Pencil signed color print, 1992, issued by Greenwich Workshop, numbered also in pencil 15856/48000, by the noted contemporary American western artist BEV DOOLITTLE (1947-). The print is titled "Eagle Heart" and shows a Native American Indian chief on a white horse in a carefully arranged late autumn landscape, the snow patches on the rocks, in shadow, shown as an electric blue color, the central subject standing out dramatically...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name...

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus...

Oil on board, (ONE OF TWO BY THE ARTIST IN MY SHOP), 4" by 7 1/2" inside the mat (7 1/2" by 11 1/4" as framed) signed at lower left in green "Six" and dated there "32", the subject the iconic saguaro cactus of the southwestern American desert at sunset. Because that species of cactus grows naturally only in Arizona, we can assume that this is indeed an Arizona scene...

Pencil drawing on paper, 4 1/4" square inside the mat, 9 1/4" by 9 1/4" as framed, signed at lower right "Luce", the subject an elderly man at left and elderly woman at right, both reading a letter or periodical. The paper is browned with age, though, evenly, and there's a small crown-shaped stain that looks like an ink blot, irregularly shaped, at lower right. The work is affixed to a board on which is written in old hand "No. 20"...

Oil on canvasboard, 14" by 10" (19 1/4" by 15 1/4" as framed), signed at lower right in red "K. L. Weatherly" and dated there 1940. One of two works by this same artist I acquired at the same time, (the other one also in my shop), this is an impressionistic view of a southern American regional landscape, a swamp or lake with bald cypress and Spanish moss hanging from the trees. Such a scene would normally be encountered in a place like the Louisiana bayous...

Watercolor on paper painting of flowers in a short vase in a dish, a piece of fruit and a small book nearby, 11" by 15" inside the mat, 19 3/4" by 24" as framed, signed at lower right by the artist and dated there 1970. I do not see a lot of biographical information on the artist, but he did apparently work in a modernistic style, as Paul Klee or Lionel Feininger inspired semi-abstract or abstract works have appeared at auction in Germany...

Large folio size (19 1/2" by 24" inside the mat, 24 1/2" by 20" as framed) hand colored 19th century original vintage lithograph print (1867), titled at bottom "Horses at the Ford" by the iconic American print makers Currier and Ives. A great piece of Americana, this print is apparently rather scarce. Hand coloring in various shades of green, mostly, makes for a most attractive example. I have had an opportunity to examine this out of the frame...

The famous large folio size Currier and Ives lithograph of 1864, "Winter in the Country" (sometimes referred to by its subtitle, "Getting Ice") is a very desirable image, and the original printing is very rare, highly coveted by collectors, and in 2002 with the late George Cohenour of Pennsylvania, Currier expert and publisher of a widely used price guide, that print is likely the most rare in the entire Currier and Ives production history...

Oil on canvas, 13 1/2" by 9 5/8" in its thin old frame, signed at lower center "Ellen B. Farr", the subject her typical signature pepper tree leaves and the distinctive red "berry" seed pods. Farr (1840-1907) is quite appreciated today for her California paintings of pepper trees, still life works of poppies, citrus, native indian baskets, and landscapes...

Watercolor painting of a sunny meadow by the sea, vegetation partially obscuring a distant view to a coastline, 9 1/8" by 13 1/4" (16 1/2" by 20" in wood strip frame), signed at lower right by American artist HARRIET WINSLOW HAYDEN (1840-1926)--some give date of death as 1906. Hayden worked in both Massachusetts, and, later, in Colorado, where she became an active member of Denver-area art groups...

Watercolor on paper painting of the famous belfry towers and facade of the St. Louis Cathedral on Jackson Square in New Orleans, Louisiana, possibly signed at lower right (illegible), 10 1/4" by 7 1/2" inside the mat, 16" by 10" framed, circa 1960's or 1970's I believe. The work is framed in an old, beveled dark oak quality frame that likely considerably pre-dates the art. When framed, someone wrote the title "St...

Oil on burlap type canvas, unframed, 29 1/2" by 15", signed at lower right "BEKE", date circa 1950's or early 1960's most likely. The scene is a classic Mediterranean coastline in Italy or Spain, or, just a generic Mediterranean scene conceived by the artist. I don't see a listing for this artist so am offering this as a decorative piece. It is soiled, and would brighten substantially with a professional cleaning.

THREE pencil signed etchings, all of orientalist subject matter including possible temples, mosques and bazaars, all unframed, by the Dutch artist MARIUS BAUER (1867-1932). Bauer was born in The Hague and died in Amsterdam but in his lifetime strayed far from the confines of the Netherlands, visiting the Middle East, India, Russia, North Africa and the Dutch East Indies. A precocious talent, he received art training at an early age. By age 21 he had already visited Istanbul in Turkey, an exper...

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow. The work is signed at lower right by the talented contemporary Russian gallery artist NIKOLAI TROSCHENKOV (1961-) and dated there 1989, and at lower left, I'm told, is the name of the town (all this related to me by Russian speakers). On the reverse in longhand i...

Watercolor on paper, with skilled use of wet-on-wet technique, 19" by 27" (31" by 38" as framed), the subject quite possibly a city with figures, (but that is just a guess---only the artist knew for sure), signed at lower right "G. Benaroyo" (or "Benaroya") and dated there 1962. I believe Benaroyo or Benaroya is a Jewish surname, and I discovered upon opening this up that there is writing in Hebrew on the back of the work, the words "Benaroya landscape" and the original $150 price. I do not se...

Pastel on paper, 11" by 23 1/2" (15 1/2" by 28" in its original stained oak veneer frame), unsigned, the subject a beautiful still life arrangement including a number of peaches and bananas in front of a tilted bowl or possibly basket. I think the work dates to about the year 1900 give or take a decade or two. Condition is excellent, with just a little pastel dust adhering to the glass. I recall having seen some time ago a photo of an oil of this exact arrangement, the painting being by Calif...