Original print in black and white, described on paperwork affixed to the backing as a Heliogravure, 10 1/4" by 8 3/4" inside the mat (26" by 22" as framed), not signed or numbered. The popular and familiar image is "Gabrielle et Jean" (after the famous painting of Renoir's wife and son). Heliogravure is described as one of the very earliest photographic etching processes. Apparently in 1919 at the artist's death, heliogravures were made of many of his popular paintings...

This is a rather unusual and visually arresting contemporary work by a Japanese or Japanese-American artist, signed at top right "Yasushi Saito" and dated there '78. An oil on canvas, unframed, measuring 23" by 19", the work is difficult to describe: a carp-like blue fish at right center appears with conical mountains that resemble Mount Fuji or desert peaks, as stunted bizarre vegetation, possibly trees, complete the visual feast...

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr...

Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint...

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year). Try as I might, I cannot make out the name. I've tried Pfohl, Pfahl, Pigott, and so on. In any event, here's a drawing that has survived in excellent condition after nearly 200 years...

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.

Old watercolor painting of Yosemite National Park's famous "Tunnel Tree", signed at lower right by artist J. M. Stewart. The tree became famous after the drive-through tunnel was cut through it in 1881, making it an instant tourist attraction and one of the wonders of the astounding west. The tree fell in a storm in 1969, at which time it was estimated to be 2,100 years old. It had reached a height of 234 feet. The tunnel was 7 feet wide, 9 feet high and 26 feet long at the base...

Pastel on paper painting of an outdoorsman cooking his dinner over an open fire alongside a creek or lake, the setting sun reflected on the waters where his boat is tied up, the work measuring 17 1/2 " by 25" (23 1/2" by 28" in its vintage circa 1920's frame). Signed at lower right "Gillette", this is by an American artist who was a member of the early century pastel school, now best known for works by William Henry Chandler, Glatthaar, Gunderson, and others...

This is a small but powerful, classic work of the 1930's, a view of two men and a woman waiting----appropriately titled, apparently by the artist, on the reverse backing, "Waiting Room". Unframed, presently with just a mat, the piece itself measures 7 3/4" by 10 1/4". The artist is ALBERT ABRAMOVITZ (1879-1963). Abramovitz was born in Riga, Latvia...

Oil on canvas, 30" by 25" and 1 1/4" wide frame, unsigned, the subject two ladies and a cradled baby, in a traditional European interior of the nineteenth century. Due to the stretcher and canvas weave, I believe this is actually a work by an American artist, who skillfully copied a master work from Europe (probably Italian, or, Tyrol area/South German?)...

THREE original watercolors of women in elaborate costuming of the Art Nouveau period, circa 1890's, each signed with the pen name "Japhet", identical sizes and framing, (10 1/4" by 6 1/2", and 13 1/2" by 9 1/2" framed), by the noted French illustrator artist ALEXANDRE JEAN LOUIS JAZET (1814-1897). Jazet was the son of an artist who became a skilled engraver and lithographer, working often in stage design as an illustrator. He often signed with the pen name "Japhet" and "Minon"...

From the hand of pioneering modernist painter and printmaker GEORGE CONSTANT (1892-1978), a large (28" by 19 1/2" inside the mat, 36" by 27" framed) watercolor painting of white, pink and purple lilacs in a vase, signed at lower right by the artist. This is a striking work with a pronounced modern approach to still life...

Small oil on canvasboard contemporary painting of high mountains in the western United States, or, possibly, Canada, unframed, 6" by 9", signed at lower left with what appears as "Wingsford", "Wingard" or similar. The painting is by a trained hand, the depth of the landscape and the majesty of the mountain captured with skill. The painting is in excellent condition.

An unusually attractive example of the work of artist Anders Gittelson (1921-2003), better known by his brush name "GISSON" or "ANDRE GISSON"...

A striking watercolor and gouache painting of a black cat lounging amidst lily family garden flowers, 8 1/2" by 13 1/4" (18" by 22" as framed), signed at lower left by the noted New Mexico-associated artist AGNES GABRIELLE TAIT (1894-1981). Cats were a favorite subject of the artist, and collectors seek out those works specifically. Tait was born in New York City, and studied art there and in Europe (especially lithography). The Depression years were difficult for her as for countless other ar...

Oil on board painting of a European village scene: an intimate cobblestoned lane winds between Old World houses, as a threatening sky looms above. The work is unframed and measures 26" by 20 1/2". It is signed at lower right and dated there "12" (the year 1912). The artist is ALBERT ABRAMOVITZ (1879-1963). Abramovitz was born in Riga, Latvia. He received art training at the Imperial Art School of Odessa, Russia, then went on to further study at the Academie de la Grande Chaumiere in Paris. By...

