An unusually fine watercolor and ink drawing of palms adjacent to what appear to be Mediterranean-architecture buildings in a landscape, signed at lower right with what appears to be "Ed. Gilmond" and dated there 1926. The artist is actually Belgium-born Edgar Gilmont (1887-1949). The drawing measures 20" by 15 1/2" inside the mat...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house...

Larger sized gouache on paper laid on board painting of the dramatic world-renowned coastal Italian island of Capri, unframed, 17" by 24 1/2". The work is signed at lower right "G. Corelli" and is titled at lower left "Isola di Capri". Note the stillness of the scene, and the handling of the haze and reflection. This is a classic work from the school of painters that specialized in views of Capri, Naples, and the Amalfi Coast...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

Watercolor with touches of gouache painting, on heavy grade watercolor paper, the subject a small ranch on a coastline, 18" by 29" (26" by 39" framed), unsigned, the subject I feel possibly in Hawaii or Australia, given the scenery and the obvious tropical touch (the plantation-shutters and banana trees, and the detail of the front of the structure). Unfortunately I have not been able to locate a signature anywhere...

Lithograph on paper of a World War I soldier, 12" by 9 1/4" inside the mat (20" by 17" framed), signed and dated in the plate 1915, by the important Swiss-born artist THEOPHILE-ALEXANDRE STEINLEN (1859-1923). Steinlen was born in Lausanne on Lake Geneva in 1859. After training at a textile mill in eastern France, he moved to Paris and the Montmartre literary and art scene. He found the scene creatively nourishing, and went on to spend most of the rest of his life there...

Watercolor on paper painting of a large sailboat off a lighthouse at the coast, some industrial looking electrical towers completing the scene, 9 3/4" by 13 1/2" inside the mat, 16 1/2" by 21" framed, signed "DNadson" or similar at lower right. This is well painted by a skilled but unidentified artist. Found in Los Angeles. Condition is excellent.

Watercolor on paper painting of classic buttes and mesas of the great Southwest, possibly Arizona or Utah, 22 1/2" by 28" as framed, the work signed in very small writing at lower right with what appears as "E. T. Bell" and dated there July 4, 1933 (or, possibly, 1935). The painting is a strong watercolor by a talented hand but if I am reading this correctly, there does not appear to be a known artist of that name...

Found in Phoenix, Arizona, this is a striking and unusual modern work by a talented but so far unidentified hand, 20" by 24" plus narrow simple wood frame, signed at lower right and dated there 1981. The scene is buildings, depicted in a semi-abstract, even cubist manner, all in various earth tones such as cream, tan, brown, and yellow. A pale blue sky and foreground makes for a cooling, interesting contrast. The Christian cross towering over it all adds a mysterious element...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown...

Watercolor and gouache on paper laid on thin card painting of a typical street scene in an Austrian city, 12 1/2" by 8 1/2" (17" by 13" in circa 1920's black frame), signed at extreme lower left corner and dated there 1917. I have spent considerable time trying to determine what the signature says....I tried Seiler and other similar combinations but so far seem to be unable to link this to a listed artist, though the quality is undeniable...

Pencil on paper drawing of a young man, in true 1930's American Scene style. The work measures 12 1/4" by 9 1/2" inside the present mat, the full sheet extending under the mat (some of the drawing is hidden by present mat) 14 1/2" by 11 3/8". The work is unsigned. I would imagine that the artist would be someone listed, judging from the quality and sensitivity of the portrait...

Oil on canvas painting of a woman in a verdant landscape, 30" by 24", unframed, titled on the stretcher "NUDE HOLDING FLOWERS", and also signed there, "by Greg Harris 1981 Feb.". This is a quite early work by an artist now firmly established in the contemporary impressionist art scene nationally, GREGORY FRANK HARRIS (1953-). Harris was born in Southern California to parents that included a painter mother...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882. The artist is JOHN WHITE ALLEN SCOTT (1815-1907), an accomplished Boston artist who was active in New England and the Catskill Mountain region of New York from th...

Pastel on paper laid on board drawing of trees and fields, a shed providing a human element, 7" by 9" (11" by 12 3/4" framed), signed at lower right "R. Nourse". This is a very fine little drawing with a touch of post-impressionist Van Gogh and other artists especially in the branches and trunks of the tall trees. The only listed artist with the name Nourse is Elizabeth Nourse. I see there is a Rebecca Nourse but the time period does not correspond to the drawing which likely dates to the mid...

Oil on canvasboard painting of a greatly simplified vase with flowers, unframed, 16" by 12", signed at lower right "Dieter" and bearing on the reverse the title "Spring Bouquet" and "W. D. ZANDER/25 EAST END AVE/N.Y N.Y 10028". This is a work, possibly circa 1970's or 1980's, by a long-lived gentleman with an extraordinary life history, who happens also to have been a very talented artist. Zander was born in Germany in 1915, and educated in Neuchatel, Switzerland. He was drafted into the Germ...