William Henry Howe 1846-1929 American This is a fine original oil on board painting by American artist William Henry Howe. This image of Village life in Normandy France. A subject that he was well known for in the late 19th century. This view of carts unloading the days catch has an image size of 9 3/4X13 1/4 inches. The painting is signed lower left William Henry Howe. with a partial date after the name.

Barricade at the Monastery of Cluny , Paris by W.C.T. Dobson (1890). Framed Oil on Canvas. 23 x 19". Frame Size 29 x 25".

A fine mixed media study drawing in charcoal and white gouache of a soldier seemingly leaning against a wagon wheel, 10 1/4" by 7 5/8" inside the present mat (the sheet only very slightly larger), and 22 1/2" by 18 1/2" in gold frame with hand drawn lines), titled "Bataille de l'Alma"on the mat, signed with an impressed/embossed signature "I PILS" at lower right. The drawing features a scene from the Crimean War (1854)...

A pen and ink print signed W.V.V.T in the lower right corner. There is a small white spot in the right area (see photos) and dark spot above that... there is also rippling in the upper left corner-- the paper may have been pasted to a background but we have not examined it out of the frame. 12" x 16"

A. WOLFFEROT Flemish Village Boat Scene o/copper 12x16” Set in a beautiful village, people are boating and merrymaking on a Saturday summer day.

Watercolor on paper laid on board painting of roses and hollyhocks in an intimate garden enclosed by a wall or structure, 16 1/4" by 13" and 1 1/4" wide frame, unsigned, executed late 19th or early 20th century. The artist's mastery of watercolor is clear, but unfortunately he or she failed to sign the work, which resembles paintings by members of the Stannard family of watercolorists (Henry John Sylvester 1870-1951, Lilian 1877-1944, Theresa 1898-1947)...

Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

Superb and well rendered painting on porcelain, German in origin and signed by Wagner on the lower right corner, has WR and # 107 engraved in the back on the lower right side. Measurements: The plaque is 4" x 6", housed in a 11" x 13" fine wood frame. Condition Report: Perfect condition.

Oil on canvas of a blue-eyed elderly lady wearing a white bonnet, 27" by 22" (34" by 29 1/2" in the 19th century frame), that attractive old frame bearing a placard giving the name of the artist as WILLIAM MATTHEW PRIOR (1806-1873). Images of the unsigned painting, which was found in Downeast Maine, were sent to major auction houses in New England and New York City. None disputed this being a work by the famous itinerant portraitist...

Detailed antique watercolor drawing of a country villa in a park-like setting, an elegant horse-drawn carriage approaching from left, 6" by 9 3/8" (11 1/4" by 14 1/2" in modern day frame), signed at lower right "Herter" and dated there 1838. The villa seems to have Italian or other Mediterranean architectural characteristics, so perhaps we are in Italy, and the artist is a traveler from Germany. This is all speculation as I cannot locate an appropriate artist of this name...

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine...

Circa 1880's painting in oil on a 14" diameter papier mache style plate, unsigned, featuring a winter scene at dusk. This charming antique work by an anonymous artist has nice detail and light. The artist was not professional but certainly had some training and a good eye for color and composition. The work has acquired some small losses, showing as white spots in the imagery, and along the rim. See old original label on reverse with 1880 patent date. Found in coastal New Jersey.

Migata Toshihide 1863-1925-Battle of Anjoto “Gosai”1894, published by Sasaki Toyokichi 15x30” frame size 26x39

From our European Collection, a fine 19th century original oil on panel by British painter and listed artist William Anslow Thornley (1857-1898), entitled "Moonlight on the Thames." Signed "Thornley" lower left.

Size and condition: 13 inches x 11 inches framed dimensions, approximately 10 inches x 8 inches unframed image size. This painting has been taken care of well, there is only some very minor age-related soiling and minor scuffing to the frame.

19th Century American School 1800-1899 American Artists This is an original oil on canvas painting, signed and dated lower right, but we cannot make out who the artist was. This painting of Harbor Traffic is dated 1874. Possibly the work of Francis Silva. The painting measures 12X20 inches. We are calling this work 19th century American School. Nicely framed in a period gilt frame. Fine detail and color, this is an outstanding work of art.

William Aiken Walker (American, b. c.1838-1921)

Man in a Cottonfield

Oil on board, signed lower left.

$16,500. Painting Size: 8.25” x 4.25”
Frame Size: 12.5” x 8.5”

A lifelong artist, Walker exhibited his first painting at the age of twelve and continued to paint until his death 71 years later.

In the 1860’s Walker traveled to Dusseldorf for artistic training and remained for several years...

A circa 1880 American painting on canvas of a white clapboard house on a farm or rural land, the structure surrounded by bare trees, white fences and outbuildings, a sitting dog strategically placed at center staring directly at the viewer. The work measures 18" by 22" and 22" by 25" framed...

A very early watercolor landscape of a thicket and meadow at sunset, signed at lower left corner and dated there 1887 (or 1897?) by the noted Indiana artist JOHN ELWOOD BUNDY (1853-1933). The work, 5" by 8" (11 1/4" by 14 1/2" in frame) bears many color notations on the reverse, likely in the artist's handwriting, giving us some insight into the creative process. The scene is very peaceful and calming, showing us day's end...