An oil on panel laid on Masonite, the subject apples on a surface, one peeled, the work signed at lower left by listed Midwest artist JULIUS G. SEGALL (1860-1925). The 9" by 12" work (14" by 17" in later gold frame) draws from a long tradition of still life painting of fruit in Europe, and later 19th century America (from the Peales through Martin Johnson Heade and on to the Fall River School of Massachusetts). Segall was born in Prussia and spent his early years in Milwaukee. While young he ...

Charcoal drawing of a Native American woman removing a garment, 17" by 9 1/2" (24 1/2" by 16 1/2" framed), signed at lower left by noted contemporary American western artist NED JACOB (1938-). Jacob was born in Tennessee and found himself in Montana at a young age, working in Glacier Park. He became acquainted with the well-known Montana artist Ace Powell, who became a mentor. In the 1960's Jacob moved to Taos, New Mexico, where he began to paint in Walter Ufer's old studio. While in norther...

A nicely painted watercolor landscape of a farm in autumn, 20" by 14" (29 1/2" by 23 1/2" framed) signed boldly at lower left and stamped there by the artist, LEWIS SUZUKI (1920-2016). In even relatively recent years there was little information on Suzuki, whose fine watercolors seemed to show up in California with some regularity. Fortunately that scarcity of information is now a thing of the past, the family having started a comprehensive Facebook page which pays loving tribute to this man, ...

An etching on paper, measuring 14 1/2" by 10 1/4" inside the mat (21 1/2" by 16 1/2" as framed), signed in pencil at lower left margin and numbered 29/150 at lower right margin, with a dedication (in the plate) at upper left and date 5 November 1906, by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a bearded man wearing a yarmulke. Struck was born in Berlin of Orthodox Jewish parentage. Early in his life he met the Zionist leader Theodor Herzl (1860-1904), a meeting...

An antique oil on board painting of a chestnut thoroughbred in the barn, 9 1/2" by 12 1/2" plus 7/8" inch wide contemporary wood frame, signed with conjoined "AS" or "SA" monogram and dated 1899 at center left. The work is most certainly by a listed artist. The painting has a dry surface and perhaps some chemical oxidation of the paint, giving a blanched look in a number of parts of the horse's body, including rear spine/rump, tail, chest and legs; please view photos carefully. The board is s...

Original late 1960's lithographic poster, "115 Bank Street", by the famed modern artist ALEXANDER CALDER (1898-1976), printed by Mourlot. The piece measures 28" by 21" in orange metal framing (not examined out of frame). It is in acceptable decorative condition, the colors bright, but due to past moisture exposure, there is a vertical rippling pattern and in the lower three inches, there is some water staining, as shown in the photos. A colorful addition to your modern interior. As mid cent...

A charming, somewhat naïve antique oil on canvas painting, 16" by 23" (18 3/4" by 27" in late 20th century frame), unsigned, featuring a winter's day in the country, mountains in the distance, and two figures in the foreground braving the cold to chat, a glow in the central home at right center indicating that a fire is warming it. At far left in the distance is the rest of the village. The painting was painted by an American hand after 1885 (the metal stretchers with that date in the corners...

An original lithograph on heavy paper, unframed, pencil signed at lower left by the noted Israeli contemporary artist MENASHE KADISHMAN (1932-2015). The print, featuring Kadishman's trademark imagery, of a sheep's head, measures 29 7/8" by 19 3/4". The artist was born in Tel Aviv and by the late 1940's was already studying with sculptors Moshe Sternschluss and Rudi Lehman. In the early 1950's, the young Kadishman lived on a kibbutz, where he was exposed to sheep and shepherding; the experienc...

A large portrait of a woman of obvious wealth and status, 36" by 35", signed "Wells" at lower right on a prop envelope, and dated there 1930, set into a beautiful, unique, valuable 3 3/4" wide frame by the famous framemaker M. (Maurice) Grieve Co. of New York and London (see photo, reverse of frame). An online search did not turn up a "Wells" artist that would obviously fit with this work's subject matter, handling, and period. However we can see that this artist was quite obviously a skilled ...

A competently painted, luminous little work on canvas, 12" by 16" (17 1/4" by 21" framed), the subject high mountains in full fall color, likely the Rockies in Colorado, Wyoming, Montana or Idaho (or, possibly, even Canada). The artist signed the painting "C H Wells" at lower right. The painting likely dates to the 1970's or 1980's. While I do not see a listing for an artist by this name, he or she was clearly talented. The eye is drawn deep into this spacious and pleasant scene. Condition ...

