Sold together as a matched PAIR, are these two watercolor paintings, paper laid on board, en grisaille (black/white/gray,no color), each 13 1/2" by 10" inside the mat, 20" by 16 1/4" as identically framed, both signed "S. LOEWE" or "J. LOEWE" and dated '94 (1894). At first glance, most people would think these are prints of some kind, but upon closer examination, incredibly, they turn out to be original watercolors, with amazing detail...

Oil on canvas winter landscape painting in an impressionist hand, a snow-covered road leading to a cluster of houses in the distance, 16" by 20", unframed, signed at lower right by listed American woman artist CHARLOTTE LIVINGSTON (1898-1991). The painting captures the quiet solitude in early winter after the first snow (a lot of autumn color remaining suggests the winter season is not all that far advanced)...

Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis...

A beautifully crafted oil on board painting of a barge and its brightly painted bow at a river dock in Europe, 13 3/4" by 17" (19 1/2" by 23" in inexpensive modern frame). signed at lower left by master Hungarian artist ERVIN KORMENDI-FRIM (1885-1939). A number of small figures, a bridge span, and distant buildings complete the richly-painted scene. The distinct structure at center right in the distance could provide a clue as to where in Europe this might be...

This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958). The print is quite small, 2 7/8" by 2 1/8" inside the mat (9 1/2" by 8 1/4" as framed). I believe that this is from the edition published at a later date by the Collectors' Guild of New York, as other examples I have seen are identically framed, and with their label on the reverse...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed...

Pastel on paper work, the subject a wintry tree and split rail fence in a snowy landscape, a distant house with smoke from a chimney suggestive of a snug refuge from the cold. The work is signed at lower left "E Taylor". Most likely, the date of execution is within ten years of the turn of the century. Condition is excellent. Measurements are 12" by 17 3/4" inside the mat and 21 1/2"by 26" in silvery modern framing with gold tint (some wear noted especially at bottom)...

Watercolor on paper painting of redwood, sequoia or pine tree trunk in a forest, unframed, 9 1/4" by 7 3/4", signed at lower left "Mary Inez Tidwell". The work is possibly a fragment, as the top edge and right edge in particular seem to indicate that there might have been more painting at one time; however, there are pin holes in the upper corners and indications of round tacks having been there, so possibly the painting is as originally created...

TWO antique original (not reproduction) lithograph prints with delicate, subtle hand coloring,by noted English artist and nineteenth century Middle Eastern traveler DAVID ROBERTS (1796-1864). The prints both measures 8 3/4" by 12 1/2" (14 1/2" by 18 1/2" as framed). Roberts is best known for his lithographed images of sites in the classical Middle East, of which these are typical examples. I've not examined these out of the frames but they do appear to be in excellent, clean condition...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York...

Oil on canvas luminous scene of coastal Greenland, with chunks of blue ice floating in the harbor as tiny structures on the rocks are overwhelmed by the grand landscape, a sole kayaker in the inlet at right center, 27 1/2" by 39 1/2" plus frame 2 1/2" wide on a side, signed at lower left by listed artist ALEXANDER WILLY DANNERFJORD (1904-1961). Dannerfjord was a talented artist who executed mostly landscapes of Denmark...

Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees. A cleaning and especially some varnish would really improve the appearance and would be well...

Oil on beveled heavy oak panel painting of a man and a woman talking through the iron bars of a large wall opening of a residence compound, providing a view into more greenery beyond, potted flowering plants and vines framing the central imagery, 14 1/4" by 8 1/2", unframed, signed in red at lower right "F. GOMEZ SOLANO" and dated there 1891. This is a charming little gem of a painting with fine detail and wonderful handling of the Mediterranean sunlight and shadow. Rather surprisingly I am un...

Contemporary pencil and watercolor drawing in simple metal gold framing, the subject two women apparently dancing in a late 19th century cafe, the drawing 8 1/2" by 5 1/4" inside the mat (the entire sheet significantly larger, at 11 3/4" by 8 1/4"), signed at lower right "Dan" or "Han" or similar. The scene reminds of George Grosz' 1920's drawings of Berlin cafe goers, or even Toulouse Lautrec's Parisian cafe's. The drawing is nicely crafted.

