Oil on canvas still life painting, including a red teapot, plates, funnel, cup, and fruit, all on a striped table cloth with further drapery in the background, 20" by 24", unsigned on front and bearing the name "H. HOWARD" and date "OCT. 74" on the stretcher. There is an African-American artist by the name Humbert Howard but this work does not resemble the work I see out there on the net...

In this note, one of three he numbered Note 23, Daniel Tretiak discusses a Big Blue print Poem 69-17 plus another black-and-white Poem 71-84--and how he acquired them.

This is a fine old drawing of an old-style wooden house with porch, an ancient old tree arching over the structure and two tiny figures at left. The drawing on paper, laid on a board, measures 14" by 9 1/2" inside the mat and 19" by 14 1/2" as framed. There does not appear to be a signature anywhere, but considering the quality of the imagery we must conclude that the artist was trained and listed. Found in Riverside, California, with Santa Barbara framer's sticker on the backing...

Oil on gray art board painting of a pretty lake surrounded by trees, houses on the distant shore, signed at lower left in ink "F. C. Hawkes" or similar, probably circa 1935. There does not seem to be a listed artist name that would correspond, but the painting stands on its own. It is quite dirty so a cleaning and a fresh frame would be transformative. There is a diagonal crack to extreme upper left corner...

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

Original gouache painting of Balboa Park's California Tower and other nearby architecture, 19 1/2" by 28 1/2" in simple framing, signed at lower right by artist C.L. Jay. The work could date to the 1950's or so judging from the dress of the figures included in the composition. It would make for an excellent addition to your Californiana collection and your bungalow or Arts and Crafts and Mission interior...

Kite Flying, San Juan “From her work in San Juan, Puerto Rico, comes this work which is considered by our gallery her zenith! The Bravado and quickness is unmatched in her ouvrage. Done in oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy...

GREEK ICON, christ the Savior, oil on panel 13”x9.5” 1700

A color poster issued by the Amon Carter Museum of Art in Fort Worth, Texas, 31" by 35" in attractive black framing, titled at bottom "AMON CARTER MUSEUM JULIAN ONDERDONK/A Cloudy Day, Bluebonnets near San Antonio, Texas". This attractive image captures the wonderful blues that Onderdonk made famous with his paintings of the Texas countryside, some of which have exceeded $300,000 at auction. Onderdonk is considered today the "Gold Standard" when it comes to Texas classic impressionist art...

Painting of various complete southwestern pottery vessels, and a broken shard of one, all seemingly floating weightless in an intentionally poorly defined space, all painted in a hyperrealist style, signed at lower right "Doyle" and dated 2005 with copyright symbol. A label on the reverse gives the artist's full name, Ed Doyle, the title, "The First Shard", and the original price, $1000. The oil on canvas on board measures 23 5/8" by 23 5/8" and 30" by 30" as framed...

Boscoe Holder (16 July 1921 – 21 April 2007), born Arthur Aldwyn Holder in Arima, Trinidad and Tobago, was Trinidad and Tobago's leading contemporary painter, who also had a celebrated international career spanning six decades as a designer and visual artist, dancer, choreographer and musician. Living in London, England, during the 1950s and 1960s, Boscoe Holder has been credited with introducing limbo dancing and steel-pan playing to Britain,[1][2] performing on British television and radi...

James Brade Sword 1839-1915 Pennsylvania Hill c1870, 20x14 inches James Brade Sword was born in Philadelphia in 1839 but spent much of his youth in Macao, China. He returned to complete secondary school in Philadelphia and became employed as a civil engineer. Sword studied painting at the Pennsylvania Academy under Christian Schussele and then with marine artist George Washington Nicholson...

Hand Colored Etching “Dickens Christmas Carol” 5x8” framed size 12x16” done circa 1940

By the German woman artist Meta Pluckebaum (1876-1945) is this **HAND SIGNED IN PENCIL** etching of two Scottish Terriers, the sheet measuring 5 1/2" by 8 1/4" inside the old mat. At lower left the artist has titled this "Zwei Rowdies". Pluckebaum was born in Germany and studied with Hermann Emil Pohle. Her subjects included child and animal portraits (the latter, mostly cats and dogs), and still life. She was also an illustrator of children's books...

This monogram appears on the lower right corner of the Flemish painting in our listing. We read this monogram to be two connecting masonic letter "R&D". We belive this represents the painters of this painting. A new outside lab confirms the color gold on this canvas altar painting is real "GOLD"!! After reviewing the Bob Jones Gallery 400+ collection of religious art, we found no real gold on canvas paintings in their collection. GOLD ON CANVAS IS SUPER RARE!!

A beautiful 17th century Austrian fine carved wood Baroque Madonna holding Christ's shroud. Approximately 8 inch high in wonderful condition Linden wood.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Le Mee". This is a very fine original etching with beautiful plate tone by French artist Louis Legrand. The image size is 5 7/8 x 8 1/4 inches, published in 1911 in an edition of 50 impressions, cat: Arwas- 426, state II/II, pencil signed.

Ramstonev modernist abstraction - crayon and pastel on paper

Circa 1939

Dimensions - image - 18" x 24"

Estate stamped on verso

Framed

Condition - very good

This work was done during the late 1930's as part of the 'Cooperative' project in the New Hope, Pa. modern art community. Charles Ramsey, Louis Stone and Charles Evans worked collectively on many drawings and paintings during this time...