Oil on canvas painting of a traditional English cottage home adjacent to a pond where several ducks swim happily at right, signed at lower left by artist G. W. Andrews and dated there 1915. The work measures 16" by 12" and 19 1/2" by 15 1/2" framed. A figure stands on the small stone bridge overlooking the water. The painting is executed in a primitive hand but is very quaint and peaceful. Condition is excellent and stable, with no tears. On the reverse on the stretcher there is some writin...

A really well executed oil on canvas painting of a hammock of dry land in the Everglades of southern Florida, a summer cumulus cloud at right about to become a thunderhead, 18" by 24" (22" by 28" framed), circa late 1960's or early 1970's, signed at lower right by listed artist EDWARD ARTHUR EVANS (1895-). Evans, it appears (after a focused internet search), was born in 1895 in Muskogee, Oklahoma. He was evidently a man of many talents; an engineer, Army officer in both World Wars (advancing t...

Circa 1940 watercolor landscape painting, 11 1/4" by 15 1/4", 19" by 22 1/2" framed (no glass), signed at lower left by artist Edith Ovaitt. Edith appears to have been a talented amateur artist. An internet search reveals a woman by that name born in 1893 or 1898, living in Flint, Michigan at the time of the 1930 census. That Edith Ovaitt died in 1969. Ovaitt is apparently a fairly common name in that area. The watercolor's blue dominating color is very soothing and the work is clean. Just...

A set of SIX framed engravings, each 14" by 9" and 16 1/2" by 12 1/2" identically framed, featuring architectural facades and urns, by the very well known eighteenth century Flemish architect and engraver JEAN FRANCOIS DE NEUFFORGE (1714-1791). Neufforge is known for his "Recueil Elementaire d'Architecture", a landmark publication of its time, late editions containing 900 engravings of all aspects of 18th century architecture. The work went through a number of editions beginning in the 1750's,...

Oil on canvas landscape with mountains and river in a steep sided canyon in winter, 8" by 12" (9 1/2" by 13 1/2" framed), signed at lower left "F. Sima" and dated there 1921. Although the name suggests an artist likely of Czech origin, this painting's stretcher and materials suggests the scene was painted in America, perhaps in the Rocky Mountains of the west. A search of the standard internet databases does not show an artist by this name, which is surprising. The work is beautifully painted...

A work of Surrealism, 22" by 26", unframed, the imagery a strange landscape in blues, two bare trees at right center, and an odd shaped biomorphically-inspired form (part looks like an index finger complete with nail) at left foreground, completing the strange composition. The painting is signed at lower right by the artist; the first name is Bruce and the last name is difficult to make out, perhaps Hailey, Harley, Hurley or similar. On the reverse he has titled the piece on the stretcher AND...

A 9" by 13" watercolor painting (15" by 19" framed) of a river bounded by vegetation several ducks swimming picturesquely at lower right, signed at lower left by the noted historian and author Edgar Mayhew Bacon (1855-1935) of Tarrytown, New York. The work is titled on an old Hudson Valley Art Exhibition exhibition label "Ashley River, Near Charleston S.C. $35.00". Bacon was a noted historian and author. Among works he penned were "Chronicles of Tarrytown and Sleepy Hollow" (1897), "Henry Hud...

Ideal additions to a child's room, these three colorful original paintings, each 8" by 10", unframed, are fine examples of naive or "primitive" art from Haiti. Each is signed by artist "E Maxime". The fantasy landscapes of wild animals surrounded by tropical vegetation of a wide array of vivid colors and unusual shapes are bound to stimulate a child's imagination. But if you are an adult and you also find the color and composition fascinating, you will not be alone. Haitian art is very popul...

Acrylic or oil on canvas painting, 25" by 30 1/2" in simple frame, painted somewhat in the Op Art style, the imagery difficult to summarize: shapes of diamonds, clubs, heart, (think playing cards), superimposed on each other, and in turn superimposed on what appears to be a background of open water and endless mountain ranges. The work is signed at lower left "Marilyn Griffith" and titled on stretcher "21 String Mandala". There does not appear to be a listed artist by this name, which is surp...

Set of FOUR woodblock prints on special Kizuki Hosho paper from the Book-of the-Month Club series, circa late 1960's/early 1970's, each signed and bearing a red seal, by the important post-war Japanese sosaku hanga artist KIYOSHI SAITO (1907-1997). Saito was one of the first woodblock artists from Japan to be widely accepted by an international audience. After the war his work was exhibited at the Sao Paolo Biennale in 1951, and the recognition achieved there launched his commercial internationa...

