A circa 1925 ORIGINAL PAINTING, not a print, with title "Oriental Antiques", no signature, but with old Massachusetts Normal Art School partial label on reverse, the piece measuring 22 3/4" by 16 3/4 in its original charming period blue and reddish-painted framing. The word "COELEBS" at bottom does not seem to pertain to anything. This may be a work by art students training in the use of watercolor and gouache. It was found in a Laguna Beach fine estate...

George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Original nude drawings (one drawing on each side of the sheet) by Henri George Keller (American, 1869-1949), on grey tone wove paper, one of the drawings (the color charcoal sitting nude) signed with his distinctive signature l.l.. These drawings are well framed, with a window showing the second drawing verso. Henri George Keller was a very influential American artist (he counted among his students Charles Burchfield, Paul Travis, and Frank Wilcox.) He is listed in all the usual databases...

Frank Thayer Merrill (December 14, 1848 – October 12, 1936)[2] was an American artist and illustrator. He is best known for his drawings for the first illustrated edition of Louisa May Alcott's novel Little Women, published in 1880. Over a five-decade career, he illustrated a wide variety of works for adults and children. Frank Thayer Merrill was born on December 14, 1848, to George William Merrill (1824–1879) and Sarah Rose Merrill (née Alden, 1822–1895) in Roxbury, Massachusetts...

Measuring at 11.5 x 21,” this piece is one of a limited set of lithographs from Ukrainian-Russian artist Konstantin Bogaevsky. This series masterfully explores the landscape of ancient Armenia. Untitled stone lithographs by Konstantin Fedorovich Bogaevsky, circa 1900. Original satin wood frame. 31” x 21.5”. Retail price $2,500. We have several of these, each depicting a different scene...

Raphael Sabatini - Cabaret black face performer

1927

Sheet size - 12 1/2" x 9 1/2"

Unframed

Pencil signed

Raphael Sabatini, 1898 – 1985, Philadelphia, Pa...

Rare early original lithograph by Adolph Dehn (American, 1895-1968), circa 1930. Offered framed under glass. Pencil signed, dated, titled, and numbered 17/30. In very good condition (light paper toning, no foxing or other notable issues). Adolph Dehn was one of the most important American lithographers of the 20th century. (the white streaks on the photos are reflections on the glass.)

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

A large oil on canvas by Henry Charles Lee (American, 1864-1930) titled on the stretcher, “Winter Landscape” and signed lower left “Henry C. Lee.” He lived in Cornwall New York and in France, where he died. The stretcher had an old label for a French artist supplies dealer Lucien LeFevre-Foinet with the number 7350.

Under a partly cloudy but blue sky the sun casts the shadows of bare trees on the slope in the foreground while the hills and cloudy sky show beyond...

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Original Maxfield Parrish print, circa 1920s titled Daybreak. This is one of his most famous prints, and also one of the largest. It measures 18" x 30" and is in its original frame.

Eugene Higgins (American, Kansas City, Missouri 1874–1958 New York)A superb painterly impression, in dark brown ink, on buff wove paper os a lake scene with trees and a sail boat c 1910. Size 10.5" by 8.75" The print has an inscription at bottom with Higgins name , unsure if its his signature.

Ohara Koson (1877-1945) Snow on Willow Bridge. A woodblock print, with gofun for the snow. With gofun paste for the flying snow and extensive embossing as snow banks, two women with umbrellas cross a bridge over the river Sumidagawa in a heavy snowfall. This print illustrates the famous Yanagibashi – Willow bridge. Signed and sealed Shoson, published by Watanabe Shozaburo, circa 1940 Vertical oban: 38.6 x 26.1 cm. Showa period, 20th century. Framed.

Large size (39" by 27 1/2" framed) pastel of hollyhocks in bloom, apparently unsigned, drawn on canvas. The work probably dates to the first third of the 20th century, when the flower was more popular and more commonly planted around houses. Most pastels are on paper, so a work on canvas is more unusual. Due to the size and the glass, a local Southern California buyer would be very welcomed. Except for a small bit of contact with the glass, the drawing is in fine condition.

**(One of several pencil signed prints by the artist in my shop)**Photolithograph print published by Frost and Reed, 1929, from the original painting by Sir Alfred Munnings, 25 1/2" by 23 1/2" framed, boldly PENCIL SIGNED at lower right margin by the highly important sporting art master, and quite famous English painter of all equestrian subjects, SIR ALFRED J. MUNNINGS (1878-1959)...

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.