Four left. Using a limited palette of 3 plus white, all 6 gems - lively small studies were painted by self learned painter Mimi Dee, depicting regional big skies, river, marsh, crossings, birches, lavender hued hills, rocks, expressive twisted trees, etc. Five have the word: Path in the title:

(A) River... ID 0405171106...

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

A watercolor portrait, on natural wafer, of a handsome gentleman attired in a black jacket and vest with a pale pink cravat. Housed in a very heavy and well-made brass case with the reverse side being fully glazed over fabric.

The condition of the painting and the case is excellent, with no flaws. The white dots and background color variations are just due to exterior dust and light reflections. Overall size is 2 7/8" by 2 3/8".

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell...

Original oil on board by Albert Pels (American painter and muralist, Cincinnati, New York; 1910-1998). Circa 1936. 19" by 16" painting alone, 26" by 22" in its period frame. Provenance: Art Academy of Cincinnati).

Painted in watercolor on organic material, this fine example of Wood's work depicts an older man with blue eyes and pigtailed hair dressed in a black jacket with gold buttons, and a white vest and stock. Housed in its original case, with the glazed reverse having fancy hairwork over a on a white glass backing.

The painting is in excellent condition, with no cracks, bowing, or paint loss...

A naïve miniature watercolor on wafer painting of a gentleman with a piercing gaze and a neatly trimmed beard. Set against a darkish green background, he is wearing a black jacket, vest, and tie with a stickpin. In a cast foliate case with a coil of plaited hair in the glazed window on the reverse.

Condition is excellent, with no issues. Sight size is 2 1/8" by 1 3/4", and the overall size is 2 3/8" by 2".

Rolph Scarlett expressionistic painting

Mid 20th century

Medium - oil pastel

Image size - 13 3/4" x 16 1/2"

Size including frame - 21 1/4" x 24 1/4"

This vibrant and colorful work is displayed in a contemporary frame and has not been examined out of its frame

Signed lower center right

Very nice condition with no issues to note

Manuel Robbe, French, 1872-1936, "Le Bouquet de Violettes," etching, plate measures 7 1/2 x 11 3/4 inches on 22 3/4 x 16 1/4 inch watermarked arches laid type paper. Colored etching and Aquatint. C. 1903. 1st state, edition of 65. Larger edition of 100 after signature was added to plate. Pencil signed in the lower right. Catalog: P-K 105. An intimate portrait of a young woman in her dressing room affixing flowers to her dress.

Henry Sadd, British, 1811-1893, "Lord Viscount Nelson, Duke of Bronte," Mezzotint, plate size measures 15 1/2 x 20 1/2 inches on 25 3/4 x 20 inch wove type paper. From a painting by J. P. Knight. C. 1845. Engraved for the New York Albion, January 1st. 1845. Lettered below the image with the title in open, strengthened letters, around a crest with the motto 'Palmam Qui Meruit Ferat', and 'Born at Burnham Thorp, Co. of Norfolk, Sep. 9th. 1758.

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West...

Louis-Auguste-Mathieu Legrand (b.1863-d.1951) Original mixed media of gouache, etching, collage, and ink drawing of a French can can dancer c. 1900 signed lower left. Louis Legrand was an important artist of the Belle Epoque in France in the late 19th and early 20th centuries. He trained at the Ecole des Beaux-Arts in Dijon and in 1884 moved to Paris. In good condition some minor touch ups to gouache paint. Image measuring 10.5"x11.5" overall framed size 17"x18.5"

Original oil painting on canvas by Henri D'Estienne (France, 1872-1949), of a Mediterranean vista, circa 1900-1910. Signed by the artist l.l. 25" by 29" in its original frame. Henri D'Estienne was a student of Jean-Leon Gerome, and is mainly known for his Orientalist paintings. His works are held in a number of museums, including the Musee d'Orsay...

An absolutely charming painting, done in watercolor and gouache on organic wafer, of a male toddler. A label on the reverse states "J.C. Holt/at 1 yr./1831".

Housed in its original gold case, neither the painting or the case have any condition problems at all. The size is 1 3/4" by 1 1/2".

Impressionist nude female oil painting on canvas c.1920s. Presented in a Dutch impressionist parcel gilt wood frame. Canvas measuring 20 x 24 in excellent vintage condition.

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

A charming miniature portrait by Susan Penelope Rosse, executed in gouache on gesso-washed vellum or card. The sitter is a sweet looking girl with long hair, wearing a blue gown with white lace edging at the bodice. The case for the miniature deserves special mention, being a flip type made of testudines shell with gold mounts.

The painting is in quite fine condition, with no issues, as is the clever case...

A nicely done watercolor in natural material portrait of a young woman. Complementing the blue background, the sitter is presented with blue eye shadow and a blue ribbon and bow in her hair. The glazed reverse of the gold filled case is covered with a nice display of woven hair plaits.

Condition is excellent, with a case size of 1 7/8" by 1 5/8".

A nicely done portrait miniature of a gentleman, executed in watercolor on natural organic material. Housed in its original ebonized wood frame which has an interesting musical motif as the hanger base.

No condition issues for either the painting or the frame. Sight size is 2 7/8" by 2 1/4", and the framed size is 4 3/4" by 4 1/4".

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".

