Very subtle and elegant oil on canvas, 24 1/2" by 30" (27 1/2" by 33 1/2" as framed) signed at lower right by listed Midwest artist MARY C. PETERSON and dated "31", showing an Asian inspired still life scene in monochromatic minimalist tones of beige, gray and tan. The artist added just a spot of color at lower left where two iris are in full flower. This is a particularly easy to live with painting---I enjoyed it on my wall for quite some time...

Oil on canvas large painting of an interior, 40" by 30", approximately 46" by 34" in white frame, signed at lower right by the artist ERWIN WENDING (1914-1993), and dated there "58". The image and colors used are rather expressionist, in the manner typical of the few Wending works that have appeared on the market. According to an online biography, Wending was born in Freiberg, Germany in 1914, the year in which World War One began...

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

Pencil on watermarked paper drawing of a tall female nude, 16" by 11 1/4" inside the mat, 23 1/4" by 18 3/4" framed, signed at lower right by the artist and dated there 1933. DAME ETHEL WALKER (1861-1951) is a modern British artist of significance, known for an impressionistic and poetic style with subject matter ranging from portraits and studies of the female figure to seascapes, landscapes, still life florals, and decorative compositions featuring mythological and allegorical material...

Oil on canvas, 17" by 9" and thin original wood frame, signed lower left "M Stuart", depicting a young woman in greenish gray paint. This is more a work of figural art, really, than mere portrait. The sitter is unknown, as is the artist; there is a listing for a Mimi Stuart (1959-) but I am not convinced this is by that artist. Signature looks as if it could be by a British hand, judging from the style of writing. It is a professional signature, though, and this is not a work by an amateur...

Oil on canvas, 14" by 21" (20" by 27" as framed), the subject a landscape near the sunset of a winter day in the Netherlands. Classic elements of the scene include bare trees, billowing gray clouds, a distant windmill, modest waterside homes, small boats, and a figure with her back turned towards the viewer...

‏Oil on canvas painting of snowy high mountain framed by a lake and trees, unusually large size for the artist's works at 20" by 36" (24 1/2" by 40 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette almost certainly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this one being by him as well...

Watercolor on painting of Pirates Alley in the famous French Quarter of New Orleans, 14 1/4" by 5 1/4", 23" by 9 1/2" framed behind non-glare glass, signed at lower left by the well-known New Orleans artist ROBERT M. RUCKER (1932-2001). Rucker is recognized for his contributions to art of New Orleans, the lower Mississippi River valley, Louisiana, and the Old South...

Watercolor on paper painting of an old wooden church of northern New Mexico, signed at lower right by artist ROSS PAXTON (1931-2003). The painting is very impressionistic. Paxton was born in rural northeast Oregon and went to college in Albuquerque, and later lived in New Jersey, furthering his art career in New York City. After serving in the Army, in the Korean War, Paxton remained in New York for much of his life, an illustrator for AC&R ad agency, and handled major accounts...

Watercolor on paper drawing, unframed, 15" by 21 1/2" inside the gold mat, the subject two proper late Victorian women with parasols, on a small boat in a lake landscape, towering trees in the background, signed at lower left with what appears as "D. G. Streeton", and dated there 1898. This is a nicely executed work, probably American. I cannot seem to match it to a known artist. It is not the work of Australian Arthur Ernest Streeton...

Watercolor on heavy paper laid on board, 30" by 22", unframed, signed at upper left corner in ball point pen "Ernest W. Scanes, 3/25/66, Otsego Remnant". Scanes (1909-1994) is best known as a Michigan artist, certainly a Midwest artist, but also, due to his illustration of books and ads, he is known as an illustrator as well. I have previously owned a 1947 gouache, also of skiers, and am currently offering a charcoal drawing by him in my shop...

Oil on canvas painting of fruits in a shallow dish, 6" by 12" (10" by 16" nicely framed), signed at lower right by the well-known American artist ALEXANDER BROOK (1898-1980)...

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P. LATIMER (1857-1941), but Latimer had many students who painted in his style, (including his son), so we cannot be a...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period. As such, it is not in perfect condition; but is certainly in good enough condition ...

Large (21 1/4" by 30 1/4" plus 3 1/2" mat and gold frame) highly detailed drawing of a royal Indian elephant festooned with festive "hat", bells and rug, seen in profile, and surrounded by a decorative floral border. This is classic Indian art executed in a traditional style, though I believe it is of fairly contemporary age. The silk is backed by rather cushy, soft material. Frame is in good condition with minor wear. The art itself has a few very small abrasion marks and losses due to dryi...

Charcoal drawing on paper laid on thin board, 28" by 38", unframed, signed at lower right "McBride". I am not familiar with the apparently unlisted artist might be but he or she was talented and possibly familiar with the San Francisco School/California School, Northern California School of art---artists like David Park, Nathan Oliveira, Elmer Bischoff and Manuel Neri. The haunting face especially reminds me of some of these esteemed artists' works. Condition is generally good with a few mino...

“Venice” oil on canvas 20 x 24 Claudio Simonetti was born in Rome, January 29, 1929, into a family of artists. From his father he inherited his love for art and interest in colors. He began his studies at the Rome School of Art, and after these studies, he traveled extensively throughout Italy and France, where he painted from nature and learned from his associations with other artists. He still paints and exhibits regularly in Rome, Venice, Naples, Milan and Paris. His landscapes of...