Painting on canvasboard, I believe in tempera or similar, (not oil), 16" by 20" (21" by 25" framed), titled on reverse "SWAYBACK", and signed at lower right "CHARLES TRUMBO HENRY" and dated there 1948. The artist was a student of Thomas Hart Benton, Boardman Robinson, and George Grosz. Little known today, he was an active exhibitor and major museums include his work in their collections. Henry was born in Niagara Falls, New York, and his remains are at Hollywood Forever Cemetery in Los Angele...

Vintage and early Hawaiian art is scarce to rare, and desirable. This is a 1932 etching, "Hawaii Hall", one of the principal buildings of the University of Hawaii at Manoa campus, on Oahu. It is pencil signed at lower right margin. An image of this print is included in the university's yearbook for 1932. The work is presently unframed, behind a mat, and it is simply taped at top edge. Fisher was an art instructor at the university certainly in the 1930's and, from what I can see after onlin...

Old Russian painting of a night winter landscape with figures, oil on canvas, 12 1/2" by 18" as framed, signed with Cyrillic letters "P O" or "L O" at lower right. To date I have been unable to match the letters to any particular artist (nor could the Christie's Russian art specialist, when she saw it). The painting is extremely soiled and the canvas very uneven (could be described as sunken in, and the ripples "hardened" over time). Cleaned up and restored to a flat surface, this would be qu...

The watercolor scene depicts a tent housekeeping camp on the shore of a body of water, with four figures, all African-American, in the composition, making it therefore quite unusual and scarce. The date of execution might be circa 1880 I feel, given the dress and the primitive camp set-up. The work is an historical record of African-American life in the 19th century. Size is 9 5/8" by 13 1/2" inside the mat, 18 1/4" by 22" in the narrow gold framing. I've looked in vain for a signature or hi...

This is a museum poster or flyer issued by the Long Beach Museum of Art in 1972, advertising an exhibition that year of the paintings of the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The unframed sheet measures 24 1/4" by 18", and bears the complementary signature of the artist in blue ink at lower right just below the black area of the central image. Burkhardt was born in Switzerland and arrived in America in 1924. He attended Cooper Uni...

Wall-ready open edition modern color print from the Ethan Allan Home Collection, after the painting "The Parson's Cat", by the Dutch-born woman artist HENRIETTE RONNER-KNIP (1821-1909). The art measures 8 3/4" by 11 3/4" inside the double mat, and 19" by 21 1/2" as nicely framed. The artist's original oils regularly achieve the mid five figures at auctions, and a number have exceeded six figures. The artist's keen understanding of the cat, and her long experience in observing them is obvious...

NOT a print, this is an original drawing of Humpty Dumpty in ink and gouache. The work measures 10 1/4" by 7 1/2" and 17 1/4" by 15 1/4" as framed. The character of Humpty Dumpty dates to the 19th century , and the "anthropomorphic egg" character has become one of the most beloved and famous in all of nursery rhymedom. The piece was likely dated in the mid 20th century. It would make a wonderful addition to a child's room. Condition is excellent.

Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing, some works approaching $20,000 at auctions. This is a clean, unusually large (24" by 36" plus 4" on a side framing) example, painted directly on board in heavy gouache or tempera (thinned oil?) and in excellent condition. See the net for more images of his paintings, which include California landscapes, as well as overseas exotic images executed in the course of his travels. Lee was born i...

PAIR of watercolor paintings of southern Italian street scenes, each 14" by 8 1/2" (17" by 11 1/2" as identically framed in early 20th century frames). Both are signed in the lower corners by artist "A. Esposito". I do not see a listing for this name but the artist was talented. Colors are fresh and the scenes are full of interesting details, the people going about their daily business and finding time to gossip. There is a little foxing in the sky, especially in the scene with the clothes h...

Etching (5 5/8" by 7 1/2", 13 1/2" by 15" in pleasing old gold framing), titled on reverse label "Fishermen's Houses Saint Tropez", (French Riviera), pencil signed in the margin by listed California artist REGINALD WILMER VAUGHAN (1870-1958). The etching likely dates to about the 1930's or 1940's, I believe. Vaughan was born in Boston of blue blood stock (relatives were with George Washington at Valley Forge). He came to California in 1890, ranching in San Diego, then moving to Santa Barbara ...

Ink drawing on paper laid on board, measuring 14" by 15", and 21 1/2" by 22 1/2" as simply framed, depicting the famous and traditional Mummers Day parade held annually in November in Philadelphia. The work is signed with initials "F B" at lower right, and there is an old label from the N.W. Ayer advertising agency affixed to the reverse, with the notation of a delivery date of November 25, 1952. "Philadelphia Co." is also written on the label, and there is a possible name at upper edge of l...