A striking modernist work titled "Fantasia" and dated 1952, by Tucson Fine Arts Association member BESS WEST. The work , oil on canvasboard (18" by 14", and 18 1/2" by 22 1/2" in apparently original frame) is signed at lower right "B. WEST" and on reverse appears the title, artist name and date, and an original card from the Seventh Annual Independent Open Show in Tucson in 1953. The imagery features such icons of the Southwest as a saguaro cactus, cow skull, five-pointed stars, a western styl...

An original lithograph print, circa 1967, "Words of Maximus of Tyre", hand signed at lower right in soft pencil, stamped with the red chop mark, and annotated in pencil "Closing paragraph from Dissertatis VIII of Maximus of Tyre (2d Cent. A.D.)", by the important American Social Realist artist BEN SHAHN (1898-1969). Most of Shahn's prints were in editions of not more than 200; of some, less than 50 examples are known; and some are today very scarce. After an intense internet search, (though, ...

Oil on masonite monochromatic coastal landscape with headlands and seabirds, measuring 20" by 24" (29" by 33" as framed), signed at lower right "Jean Appleton". I cannot with confidence offer this as an authentic work of the noted Australian artist by this name. I have seen in the Los Angeles area, a number of paintings thus signed. I have sent several of these to Australia where they sold at auction as authentic works by her. Yet I have received an email from a gentleman in Australia who in...

A vintage California oil on canvas painting of high mountains and the desert at sunset, probably painted circa 1935 through the early 1940's, 20" by 24" (23" by 27" in likely the original frame), signed at lower right by Los Angeles area artist ESSIE KAILEY (1897-1986). Kailey is not apparently a known artist, and was likely a talented amateur. Only due to the wonders of the internet have I been able to determine her birth and death dates and place of burial in Glendale, California at Forest L...

This is a lithograph, titled "Heure Matinale", 19 3/4" by 25 3/4", unframed, signed in pencil at lower right by the artist and dated there "61", with "epreuve d'artiste" notation, by the noted CoBra artist GUILLAUME CORNELIS VAN BEVERLOO, best known by the pseudonym "CORNEILLE" (the French word for "crow"). The regular edition of this print appears to have been of 120 examples, on BFK Rives paper (and this has those watermarks). Corneille passed away in the year 2010 after a long and distinguis...

**PAIR** of pastel and pencil drawings on paper affixed to board at edges, each 9 3/4" by 13 1/2" inside the mat, currently in simple contemporary inexpensive frames, one signed in pencil at lower right "GROLL". These appear to be possibly scenes of Mexico or even Spain (the artist studied in Europe) by listed American artist ALBERT LOREY GROLL (1866-1952). Groll was New York-born, but spent a lot of time in Arizona, New Mexico and other points of the far west, painting and drawing the expansi...

Pastel on paper laid on board, 15 1/2" by 19 1/2" (19" by 23 1/2" as simply framed---no glass), signed at lower right by noted American pastel artist ANDREW GUNDERSON (1888-1964). This is a rather typical example by the artist, who is grouped today with such pastellists as William Chandler and Glatthaar. These artists around the turn of the century and the early years of the 20th century produced large numbers of original pastel landscapes and still life images, which are today very widely dis...

A PAIR of oil on canvas works, each 14" by 10", unframed, featuring hanging wild birds against a simulated wood-grain background, painted in the then-popular realistic trompe l'oeil manner of painters like William Harnett in America, or Michelangelo Meucci (1840-1909) in Italy. The paintings likely date to about the 1880's. They are signed but despite my best efforts, I have been unable to make out the worn and faint signature. An image of that area is provided. The works over more than 125 y...

Unsigned watercolor landscape painting, late 19th century American origin, the subject a chilly shoreline including snow-covered shacks, two figures, and a small overturned boat in winter storage, measuring 11" by 21" inside the mat (16" by 25" as framed). This is a primitive work, the figures a bit small and out of scale, and therefore a charming work, rather typical of late nineteenth century American watercolor by self-taught artists. CONDITION: Foxing in the sky, as shown, otherwise good....

This is a print on metal process, the sheet measuring 34" by 28", and the subject being "The Burning Bush". The work was created to celebrate the 1996 opening of the Skirball Cultural Center and Museum in West Los Angeles. The Skirball is known for its focus on American and European Jewish culture. This work is numbered 629/900 on the reverse in marker and is signed at lower right in marker by the artist. Over the years it has not been handled professionally and as a result the metal has cor...

