Watercolor on paper, 8 1/2" by 17 1/2" inside the mat (13 1/2" by 22 1/2" in its very nice circa 1920 vintage frame), signed at lower right and inscribed there "Munich" by the well listed American artist CHARLES PAUL GRUPPE (1860-1940). The subject is a creek or small lake or pond at sunset. Born in Ontario, Canada, Gruppe was in Europe by age 20, where he explored France, Germany and Holland. I imagine that this work would date to that early 1880's period when he would have been in Germany...

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers...

The work is executed in charcoal with a little white gouache, on paper, the unframed sheet 12" by 10", signed at lower right in the artist's typical manner. Gladys Emerson Cook (1899-1976) was known for her sensitive and accurate depictions of dogs, cats and other animals. She was a painter, illustrator, and graphic artist. Today a number of museums include her works. She exhibited at the National Academy of Design and other major venues...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole. The work is not titled and the artist is not apparently listed...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky...

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941)...

If you collect early art of the Pacific Northwest, this vintage work might be of interest to you. Apparently unsigned, this multi-sided work measures 11" by 19" (14" by 22" as framed). It is executed on old paper, laid on gray board. The charming scene is packed with detail of horse-drawn carriages, dogs like setters or spaniels, trees, houses, and of course the famous snowy cone of Mt. Hood. There is a folk art element in this painting, springing from the details...

DALE NICHOLS (1904-1995) is an American artist best known for his lyrical paintings of Midwest Heartland homesteads and farms in deep winter. These coveted paintings sell for mid to upper five figures at major New York auctions. Nichols was a traveler and later in life he spent considerable time in Guatemala, where he painted a number of works showing the landscape and inhabitants...

Oil on masonite painting of many Haitian traditional dancers in a street scene, not dated but likely 1960s or 1970s, unframed, measuring 24" by 32", signed at lower right "G. E. DUCASSE" and inscribed at lower center "Les Droguistes y les Drogues/BANDE MASCARON ZIZIPAN". This is a colorful work by a significant artist from Haiti. According to online biographies, he was born in Port-au-Prince and despite natural talent for art, worked for the government for many years, in agriculture. By 1948 ...

Watercolor and ink on paper, and possibly a little gum arabic in spots, for highlight shine, no glass, 7 1/4" by 9 1/4", (15 1/4" by 17 1/2 " in its simple wood frame), the subject a boat harbor no doubt on the central coast of California, signed at lower right center by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining, despite having traveled without protective glass. Benson ...

Oil on an old board, the subject a snowy high mountain peak at left framed by a forested ridge in the middle ground. 9 1/2" by 13 1/2", the frame 2 3/4" wide on a side, signed at extreme right by the noted Hungarian impressionist painter LASZLO NEOGRADY (1896-1962). Neogrady's later works, such as forested mountains under heavy snow, being much more impressionistic in style, are more familiar to the art buying public. This work likely dates to the 1920's to 1940's period, judging from the b...

This is a skillfully executed painting on canvas, 9 1/2" by 13" (14 1/2" by 18" in its distressed style white/gold frame), the subject several large ripening pears and apples, a pair of plums in the foreground. At lower left is written "A Mr. Caubert/Souvenir Amical/H. Camus". I believe that's what the names appear to be; more research might reveal the full identity of the artist. To date I cannot match this to a listed name. This vintage painting, at least 100 years old, is ready for the wal...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922. Not...

Ink on stiff paper drawing, 11 3/4" by 9 5/8", signed at lower right "O. R. Shattuck --1917--" and in the lower right margin "LIVE OAK, FLA. FEB. 1917". The artist is OLIVER R. SHATTUCK (1887-1953). The subject is a boy or young man, possibly a black man, in a small canoe-like boat, deep in the heart of a classic southern cypress swamp, the Spanish Moss hanging form the trees and brush. Found recently in central New Hampshire, I am offering it as an interesting vintage piece of regional sou...