Lithograph, 14 3/4" by 12 1/4" inside the mat, 21" by 18" as simply framed, signed in the plate at lower left "Merlin" and dated nearby 1939, also numbered (I think, also, in the plate, interestingly), 14/34 at lower right. This is a scarce work by the American Scene listed artist MAURICE MERLIN (1909-1947). The artist's short life likely accounts for the lack of recognition of his work. The following information is taken from the askart site: "He was born in Sioux City, Iowa, on September 2...

This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions. This notation appears at extreme bottom, and the names of Utrillo and Villon also appear ...

This is a hand painted original work, the subject a newly married couple, he in Edwardian (??) formal coat and medals and monocle, she in traditional white with a corsage. The image was either intentionally cut out by the artist and pasted onto a board which was in turn pasted onto a light green silky surface, or someone has subsequently decided on this presentation. Currently the figures therefore stand out in something of a three dimensional manner from the background. I do not see any evi...

This is a drawing in watercolor, gouache, pencil and even some gold paint, 11 3/4" by 9 1/4", (19" by 16" in simple modern day framing), the subject wall paper or other wall details of an elegant parlor or salon of the 19th or 18th century, signed at lower right by the artist, REINHOLD VOLKEL (VOELKEL) and inscribed just below the signature "WIEN" (Vienna). The drawing is typical of the mostly works-on-paper oeuvre of the artist, who was known in the late years of the 19th century and early yea...

This is an appealing little sketch, oil on board of a landscape with a line of trees, a tawny field, a few structures and an extensive view beyond, unsigned, circa 1940's or 1950's. It is obviously by a talented artist who failed to sign his or her name. Perhaps it is a study for a more finished painting to come. Measuring 12" by 16", it should be easy to find a (common, "standard size") suitable frame. Condition is good save for a stubbed, worn corner at upper extreme right, as shown.

Print, engraving, Jacob Jordaens (1593–1678) (after Sir Anthony Van Dyck) by Pieter De Jode II (Antwerp 1606 - England c.1674) printed c 1630-1645 Half-length portrait of man with left hand across chest. He is wearing a ruff, with short beard and moustache and leaning against a building/pillar.Size 10" by 7.25" water marked and old collection notations on back. Inscribed 'IACOBUS IORDAENS./ PICTOR ANTVERPIAE, HUMANARUM FIGURARUM, IN MAIORIBUS./ Ant van Dyck pinxit. Pet de Iode Sculp. Cum p...

King David playing the harp, as a angel holds an open book before him, and another holds a gigantic sword while writing in a book; after Domenichino Engraving 1718-1729 12.2" by 9" trimmed water stain as sen on back. For the same image see The British Museum collection donated in 1919.

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

Oil on canvas painting of a rooster painted blue against a red background, titled on reverse "Coq", signed at upper right (and I think "Nice" appears below that and the 1954 date), by the noted Spanish artist ANGEL PONCE DE LEON (1925-). The work measures 25 3/4" by 21 3/8" (28 1/2" by 24" framed). On the reverse is a long inscription in the hand of the artist: "A Ben Holtcon/toda amistad y gratitud/Angel Ponce de Leon/Palais Royal Marzo 55". This is not just a painting of a rooster; it is a...

Oil, or gouache mix on paper laid on board painting of "Les Bouquinistes" (booksellers) by the Seine in Paris in the autumn, Notre Dame filling the background, 14 1/2" by 11 1/4" as framed, circa 1950's. The work is signed at lower right with name that looks like "E. Bigot". There is a listed Eugene Bigot but I do not think this the same artist. This is a pleasant work featuring a much-loved and familiar scene. The painting is a bit soiled but you can enjoy it as-is. It is awkwardly mounte...

Small (3" by 3") unsigned ink drawing on blue paper (6 3/4" by 5 3/4" as framed), the subject a female figure leaning, an old German script label strip on backing giving the title as "Blumenmarkt in Amsterdam", "Olstudie von Hans Herrmann" ("oil study by Hans Herrmann"----the discrepancy perhaps explained by the label being originally intended for another work by this artist). This is likely a preparatory study by HANS HERRMANN (1858-1942), a German artist who studied for a time with Max Liebe...