From our African Collection: Ivory Coast Figure, circa 1960. Côte d’Ivoire was inhabited in the Neolithic era and possibly earlier, although the humid climate has effaced most traces of the country’s earliest civilizations. Portuguese explorers arrived in the early 1600s, and French missionaries landed near the Gold Coast (Ghana) border in 1637. European contact was limited until the 19th century, mainly due to inhospitable geography along the coastline...

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Portrait of a Child by Raletick. Mixed Media 23 x 18".

Exceptional modernist abstract enameled metal plaque mounted on board and framed

Plaque measures 3 1/8" x 6 1/8"

Frame measures 6" x 9"

In very good vintage condition with no chips to enamel

From our African Collection: Democratic Republic of Congo Bowlegged figure, 4" x 10"h.

Original watercolor/gouache on paper by Hans Kleiss (1901-1973) depicting a veiled woman from Morocco, circa 1940-1950. In beautiful condition. Signed l.l. 16cm by 13cm. Hans Kleiss was an Orientalist/ Africanist painter, illustrator, and caricaturist. He was the husband of Orientalist painter Yvonne Kleiss-Herzig. They both lived for long periods in North Africa (Morocco and Algeria). They settled together in Sidi Slimane (Morocco) in the early fifties before returning to France...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right...

Oil on canvasboard painting of flowers in a Southwestern pot, another colorful vessel nearby, and an interesting checkered pattern at bottom adding depth and complexity to the imagery. The work is signed at lower right by artist A. M. WEBER, and signed again on the reverse and titled there "MEXICAN STILL LIFE". Measurements are 19 1/2" by 24" and 24 1/2" by 29" framed. The work could date from about 1940 to about the early 1950's. I do not see a listing for this obviously talented artist...

Signed small sketch drawing, double-sided, the color drawing of Buddha, the reverse drawings rather interesting scribbles, 8" by 6 1/4"inside the mat, 14" by 12 1/4" framed, executed in pencil and watercolor, signed by famous artist and author LUDWIG BEMELMANS (1898-1962). The reverse side scribbles are initialed "LB" in several places...

From our African Collection: A Zande figure, circa 1960. From Northeastern Democratic Republic of the Congo, 16" h. Zande, also called Azande, also spelled Asande, a people of Central Africa who speak a language of the Adamawa-Ubangi branch of the Niger-Congo language family. Extending across the Nile-Congo drainage divide, they live partly in South Sudan, partly in the Democratic Republic of the Congo, and partly in the Central African Republic...

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers...

This is a pair of typical works of the California-associated artist who went by the "copyright brush name" of "MIMI JOY" (real name Mabel C. Heyde, according to the Hughes' dictionary of artists in California). They are executed in pastel (or, oil pastel?) and measure 5 3/4" by 5 3/4" in original white circa 1950's framing. There is a label of the artist on the reverse backing of one...

West African Congo Pair Of Carved As Figures Wood Bells Decorated with Seed beads circa early Twentieth Century

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

A beautiful West African Senufo Carved Wood Sculpture. Measuring 23 inch tall and wingspan measures 9 inches. This is the classic bird form known …… The image of a large abstract bird with an equally large beak curved into its own belly. The wings on either side are rectangular with small squares punctured in them Two smaller versions of the bird stand on each shoulder and the wings a decorated with figures on the backside...

Oil on paper painting, 5 1/2" by 3 3/4" (12 1/2" by 9 3/4" framed), signed at lower right by the noted Alaska artist JEANNE LAURENCE. Jeanne Laurence (1887-1980) was the wife of the famous Alaskan artist Sydney Laurence, and the author of the book "My Life with Sydney Laurence". Jeanne was a talented artist in her own right, her reputation overshadowed by her husband's wide renown in Alaska and beyond. Often she painted, in gouache, Alaskan wildflowers, but landscapes in oil are known, and th...

One of a number of William Russell Flint prints in my shop, this is a fresh and clean example of the fine Flint photolithographs issued for collectors over a period of decades. This example, published in 1957 in an edition of 700, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "Rosa and Marissa". The print measures 18 3/4" by 24 3/4" inside the mat and 27" by 33 1/2" as framed. The two models, artistically placed at opposit...

Impressive engraving, aquatint, and etching on copper by Wendell H. Black (American, 1919-1972). First edition (posthumously printed by Berkley Chappell, and signed by Elaine Black). Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, figure 7. This work is in excellent unframed original condition. It measures 14 3/4" by 25". Titled and marked A/P l.l. also signed and dated l.r. A second edition of this work exists (printed by one of Berkley Chappell's former students and issued by t...