This 1911 drypoint etching by Frank Short measures 9 3/4 x 13 3/4 inches, pencil signed, cat: Hardie-350.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.

The latest original regional marsh painting by this painter. A peaceful serene marsh scene depicting stark trees with the appearance of multi color leaves at their base. Look to the trunks and limbs to find the sky colors there too. The rock lined path takes you to the mid ground where you will find one white heron eying its meal in the marsh waters and two other birds in flight.

What this artist relishes painting is a distant luminous sky...sometimes subtle...sometimes more pronounced.....

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

Commissioned portrait of a beautiful chestnut brown slim rescue shelter dog whose reversed dark spinal fur resembles that of a Rhodesian Ridgeback.
When this painter spent time with her, Sofie struck such a stance as if reviving an ancestral show pedigree pose...

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Original engraving on copper by Wendell H. Black (American, 1919-1972), first edition of 25 printed posthumously by Berkley Chappell, and signed by Elaine Black the artist's wife. In excellent unframed condition. Titled in pencil l.l. and numbered 7/25. Signed and dated in pencil l.r. :Wendell Black '54 by Elaine. Also signed by Berkley Chappell and marked "imp". 7 3/4 by 13 1/2 image alone. For information regarding this artist and this print please see "The Lost Prints of Wendell H...

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r. This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated '70 l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25. Signed and dated l.r. 23 1/2 by 35. In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Rare original lithograph by Franz Bernheimer (Germany, USA, Israel, 1911-1997). Signed in pencil l.r. and dated 1958. Also numbered No35 in pencil l.l. Bernheimer was born in Germany. He studied art in Munich and Zurich before WWII. He escaped Nazi Germany and emigrated to the USA via Cuba. He taught at Brooklyn College, at Sweet Bryar College, and eventually moved to Israel where he taught at Haifa University.