Original 19th Century albumen photograph by Jean-Pascal Sebah (1872-1947) of the New Hotel in Cairo. Circa 1888-1895. Titled l.l. Signed in the plate l.r. Jean-Pascal was the son of Pascal Sebah (1823-1886) and took over the family studio in Constantinople in 1888. The studio specialized in scenes of Egypt and the Middle East.

Original 19th century albumen photograph by Jean-Pascal Sebah (1872-1947) depicting the old Cairo and the island of Rhoda (the photograph is titled in the plate l.l "Vieux Caire et Ile de Rowdah"). Signed in the plate l.r. Jean-Pascal Sebah was the son of Pascal Sebah (1823-1886). He continued the family studio in 1888 in Constantinople. The studio specialized in scenes of Egypt and the Middle East.

An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G...

This note discusses print 76-26, which Daniel Tretiak called "Maki’s little green Leisure Time."

Louis Auguste Mathieu Legrand, French, 1863-1951, "Première Danseuse (Soloist)" etching, aquatint, and drypoint. Image size measures 15 3/4 x 11 1/4 inches on 20 1/4 x 14 1/4 inch wove type paper. IV/VII state. April 1st, 1908. Catalog: Arwas 363. Seven states. Plate signed in the upper right, pencil signed and numbered in the lower right. Collector's stamp in the lower right. Numbered 89 in an edition of 100...

Francois van Severdonck, Belgian, 1809-1889, "Sheep and Lamb in a Spring Landscape", Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse. A luminous painting with striking color and detail.

Edmund Blampied, British, 1886-1966, "En Promenade", etching, plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print. Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100.

Heinrich Vogeler, German, 1872-1942, "Death and the Old", etching, image size measures 5 1/2 x 3 inches, plate measures 6 5/8 x 4 1/4 inches, on laid 11 1/2 x 8 3/4 inch paper. A haunting image with interesting linework. C 1896. Catalog: Rief 11, Wohl 11d (von f). An early impression. Pencil signed in the lower right with the word "Worpswede," the artist's colony that he was a part of.

Rare bronze shishi statue by renaissance artist/potter, Tsukigata Nahiko. This solid and impressive bronze is well sculpted with wonderful details and prominently signed on the rear depicting the "god of wealth or household", Daikoku with his mallet and bag of plenty, one of the Seven Lucky Gods but cleverly represented by a shishi, lion dog which Tsukigata used in a number of his bronze sculpture...

Original oil painting on canvas by Catalan painter Modesto Texidor (aka Modest Teixidor; Spain, Barcelona, 1854-1928). Circa 1895-1897. Signed "M. Texidor" upper right. 31" by 20" painting alone, 38" by 27" in its probably original frame. Modesto Texidor studied with Bastien-Lepage and Carolus Duran in Paris. He exhibited regularly in the Salons de la Societe des Beaux Arts (from 1895 to 1899). A wood engraving published in the late 1900s was created to reproduce this painting. A rare work...

Original oil painting on canvas by Moscow-born Abraham Solomon Baylinson (Russia, USA, 1882-1950). Circa 1932. Signed l.l. Also signed on the stretcher and titled "Nude" by the artist. Inscribed "CB-15" and dated 1932 on the canvas verso. 16" by 12" painting alone. 22" by 18" in its frame. A.S. Baylinson studied at the ASL, the National Academy of Design, and the New York School of Art with Robert Henri (alongside fellow students Edward Hopper, Yasuo Kuniyoshi, Rockwell Kent, etc.) He tau...

This latest painting depicting a tree on the grounds of Phillips Academy in Andover Ma can be viewed at the Andover Historical Society "Places" juried art show from 09/09/17 through 12/22/97 and is signed by this self learned painter as Mimi Dee at lower left. It is housed in a hand painted frame by same.

Title: Tree - Phillips
ID# 0808171110
Image: 5 X 7" - a perfect fit for that small office space!
Medium: Acrylic on artist panel
Frame: Gesso textured and painted by...

Last exhibited at Reading Art Association of Reading MA.
This latest original landscape painting by self learned painter Mimi Dee depicts a deep red road and looming large far reaching limbed tree with a twisted trunk joined by a grove meeting at that buttery yellow luminous sky that this painter relishes so. All this with a very limited palette of 3 plus white!

Remember kids you do not have to take art lessons nor waste time on a college degree to paint...but you do need a degree to be ...

Charles Adams Platt, American, 1861-1933, "Hartford Bridge," etching, plate measures 11 1/2 x 17 1/2 inches on 19 1/2 x 25 1/4 inch handmade Japan paper. Drypoint from 1885. Catalog: Rice 70. An etching of the covered bridge with the Statehouse in the distance. Pencil signed in the lower right, plate signed, titled, and dated in the lower left. This print has good plate toning and a rich drypoint burr. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art St...

Sir Frank Brangwyn, British, 1867-1956, "Scaffolding, No. 1 (L`Échafaudage)," etching, plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

Incredible Mexican Muralist painting of David Alfaro Siqueiros. The painting depicts Siqueiros reviewing the Miners.In 1926 Siqueiros joined a Jalisco-wide union in 1926 and made demands for better pay and working conditions to the company, which they chose to shut down the mine rather then capitulate . Siqueiros depicted in the center standing on what would be a reoccurring theme a tuft or outcropping of land His back bent almost broken His right hand shown to be giant holding a lit "bom...