An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20...

A pretty scene of rapids and a wild river running through a wide gorge, trees bordering, signed at lower left with initials that appear to be MKB and dated there 1934. The watercolor on paper work measures 14 1/2" by 11 1/2" (25 1/2" by 21 1/2" in interesting frame, with drawn lines mat). The landscape could be Canadian as well but without more information on the artist it is difficult to determine authorship. Found in the mountain states of the west...

This is a photolithograph, 21 1/2" by 17" inside the mat window, 28 1/2" by 24 1/4" framed, pencil signed at lower left and with blindstamp there, titled possibly "The Sacred Horse", published by Frost and Reed in England in about the year 1950...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time...

Vintage charming pastel on old paper, 12" by 8", the scene a quiet city street or lane with 19th century buildings, signed at lower right by the artist, E. R. VAN DEMAN, and dated 1901. Rather little information on the artist appears on the net, but a member of the board of the Delaware County Historical Society in Ohio contacted me to say that the organization has seven of her pastels in their collection, the subjects local places circa 1900...

Watercolor on paper, 4" by 10 3/4" (8 1/4" by 15" as framed), signed at lower left with what appears as "Stribens" or "Stirbens"......I do not see a listing for such a name. I could be misreading it. In any event this is a decorative old vintage watercolor landscape by a talented artist, still in its original frame. There's no glass currently, but the work has survived the passage of time in excellent fresh condition, with only a tiny handful of foxing spots...

Oil on canvas Italian scene of the famous Bay of Naples with smoking Vesuvius volcano, unsigned, circa 1880 to 1900, measuring 18" by 28" (23 1/2" by 33 1/2" as framed). This is a charming scene, painted many times since the 17th century, of fishing boats in the bay, the backdrop being an ornate tower at left, distant houses on hillsides, and at right the curling smoke plume of simmering Mount Vesuvius...

Watercolor on paper painting, 15 1/4" by 19 1/4" (30" by 34" in its quality vintage framing), the subject reef fish of tropic seas, swimming in the deep. The artist, ELIOT O'HARA (1890-1969) signed his name in bold capitals at lower right and dated the work there 1951. O'Hara was born in Massachusetts near Boston, the son of the founder of the Waltham Dial (Watch) Company. Early on O'Hara broke with the traditional life track that could have been his, heading into a life in the arts...

Lithograph on paper by American artist STOW WENGENROTH (1905-1978), with blind stamp at lower left, pencil signed at lower right by the artist, bearing "Ed. 65" at lower left, and titled below near the bottom edge of the sheet "SEA GULLS". This is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a few images of New York City which are especially sought after...

This is a drawing of traditional subject matter in a contemporary style, evidently by a youngster who lived at the Taos Pueblo in northern New Mexico. Measuring 7 3/8" by 11 1/2" inside the present mat (12 5/8" by 17 1/2" as framed), the image is of a bison with a stylized sun at upper left, and scattered stylized trees, with a multi story adobe at lower right serving as the Pueblo itself. On the reverse is written "Age 13/Taos Day School/New,Mexico 87511/Taos Pueblo/U.S.A."...

Watercolor on paper, 12 1/2" by 18 1/4" inside the present mat, 19 1/2" by 26" as framed, signed "TOWNLEY" at lower right corner and dated there "Oct. 68". I do not see a listing that would match up with this name but the artist was obviously a talented individual. This appears to be a mountain landscape in one of the western states. The trees and the animals are beautifully executed, and there is a superb little ink drawing of a fox near the signature...

"Soho" Oil on Canvas, 24"x18", 31"x25" framed Born in Shanghai China, Christopher has been painting since he is 6 years old. He went on to formal studies and graduated with a B.F.A from East China University, and went on to earn an M.F.A at Rhode Island College...

Pastel on paper, 10 1/2" by 23 1/2" and 2" inch wide very attractive and complementary oak Arts and Crafts appearance wood frame, unsigned, the subject bananas, peaches, and a basket, circa 1920. This is a typical example of the early 20th century American pastel school. Reaching back to artists who created pastels late in the 19th century, pastel artists like William Joseph Chandler, Glatthaar, and others created works for homes that would exhibit more quality than mere reproductions. Excell...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

“Central Park” Oil on canvas 30“ x 24“ Xue Jian Xin was Born in NanJing, China on October 17, 1954. Xue had years of fine arts training at the highest level. He became Chairman of the SuZhou Oil Painting Research Association and Lecturer in the Fine Arts Department of SuZhou College. In 1988, he came to the United States as a student at Bard College, New York, where he received his M.F.A. in 1991. He began displaying his art at a famed SoHo New York Gallery in 1996 where he was an imme...

This is an unusually fresh vintage watercolor, 10 3/4" by 20 1/2" (18" by 28" as framed), dating to the late 19th or early 20th century, by the noted American artist DAVID JOHN GUE (1836-1917). The colors are bright and there is no foxing nor moisture damage. ALL PHOTOS ARE TAKEN THROUGH NON GLARE GLASS so actual painting is sharper and more attractive than it appears through the blurry glass. The subject matter is likely an east coast beach. Gue was born in New York and found himself in the...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.