Oil on canvas, circa late nineteenth century, 21 1/2" by 26 3/4" and about one inch wide framing, unsigned, featuring feathery trees, distant snowy mountains, a lake with small sail craft, and a gentleman pulling in nets on another small boat. This painting is in need of restoration, but, I believe it well worth saving for posterity. There are some holes, the largest about 3/4" by 1/2", at lower left, a similar one at upper left, and some much smaller punctures at far right. The painting is ...

Watercolor on paper country road scene with figure and possibly a horse, 4" by 8 3/4" inside the mat, signed at lower right "Lauro" and inscribed "A mi querido cunado (brother-in-law) Daniel" and dated 1881. I have searched for a listed artist that could correspond to this name but have not come up with a compatible listing. Purchased this at a flea market in Buenos Aires, Argentina. The work is in reasonable condition considering that it is 140 years old...there is foxing, some browned areas...

Watercolor on paper of a rugged seacoast with rocks and surf (presumably California, but could be a number of other places including England), 10" by 13" inside the flimsy makeshift mat (18" by 22 1/2" as framed), signed at lower right "GAY", and bearing a bonus---a pretty study on the reverse side. I do not believe this to be by any of the noted artists who share that last name of "Gay". Nevertheless it is a nicely drawn work, in excellent condition. Allow for reflections. "Crease" near si...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship. The paper is generally somewhat browned with advanced age, and the extreme left and right 1/2" or so is severely browned---evi...

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century. The painting has some condition issues, such as a depression at top that shows as a shadowed area in the photos taken in angl...

Watercolor on paper laid down long ago on a thin old board, the subject being fruit, including green and purple grapes as well as a melon, measuring 10 3/4" by 18 1/4" inside the mat (19" by 26 1/2" as framed), apparently unsigned, dating likely to the late nineteenth century. This is a fine example of American still life art of the period. I would imagine the unknown artist would be listed, due to the quality of the work. Condition is excellent, with fresh colors and no water stains or foxin...

Oil on canvasboard, 16" by 20" and 1 1/4" dark stained oak frame, signed at lower left with initial "D", and executed en grisaille (grays, whites, black). This is a work by an accomplished artist, showing what appears to be a solemn funeral gathering, with a minister reading from the bible as a black gravedigger looks on at right. The style of dress of the mourners suggests the 19th century as the period depicted. I thought this might be a work by the major illustrator Harvey Dunn, and ran th...

Oil on canvas landscape oil, unmounted/unstretched, contained loosely in a decorative and complementary modern white metal frame, measuring 5" by 7" (7 1/2" by 10" as framed), signed at lower left "A. Schilling". I would date this to the late 19th century or early years of the 20th. Schilling (1859-1937) exhibited in Chicago at the Art Institute, St. Louis at the world's fair, at the Pennsylvania Academy, and elsewhere. Though listed in a number of reference works, there does not seem to be a...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin. Frame is vintage and no doubt origina...

Watercolor on paper, 16 1/2" by 11 1/4" inside the mat, 23 3/4" by 17 1/2" as framed, signed boldly at lower right by the California listed artist ALFRED OWLES (1894-1978). Owles was born in England and is today perhaps best known for his accurate watercolors of aircraft and early aviation, including depictions of World War I dogfights, with which he was personally familiar, having flown in the early craft as a photographer. He worked for many years in a San Francisco studio, and later in life...

In the style of noted and popular late 19th century/early 20th century pastel artist WILLIAM CHANDLER, this is a nicely executed work featuring purple grapes, a sectioned orange, a peach in the back, and some seeds and grape leaves. Measuring 10 3/4" by 14" (15 1/2" by 18 1/2" as framed), signed "MAYER" at lower right, I have been unable to match this up with a listed artist, but the work, dating to as late as 1930 or so, is very decorative and folky and in excellent condition, as is the frame.

Gouache and watercolor on paper ink signed landscape showing the famous old California Mojave Desert ghost down of Calico, 15 1/4" by 19 1/4" (24" by 28" in simple blond wood frame without glass), by California artist ANNA WILSON. This is an impressionistic work showing the small and insignificant hand of man in a grand wild desert landscape. There is a listing for an Anna Wilson in California but I do not believe that this is by the same artist. Condition is excellent despite the fact that t...

Oil on canvas, 50" by 31", unframed, signed on the spine of the book at lower center in true trompe l'oeil style and dated there 1901. This is a beautifully painted work by an historical painter of late 19th century California, ALBERT JENKS (1830-1901). It is already quite impressive as it is, but, with a gold frame around it, I can envision this gracing the wall of a law office or museum. Jenks was born in upstate New York, and kept moving west throughout his life; to Illinois by 1836, where...

This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting. Further research no doubt could resolve th...