Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810...

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

This is an unframed study in pencil by a noted figure in eastern American art, XANTHUS RUSSELL SMITH (1839-1929). The artist, at age 85, signed it with his distinctive "XS" monogram at lower left, and wrote "Painted in oil this size", and dated it Nov. 29- 1924. The sketchbook paper measures 6 5/8" by 9". It would be interesting to pair this with the oil version, in order to gain insight into the artist's artistic process...

Large matted watercolor of abstract landscape by Yngve Olsen (1905-2000), American Modernist, one of many watercolors painted in the Southwest in the 1940s and 1950s. Measures: Mat is 22" x 17" and watercolor sheet is 16 3/4" x 13". Like many of his works from this collection, it is not signed, but is guaranteed to be by this artist. Contemporary archival matting with glassine over painting, the mat is a soft creamy yellow tone. Painted in the mid century modernist style, very much in the ...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting...

Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003...

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a fine image in soft pencil and ink on paper, the drawing itself 10" by 13 1/2", in a simple frame without mat, signed with initials at right and dated '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

For your rustic lake cabin, second home, or Adirondack style interior, a well executed pastel drawing of a lake landscape with tent and figures, 17 1/2" by 29 1/2" (21" by 34" as simply framed), signed at lower right by noted American pastel artist ANDREW GUNDERSON (1888-1964). Gunderson is grouped today with such pastellists as William Chandler and Glatthaar...

The size of Sheet: 13 1/2"H x 13" W
Image size:. 8 3/8" H x 9" W
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More I
The condition: Excellent. It never been framed
The year of Serigraph: 1990
Edition No.: 6/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed...

A small unframed watercolor painting of an early adobe structure of Northern California, similar to the historical, rare structures that may be seen today around the plaza in Sonoma, 7" by 9 1/2", signed at lower right by listed artist JEAN G. WALFORD (1875-1938). Walford was born in England, but was in Berkeley by 1917. She ran an art gallery until her passing in 1938. The watercolor came from an old Bay Area collection.

Traditional watercolor still life of roses, yellow daffodils and maybe some dogwood, arranged in a white vase against a sketchily defined background, 20" by 22 1/2" (27" by 30 3/4" framed), apparently unsigned, though a number "1432" appears at lower right corner under the mat (I do NOT think it says 1932). The paper was laid on a board long ago. I think this dates to the 1940's or so; the hand was trained. Condition is excellent and this is ready for the wall.

Original watercolor/gouache on paper by Hans Kleiss (1901-1973), depicting a smiling Berber man from Morocco. Circa 1940-1950. Image size: 26cm by 20cm. Signed l.l. Hans Kleiss was an Orientalist/ Africanist painter, illustrator, and caricaturist. He was the husband of Orientalist painter Yvonne Kleiss/Herzig. They both lived for long periods of time in North Africa (Morocco and Algeria). They settled together in Sidi Slimane (Morocco) in the early fifties before returning to France...

A charming work in watercolor with white gouache highlights, 13 1/2" by 10 1/2" (19" by 16" framed), featuring a young woman in the hugely popular Gibson tradition of the early years of the century, viewing her image in a hand-held decorative Art Nouveau mirror as she applies her lipstick. The work is signed at left "L...

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery. I submitted images of the print to the gallery to ask them if they thought t...

Circa 1960's watercolor painting of a snowy street in New England, a white church at left and bare elm trees framing the scene at right, signed at lower right corner by artist William Carpenter. I do not see a listing that would seem to fit but the artist obviously was talented in the watercolor medium. Condition is very clean. All images were taken through detail-dulling non-glare glass of the period. Measurements 10 1/4" by 11 1/2" (16" by 17" framed).

Impressionist painting of a small brook in a landscape, bordered by trees, the season perhaps early spring, suggested by the white ground-hugging flowers in the foreground. The unsigned work, on board, measures 19" by 14 1/2" (21 3/4" by 17" in attractive gold frame). The artist could be American, or European...there is old pencil notation on the reverse in American handwriting referring to varnish type. The work was recently cleaned and two hairline horizontal scratches were attended to. T...

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

Pastel on paper, unframed, 14 1/2" by 12 1/4", signed at lower right with the initials "DP". This is a drawing of the distinctive 10,000+ ft. mountain of the Cascades Range in Washington state, Mt. Baker. The artist was obviously skilled in the use of pastel, but I am not able to say who the artist might have been. I thought it could possibly be Dewitt Parshall, California artist, but don't know if he worked in the Northwest. So, this work, oddly, found in central Massachusetts, is offered ...

Oil on canvasboard, 16" by 12" (19 1/2" by 15 1/2" as framed), the subject trees in flaming autumn colors along a quiet dirt forest road, signed at lower right "P.L. King", no date but likely circa late 1940's or 1950's. For a time I had thought it possible that this was a work of the noted American impressionist PAUL KING (1867-1947) but I no longer believe that to be the case, so I am offering it as simply an interesting impressionistic landscape. The painting is in a gold frame and could h...

