A watercolor painting of a small motor boat and the surrounding dock area complete with lobster traps, signed at lower right by artist WILLIAM J. GILLETT, where it is also dated 1950. The work on heavy watercolor paper measures 12 1/2" by 17 1/4" and is currently housed in an old frame and mat that should all be discarded (that measuring 21" by 25")...

A nicely executed watercolor and gouache painting of Notre Dame Cathedral as seen from the east, the view captured on an atmospheric, cloudy gray day. The scene includes fishermen and other tiny figures at left. At lower right the artist signed rather illegibly; it could possibly read "Pierre" or "Renee", and after that it becomes more difficult to decipher, but "51 PARIS" is at the end (possibly "54")...

Original pencil on paper drawing of a Native American Indian warrior on horseback, 10" by 8" (14" by 12" framed), signed at lower left by listed Montana artist SANDY INGERSOLL (1908-1989). This is perhaps a workout sketch---almost a tracing paper illustration type of drawing---for a more finished drawing or, later, painting. Ingersoll was born near Helena, Montana and would have been in his teens when Charlie Russell died in 1926. Ingersoll lived in western Montana most of his life...

Pencil on paper study of a man, signed at lower left with initials M.A.K., mid 19th century, by the noted Dutch landscapist and member of the important artistic Koekkoek family, MARINUS ADRIANUS KOEKKOEK (1807-1870). He was the son of Johannes Hermanus Koekkoek and brother of Barend Cornelis and Hermanus Koekkoek. This particular work was likely a sketch made by the artist as he worked out a particular artistic situation for a painting...

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

A late 20th century watercolor painting , 10 1/2" by 14 1/2" inside the mat, 14 1/2" by 18 1/2" in gold framing, the scene three figures in front of a walled house, the figures with loads carried on heads or in traditional pole baskets. There are two red chop marks at lower right. On the reverse is a rubber stamp of Suvida Frame, and Thai lettering. The poetic work is clean and highly decorative. Allow for reflections in a few images.

Large 30" by 48" painting on Masonite (36" by 54" nicely framed) signed at lower right "Sardi". There is a listed artist Jean Sardi (1947-) but his works do not seem to resemble this and the signature differs. This is a thinned paint on rough side of the Masonite. A previous similar work I handled, by this artist, had an original pre-zip code label from Karl Mann Associates in NYC, apparently a well known interior design firm for decades, a label from the firm considered a good provenance...

A PAIR of paintings of figures dressed traditionally, the larger 12" by 9 1/2" (17 1/4" by 14 1/2" framed), the smaller 9 3/4" by 6 3/4" (15" by 11 3/4" framed), one signed in red and dated 1991, the other just dated 1990, but both have ink writing on a margin paper that shows as "Byklasang 1990" (or, By Klasang?). These appear to be of Thai, Laotian, or other Southeast Asian origin, possibly Burmese (Myanmar). I do not appear to be able to tie them to a known artist...

A black and white photograph of one of the most famous of the French chateaux, the Chateau de Chenonceau on the River Cher in France's Loire Valley, the work signed at lower right margin in ink with what appears as "D. Esicaud/Tours". Tours is a city in the region. The piece measures 18" by 14" and 23 1/2" by 19 3/4" as framed. Condition is excellent. The castle dates to the early 1500's and is a major site on the tourist circuit of France.

A circa 1960's painting of a clown playing a most curious blue violin, signed at lower right with what appears as "J. A. Evans" (or, Evers, or similar). The oil on canvas measures 20" by 16" (24" by 20" framed). There are few tiny flecks of missing paint, very minor, but generally the work is in good condition.

Antique oil on canvas of cherries on a table top, 8" by 11 3/4" (11 1/2" by 15 1/2" as framed), signed indecipherably at lower left; name could be W C Hammond, Hammons, or Higgins, or? The work is in the tradition of American 19th century still life and likely dates to about 1880. Some very old patches on the reverse attest to old battle scars the painting acquired in its some 150 years of existence...

A rare, historical, early pastel on heavy paper laid to card drawing of a young Zuni indian girl in Arizona, unsigned, circa late 19th century, including the original gold mat, decorated with images of tipis and spears. The work measures 18" by 12" (entire mat) and 12 3/4" by 6 1/4" inside the mat. Sadly, the old antique work has been damaged. There is a darkened diagonal stain that extends from upper right down across the front of the face and into the hair...

A classic late 19th century American pastel of daisies on a red cloth, 10 3/4" by 15 3/4" (14 1/2" by 19 3/4" in likely original framing), apparently unsigned, the style somewhat resembling that of renowned American artist of the period Martin Johnson Heade. Condition is excellent. A very small fragment of a label remains on the frame, with "Broadway" as part of street address. That would likely but not necessarily be Broadway in New York...

Pair of original antique botanical Fern lithographs prints circa 1867. Edward J. Lowe’s Ferns: British and Exotic. this print was published in London by Groombridge & Sons in 1867. This work was one of the earliest works to concentrate solely on the subject of the fern. Lowe used his botanical expertise and money to produce this work. He hired A...

Oil on board painting of autumnal trees, (California sycamores?), hazy mountains in the distance, unsigned, circa 1930's or 1940's. The work measures 9" by 12" and 11 5/8" by 14 1/2" in old probably original frame. The lack of a signature frustrates an effort to identify this talented artist, who might well be listed. The ornate frame is in good condition save for a missing chip at upper left. Painting is a bit soiled consistent with its age. There is a vertical line of soiling or foreign m...

Old watercolor painting of ducks under a tree by the side of a lake or river, 11 3/4" by 18" (25" by 31 3/4" framed), signed at lower left by artist CONSTANT ARTZ (1870-1951). The poetic work dhows the birds taking refuge under a tree as a storm is perhaps approaching. Indeed, written in old hand on the backing is "The Storm" (probably not by the artist himself). The sky looks grayish and overcast and the leaves appear to be moving in a stiff breeze. Artz was the son of David Adolph Constant...

A 30" by 40 1/2" work on canvas, featuring a large barn in a tawny presumably California landscape, an early car housed interestingly in the structure, signed at lower right by noted Utah-born, western American artist DONAL JOLLEY (1933-). Jolley was born in Zion National Park, Utah, and settled in Rim Forest, California, high in the San Bernardino Mountains, in 1970. He remains there, creating watercolors and the occasional oil or acrylic work. Jolley showed a very early affinity for drawing...

A classically beautiful unframed red chalk on old paper drawing of a woman dressed as a nun, possibly a saint, surrounded by winged and putti-like figures, Christ on the cross at left background, circa 1700 Roman School. The Old Master drawing is beautifully worked. Formerly attributed to Guercino, now "Roman School". The old paper is laid on a thin card. There are several very small paper losses and several circular brown stains in center portion, but these are easily overlooked, as they ar...