PAIR of watercolor paintings of colorful flowers, including iris, Jack-in-the-Pulpit, and asters, one of the drawings dated "7.07.07" at lower left, unsigned, each measuring 20" by 13" inside the mat, 28 3/4" by 23 1/2" in the modern day gold frames. The quality of the drawings is excellent. Most certainly these floral studies are by an accomplished hand. They have survived a century in excellent condition...

A circa 1950 artistic black and white photo of the docks at Monterey, California, pencil signed on the mount as "Edna S Deuren" or similar. The gentlemen standing at left with fedoras and cap are looking down on the small fishing craft at a time when Monterey's fishing industry was in high gear. Measurements are 9 1/4" by 7 1/4" (photo itself) and 20 1/2" by 17" as framed. Condition is very good.

**One of two works by the artist in my shop**, this is an oil on board painting of what appear as houses, rendered in rich colors, and in a firmly modernist style. The painting measures 11 1/2" by 14 1/2" and 15" by 18 1/2" in early gold framing. The work is signed at lower left in the paint. On the reverse side is a fragment, in poor condition, of another painting the artist evidently executed...

Watercolor and ink drawing, 4" by 5 7/8" inside the innermost of three mats (9 1/2" by 11 1/4" as framed), signed at lower left and inscribed "STUDY" by artist DAVE POWELL (born 1954), son of noted deceased Western American artists Ace Powell and Nancy McLaughlin Powell. This is a skillfully executed drawing. The caricature of an early 19th century Mountain Man in fringed clothing fighting a bear with his flintlock pistol is almost comical...

A landscape work in impressionist style, featuring a cabin in a forest, signed by listed artist DOROTHY C. NEAL. The piece is signed again on the reverse in pencil and titled there "Cabin in the Aspens/quick sketch/Panguitch Lake, Utah '52". Dorothy Neal was born in St. Paul, Minnesota and was in Chicago by 1920 receiving art instruction at the Art Institute. She worked in commercial art there and later in Los Angeles...

Print, after the original Maurits Cornelius Escher print "The Fall of Man" (1927), signed and numbered in pencil at lower left 25/100, but not by the artist himself; this is a work after the artist, likely a posthumous printing of the 1970's or later. The sheet measures 11 3/8" by 9 1/4" (28.9 cm. by 23.5 cm.), versus the somewhat larger 14 3/4" by 10 7/8" (37.5 cm. by 27.6 cm.) measurements of the authentic print. I contacted the M.C...

A lovely good-sized, (30 1/2" by 34 1/2", and 34 1/2" by 38" framed) impressionist painting of a Swiss garden in Rovio near Lugano in the southern part of Switzerland hard on the Italian border, between famous Lakes Como and Maggiore, titled on reverse "Garten in Rovio", and dated there 1928, by well-listed Spanish artist JOSE SANZ Y ARIZMENDI (1885-1929). This is an impressive work by a talented artist. His biography is elusive. He was from Spain but spent a lot of time in Switzerland...

A superb gouache drawing of a Navajo rider and two horses in a red Southwest landscape, signed at lower right by the noted Navajo artist, JUSTIN TSO (1948-). The 11 5/8" by 10 1/4" drawing is double matted, (18" by 16 1/2" framed), the mat shape rather complex and interesting. Tso is known since the early 1980's for his stylized drawings of the Navajo people, their prized horses, and their unique dramatic landscape...

A clean example of the poster for the 1984 Los Angeles Olympic Games, pencil signed at lower right margin by the noted, avant-garde American artist, LYNDA BENGLIS (1941-). A number of artists were invited to create images for the series, and signed examples of these show up from time to time. This example (26" by 38" framed behind Plexi, making for easy shipping) is dedicated "For Harold Huttas". Benglis is a well-known Greek-American contemporary artist...

European watercolor landscape painting on paper laid on thin card, unsigned, 4 1/2" by 6 1/2" inside the mat opening, 10 3/4" by 13" as framed in black modern frame with gold color piping, titled on the reverse of the card "Hedelburg [Heidelberg, Germany] Aug. 1st 1877". This is a carefully executed 19th century watercolor showing the bridge across the Neckar River, tiny figures and boats in the foreground, steep terrain in the distance illustrating the dramatic scenery of the setting...

Sold together as a matched PAIR, are these two watercolor paintings, paper laid on board, en grisaille (black/white/gray,no color), each 13 1/2" by 10" inside the mat, 20" by 16 1/4" as identically framed, both signed "S. LOEWE" or "J. LOEWE" and dated '94 (1894). At first glance, most people would think these are prints of some kind, but upon closer examination, incredibly, they turn out to be original watercolors, with amazing detail...

Oil on canvas winter landscape painting in an impressionist hand, a snow-covered road leading to a cluster of houses in the distance, 16" by 20", unframed, signed at lower right by listed American woman artist CHARLOTTE LIVINGSTON (1898-1991). The painting captures the quiet solitude in early winter after the first snow (a lot of autumn color remaining suggests the winter season is not all that far advanced). Livingston was born in New York and studied at the National Academy and the Art Stude...

Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis. Buell's work was exhibited at the Art ...

A beautifully crafted oil on board painting of a barge and its brightly painted bow at a river dock in Europe, 13 3/4" by 17" (19 1/2" by 23" in inexpensive modern frame). signed at lower left by master Hungarian artist ERVIN KORMENDI-FRIM (1885-1939). A number of small figures, a bridge span, and distant buildings complete the richly-painted scene. The distinct structure at center right in the distance could provide a clue as to where in Europe this might be. The artist painted in Hungary, Fr...

This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958). The print is quite small, 2 7/8" by 2 1/8" inside the mat (9 1/2" by 8 1/4" as framed). I believe that this is from the edition published at a later date by the Collectors' Guild of New York, as other examples I have seen are identically framed, and with their label on the reverse. ...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed. The models, artistically placed in a rising ...

Pastel on paper work, the subject a wintry tree and split rail fence in a snowy landscape, a distant house with smoke from a chimney suggestive of a snug refuge from the cold. The work is signed at lower left "E Taylor". Most likely, the date of execution is within ten years of the turn of the century. Condition is excellent. Measurements are 12" by 17 3/4" inside the mat and 21 1/2"by 26" in silvery modern framing with gold tint (some wear noted especially at bottom). Note that all photos ...

Watercolor on paper painting of redwood, sequoia or pine tree trunk in a forest, unframed, 9 1/4" by 7 3/4", signed at lower left "Mary Inez Tidwell". The work is possibly a fragment, as the top edge and right edge in particular seem to indicate that there might have been more painting at one time; however, there are pin holes in the upper corners and indications of round tacks having been there, so possibly the painting is as originally created. There is a listing for an artist by the name In...