A very fine watercolor of mogul origin depicting dancers at a court of Royalty. Measuring about 12” x 9”, the work has an Arabic script on the reverse side and was from a hand illustrated manuscript before 1900

A late 19th century etching of a young woman, measuring 5 3/4" by 4" inside the mat, the laid paper sheet 10" by 7 1/4", and 19 1/4" by 15 1/2" nicely framed, with a monogram in the plate at right center and an illegible pencil signature at lower right that appears to begin with "J". As the work somewhat resembles some portrait etchings by the famous artist Whistler, and the monogram almost appears as an early Whistlerian "butterfly" before it evolved, I thought the work possibly by Whistler...

In the nineteenth century traveler to Europe wanted to buy souvenirs of their journey on the grand tour as it was called.. this painting done circa 1850 depicting a Swiss landscape in the Jura region of Switzerland

Done by the renowned French Watercolorist dated 1882. Born in the Alsace region of France he was formally trained and also painted in Italy

Watercolor on paper of two spaniels, the hunter nearby in a wooded landscape, " by ", unframed, signed at lower left with monogram that resembles the monogram of noted American artist JAMES DAVID SMILLIE (1833-1909). This is obviously an American work, not European, but I cannot confirm that it's by the noted American artist James David Smillie. I researched the monogram and see the clear resemblance to that of Smillie...

Sepia ink on paper drawing, 5 3/4" by 3 3/4" inside a red mat opening, 11" by 8 1/2" as framed, signed at lower left and dated there 1864, by listed English woman artist SARAH LOUISA KILPACK (1840-1909). This is a sweet, beautiful little drawing by an artist who seems to have created mostly coastal landscapes in oil, especially along the English Channel or around the Channel Islands of Guernsey and Jersey. This would be an early work created when she would have been in only her mid 20's...

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

In the style of noted California artist Ellen Burpee Farr, this is a classic late nineteenth century watercolor of the distinctive leaves and "berries" of the pepper tree commonly seen in Southern California. Signed at upper left "A.C. Hough" (or "Haugh"---I don't see a listing for either name), this is a beautiful study that is possibly not finished (the leaves and berries at lower right---could be the artist's intention, or simply unfinished---you judge)...

Oil on canvas laid on board portrait painting of a young girl in a fine blue dress with lacy edge, circa 1875 (possibly, earlier?), apparently unsigned, I feel likely American or perhaps French origin; hard to say. The antique work, 40" by 19 1/2" (45" by 25 1/2" framed) has a folky ambience to it, in the American east coast tradition, but I suppose we should not eliminate its being of European origin...

This is a work so finely executed that it is difficult to believe that it is a drawing and not a print, but I absolutely guarantee it to be an original drawing. The subject is a priest or monk in an interior nook flooded with sunlight. He is holding a large pair of scissors and appears to be concentrating on a domestic task that is not quite clear to the viewer. At bottom in very poorly spelled German is the phrase "UEBERALL--LOCHER--IM--KIRCHEN--GUT--DA--TUHT--KAIN--FLICKEN--MAHR"...

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

A primitive, circa 1880's oil on gray board landscape painting in the Hudson River style, with trees, water, and tiny figures completing the view. Measurements are 18 3/4" by 24 1/2", unframed. There is no signature. The board is slightly warped from old moisture exposure, which caused paint instability/flaking/losses at top couple of inches, as shown, and cracking at lower right. There are also a few light abrasions as shown.

A 19th century American folk art painting. Oil on canvas. Table top still life of bountiful agricultural harvest and a pineapple likely from port trade (pineapples were popular import produce in 19th century port cities and much can be read of pineapples in American tradition and design - most notably relating to hospitality.) Relined - otherwise good, clean and bright condition. Stretcher dimensions 30 1/2 inches x 25 1/4 inches...

Description: Superb painting of Queen Victoria, in her old age, dressed in red with white lace, sitting and slightly looking to her right. This portrait is French and the artist name and the year,1878, and place, Paris, along with more information is engraved on the back. Size: The portrait is 2 1/4" in height and1.75" wide, in perfect condition, set in a 4"H X 2.75"W fine gilt bronze frame...

British Artist John Haynes-Williams 1836-1908 “Sunday in Seville" 40x30” framed in a beautiful gilded frame measuring 56”x46”. Born in Worcester England and studied in Birmingham and later moved to a London studio

A Very Fine Korean Bird/Flower Hanging Painting by 심전(心田), 안중식 (安中植) (1861~1919) Korean, late 19th century, hanging scroll/an Original Box with 安中植) written on a label. Painted in ink and color with a duck, sorghum, peonies and camellia flowers on silk, with inscription with poem, signature-心田, two seals, 安中植 and 心田 each painting. It is in very good condition but some it measures 81.5x27.5cm

Coastal seascape painting on pebbly surface old gray art board, likely the California coast but possibly Maine, circa early twentieth century, unsigned, measuring 7" by 17" (14 1/2" by 25" in its interesting blackish with reddish design frame). The work and framing is very presentable as-is, with just very slight wear to the frame...

A beautiful framed work by the famous Japanese artist. Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国, Sandai Otagawa Toyokuni), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi...