Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.
John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.
Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.
Arthur R. Middleton Todd, British, 1891-1966, "Strolling Players", etching, 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Pencil and plate signed in bottom right. Featured in Fine Prints of the Year in 1927.
Large oil painting on canvas by Pierre-Ernest Ballue (France, 1855-1928). In beautiful condition and with original frame. Signed "Pierre Ballue" l.r. 21" by 28", 31" by 38" with frame. Pierre-Ernest Ballue was an important painter affiliated with the Barbizon School.
Oval portrait miniature of a young woman; watercolor, signed indistinctly. She is wearing a lace and floral trimmed bonnet, braids coiled over her ears, pearls and a ruched off the shoulder rose dress, all typical of the 1840’s.
Frame: 5.5” x 4.75”
A fine cold-painted Vienna bronze eagle of the highest quality and unusually large size. The painted decoration is wonderfully complex and detailed. The bronze is marked "Austria" under the tail feathers. We have seen this exact bronze with Franz Xavier Bergmann marks.
Origin: Austria, ca. 1900. Condition: excellent, only the faintest paint nicks are the tips of a few features and beak. Dimensions: 9-1/4" x 6-1/2" x 5-1/4" high.
Luis Lopez Loza bronze figural abstract sculpture
18 1/2" tall
Wood base - 11 1/2" x 12"
Very good original condition
Lopez Loza - b. 1939 Mexico
Loza studied in Mexico City at the Escuela De Pintura y Escultura ‘la Esmeralda’, the Centro Superior de Artes Aplicadas and at the Pratt Graphic center in New York
Collections - Metropolitan Museum of Art, J. Paul Getty Museum and, the Minneapolis Institute of Arts
A commissioned portrait painting of a sweet shelter rescue feline female tabby kitty cat named "Pooka" who shares her large N. H. home with Ms. M, a very gracious loving pet owner. During the time spent sketching and photographing this tabby, she indulged us while posing and playing this way and that...
A fine mid 19th century watercolor on organic wafer of a good looking young man. The sitter, with blue eyes and brown hair, is wearing a black coat and tie with a white shirt.
This painting is in its original A.P. Critchlow thermoplastic velvet lined case, an item which, in and of itself, is often sought after by collectors. Note that this case was produced even before a patent was granted.
Condition of the painting is excellent, with no issues whatsoever...
John Taylor Arms, American, 1887-1953, "Cathedral of St. Cyr and Ste Julitta, Nevers," etching, 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.
Alphonse Legros, French, 1837-1911, "Le Matin sur la Rivière", etching, 7 x 7 inch on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.
William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.
Aloys Wachelmayr, Austrian, 1892-1940, "The Guitar Player," etching, pencil signed, image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.
Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.
Harold Kerr Eby, American, 1889-1946, "The Lobster Fleet," etching, 9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms...
Eric Tobin landscape painting, titled Winter Woods. Oil on linen canvas. Painted in 2013. Size: 20 inches x 24 inches. Signed in lower left and signed and titled on the reverse. A small stream meanders its way through a stand of hemlock trees in a dense winter forest in northern Vermont. Offered in a silvered wood frame. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state, near Johnson, VT...
Eric Tobin landscape painting, titled Late Summer in Vermont. Oil on linen canvas. Recently painted in 2016. Size: 20 inches x 24 inches. Signed in lower right and signed and titled on the reverse. In this landscape painting, a country road descends past a large yellow barn towards the village of Cambridge, Vermont, with a cloud covered Mount Mansfield prominently featured in the distance. Offered in a silvered wood frame. Eric Tobin is a contemporary Vermont landscape artist...