Oil on canvas painting of a small sailing craft on the sea, a dinghy towed behind it and another sailing boat on the horizon, 18" by 14" (24" by 20 1/2" framed), signed at lower left by noted American listed artist HENDRICKS HALLETT (1847-1921). Hallett was known for his marine paintings and historical works, and was especially adept at watercolor. The artist studied in Antwerp and Paris and returned to Boston for further training...

Watercolor on paper landscape, 10 1/2" by 7" inside the early-style gold mat, 18 1/2" by 14 1/2" as framed, signed in blue at lower right "J.A. HANCOX". No listings were found for this artist, but the work appears certainly to be of English origin. There is fairly heavy foxing especially at top in the sky, and a small bar of lighter paper there. It appears that the artist signed in lower right corner and then tried to rub it out there before re-signing it two inches higher up.

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration...

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18"...

Watercolor on paper, 6" by 15 1/4" (11" by 20" as framed), unsigned, the subject drawn completely in shades of brown, circa turn of the century or early 20th century, Included in the scene are a number of sail boats of various sizes, and there are a few coastal shacks and houses in the scene, as well as a few tiny figures. Most likely this is a work by an amateur from the east coast, perhaps Massachusetts or the like. The present mat is not professionally cut...

**ONE OF SEVERAL WORKS BY THIS ARTIST IN MY SHOP**Oil on canvas laid on board painting of colorful, flowering shrubs and bushes alongside the Pacific shore, 8 3/8" by 11" (11 3/4" by 14 3/4" in very attractive vintage pie crust style frame), signed at lower right center by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

Original nineteenth century example of a desirable ("New Best 50") small folio Currier and Ives print, "Midnight Race on the Mississippi". This example measures 10 3/8" by 14 3/8" inside the narrow old frame...

This is a modernist work (the medium appears to be tempera on board), measuring 10" by 17" (14" by 20 1/2" framed). It is signed at lower left by noted artist AMBROSE PATTERSON (1877-1967) and titled on the reverse, rather mysteriously, "The Alert". This is a late painting by the artist, who had a very different style earlier in his long painting career. Subject matter is open to viewer interpretation. The surface certainly seems to be complex and quite heavily worked...

PAIR of oils on canvas board of historic old structures in landscapes, each 9" by 12" (14 1/4" by 17 1/2" in similar but not identical white wood frames), one signed in red at lower left by listed Philadelphia artist HARRY JAMES OSHIVER (1888-1974). Oshiver was a pupil of Daniel Garber , Henry McCarter, and Hugh Breckenridge. Born in Moscow, Russia, he studied at the Spring Gardens Institute and at the Pennsylvania Academy. Today he is known for his landscapes, nudes, still life, and prints...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting...

Offered together here as a pair, are two watercolors in vertical format, 6 3/4" by 3 5/8" inside the mat, (11 5/8" by 8" as framed), each signed at lower right by the noted Italian watercolorist artist UMBERTO ONGANIA. Ongania's works are almost instantly recognizable by virtue of their detail, handling of light, and technical excellence...

This is an unusually bright, saturated-color example of the MARC CHAGALL (1887-1985) lithograph "Romeo and Juliet", printed by Mourlot. This is a well known image by Chagall, created in 1964 for the ceiling of the Opera Garnier in Paris. Charles Sorlier in association with the famous lithography house Mourlot adapted this image from Chagall's sketches for the project and printed this. Measurements are 24 3/4" by 38 3/4". The total edition was 5,000 examples...

Impressionist oil on canvas painting of ships in a harbor, titled on stretcher "San Francisco Bay in 1840", signed at lower right "M. McDOWD" (MARGARET EPENETER McDOWD 1894-1990)...

Oil on canvas painting of a fetching young woman, 30" by 24", unframed, signed at upper right corner "George E. Harris" and dated there 1929. The artist is American painter GEORGE EDGERLY HARRIS (1898-1938). Harris was born in Delaware and appears to have most of his auto accident-shortened life in the northeastern states. He was the son of Charles X. Harris of the Noank, Connecticut art colony, and a pupil of his father and of Charles Courtney Curran. The young Harris studied at the Art Stu...

Oil on canvas painting of water lilies, 20" by 16" (28 1/2" by 24 1/2" framed), signed at lower and signed again on the reverse, titled there "Pink Lilies & Reflections"/July 88, by the late Canadian impressionist artist RON SIMPKINS (1942-2008). This is a lushly painted work in the tradition of Monet, who the artist greatly admired, according to a tribute website posted on the net by a loving daughter. Simpkins was the son of Canadian artist Henry J. Simpkins, and continued his impression...

Crayon drawing on paper of the picturesque old historic mission San Carlos Borromeo at Carmel, California, (dating to the year 1771), so identified, signed and dated 1938 at lower right, by the noted Tacoma, Washington architect SILAS E. NELSEN (1894-1987). The work, 11 1/2" by 8 1/2" and 15" by 12" framed, shows the facade of the popular mission. Net information shows Nelsen was born in Wisconsin and made his career as an architect of commercial buildings, homes, and churches, in the Tacoma, ...

Woodcut color print "Jeremiah", 23" by 15 1/2" (33" by 25" framed), signed in pencil at extreme lower right corner and dated there 1957, by the well-known Jewish artist JAKOB STEINHARDT (1887-1968). The work is numbered in lower center margin 1/30. Steinhardt is a significant figure in the Jewish art scene of the 20th century. Born in present-day Poland, he attended art school in Berlin in 1906, studying with Lovis Corinth and Hermann Struck. The years 1908 to 1910 were spent in Paris, where...

A rare prize for the specialist collector of Ohio art, this is an oil on canvas laid on board, the subject an impressionistic sketch of a patch of woodland in greens and browns, 8 5/8" by 11 1/2" plus narrow simple framing, signed in red at lower right "W. M. Darling". Darling is known today as the "Dean of Toledo Artists", a title earned after a lifetime of distinction in painting. Darling studied at age 14 with Henry Mosler in Cincinnati, and by 19 was in Europe with Mosler, exposed to the r...