A landscape work in impressionist style, featuring a cabin in a forest, signed by listed artist DOROTHY C. NEAL. The piece is signed again on the reverse in pencil and titled there "Cabin in the Aspens/quick sketch/Panguitch Lake, Utah '52". Dorothy Neal was born in St. Paul, Minnesota and was in Chicago by 1920 receiving art instruction at the Art Institute. She worked in commercial art there and later in Los Angeles. After World War II she joined a group instructed by California artist Con...

Watercolor painting of a street and pedestrian promenade on Union Street, in Bath, England, signed by artist Tim Fish. The work is dated December 9,1998 and signed there. Measurements are 7 3/4" by 11 3/4" inside the mat (13" by 17" in simple wood frame). There is presently no glass, but the work is in excellent condition. A nicely executed work by an artist who obviously is familiar with watercolor technique.

A PAIR of detailed ink drawings, one titled "The Cottage", featuring a tidy home in the English countryside, the other a dated 1911 detailed look at a Gothic church's walls and entrance portal. Affixed to the crumbling old backing is a label for "The Cottage", showing it apparently won the "John J. Burnet Prize" for Alex Nicolson, who was evidently a student in "Club No. 129". So Nicolson was evidently a talented young artist. The drawings were found framed but the crumbling frames were falli...

"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — ov...

A contemporary painting in Old Master style, the subject a Dutch street scene with no less than eight figures, a church in the center background. The unframed 24" by 20" oil on canvas is signed at lower right corner "W. Caufield" (or "Canfield"). Note the attention to detail in the cobblestones and stone buildings (which are snow-dusted). The style derives from classic Dutch Old Masters and 19th century painters such as Cornelis Springer, Adrianus Eversen, and others. Condition is excellent....

A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor. The color and detail in this example i...

A black and white poster from the Susan Spiritus Gallery of Newport Beach, California, for an exhibition held in the spring of 1983 of the works of noted American photographer HENRY GILPIN (1922-2011), the poster **hand signed** by Gilpin at bottom center. The image featured is perhaps the best known photo by Gilpin, "Highway #1", the world-famous, dramatic coastal highway hugging the Central California coast. Gilpin, born in Ohio, served as a pilot in Europe during World War II. Following t...

A 14" by 9 1/2" watercolor (25" by 20 1/2" framed) by a skilled mid to late 20th century artist, the subject the entry area and classic old style doorway of a 19th century American home. The obviously antique home features appealing details such small panes in windows surrounding the door, decorative wallpaper, banister and grand staircase. A charming added touch in the composition is what appears to be a cat curled up on a small rug at the base of those stairs, basking in some warm sun coming...

Carroll Thayer Berry is a familiar name in artistic circles in the state of Maine, as he was an artist, illustrator and photographer there for many decades. Born in New Gloucester, he grew up in Portland and there became enamored of the sea and seagoing. After study at the University of Michigan (naval architecture) he worked for engineering firms in New York and Portland, then still as a young man worked on murals in administrative buildings in the Panama Canal Zone. After study at the Penns...

Watercolor and ink on paper, and possibly a little gum arabic in spots, for highlight shine, no glass, 7 1/4" by 9 1/4", (15 1/4" by 17 1/2 " in its simple wood frame), the subject a boat harbor no doubt on the central coast of California, signed at lower right center by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining, despite having traveled without protective glass. Benson ...

Poignant early handmade drawing of pink and white flowers (lilies of the valley and?) painted in gouache within an oval set off by golden mat, the words "BIRTHDAY GREETINGS FROM YOUR LOVING DAUGHTER ALICE" around the central image. The oval measures 4 3/4" by 6 3/4" and the entire work as framed 11 3/4" by 14 1/4". This is a work from another time, when people were less likely or less able to go to a store to buy a gift. Such a gift is the best of all gifts and the most heartfelt. The little...

Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented. The painting has a few losses and shallow scrapes that could use i...

Oil on canvas painting of a rocky windy coastline, likely in Ireland or Scotland I believe, signed at lower right "Peg McCarty". I do not see a listing for the artist. There is a canvas stamp on reverse, of Winsor & Newton, London, England. Measurements 14" by 18" (17 1/2" by 21 1/2" framed). Condition is excellent save for a few drips of foreign matter, brownish, along the ridgeline/horizon at left, and in sea at left center.

PAIR of pastel drawings of stone buildings in Israel, each 13 1/4" by 9 1/4" (19" by 14 3/4" in simple light wood frames), each signed "N. Kobi", one dated '87, the other '89. I do not see a listing for the artist, who seems to have been skilled with pastel. Both works are clean. The frames have wear that could possibly be sanded out.

A nicely executed good-sized pastel drawing, 19" by 23" (24" by 28" framed), the subject a fast-looking high-end sailboat off a coastline, manned by a number of figures. I would estimate the age as circa 1960's or 1970's. Framed behind detail-dulling non-glare glass, which was common during those years. Frame shows wear, drawing is in excellent condition. Signature "Mather" is at lower left.

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...