10 1/2" by 7 3/4" (16 1/2" by 13" in simple undistinguished strip frame). The artist has captured with considerable skill a sight that will never be forgotten by anyone who has seen it.

The Size of Painting :22" W x 15" H
The Title: Boy and No.17.
Artist: Edward Kawanabe
Medium: Pastel on Paper, unframed.
Signed by artist : E Kawanabe. on lower left.
The year of Work: 1978.
The condition of Painting: Excellent.
This is very interesting pastel drawing done On black drawing paper.
Artist used black background space
very wisely to express space.
The subject of pastel painting subject
is also interesting.
The boy and...

Watercolor on heavy paper landscape with house on a moor at sunset, a distant hill at left and blooming white wildflowers in the foreground, measuring 8 3/4" by 11 1/4" inside the mat, 17" by 20" in a simple old wood frame, and signed with initials that look to me like "R.E.M."---but this is just a guess. The piece likely was created in the last years of the nineteenth or early years of the 20th century. The shape of the house suggests to me an English rather than American origin. Condition i...

Circa 1940's oil on canvas floral still life painting, 24" by 30", signed at lower right Helen Hayes. This is a competently painted work that has seen some neglect. Sold in as-is condition, since the bottom roughly five inches, as shown in the photos, has significant pinpoint losses. Each is small but the overall effect is almost as if someone dipped the painting in water, leaving a "bathtub ring". Study the photos carefully. Could be restored or if you are a restorer and can do it yoursel...

An original watercolor painting of a pueblo in New Mexico against a dark blue sky, traditional pots displayed in foreground. The work, 13 3/4" by 10" on heavy watercolor paper (24 3/4" by 20 1/2" framed) is unsigned. It dates to the late 20th century and was likely created by a talented amateur artist, perhaps for the tourist trade. The designs on the pottery suggests this is possibly Zia Pueblo.

A contemporary American painting of a tabby cat next to a vase with flowers, 13 1/2" by 10 3/4" (16" by 13" in white frame), signed at lower right RS and dated there 2008. The artist was a talented amateur but he/she has created an attractive and coordinated scene in black, white, gray and blue. The frame has some smudges that come off with some rubbing and there are a few corner chips.

Small oil on canvas laid on board, 9" by 7" framed, unsigned, the view being an extensive hazy landscape with high snowy peaks in the distance, a spindly tree in the middle ground. I have searched without success for a signature. Likely dates before 1940 and more than likely by a listed artist. Light areas in immediate foreground are probably old losses, which have been in turn varnished over.

Oil on canvas painting of pinkish flowers in a clay pot against a blue drape, unsigned, circa 1950's/early 1960's, 20" by 16" (22" by 18" in simple wood frame). The work was found in Virginia. Obviously by a trained artist. Note the shadows cast at left---well handled. Condition is excellent. There is a very small disturbed area on frame at top.

This is a relatively earlier (1976 or before) work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996). Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled with tourists when they returned from holidays. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or possibly oil or acrylic on paper. Som...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery. The artist painte...