Unsigned Portrait after Velasquez Oil on canvas 18 x 14“ Frame size 21 x 17“

James Abbott McNeill Whistler (American, 1834-1903) - Palaces, Venice. Etching and drypoint in black ink on heavy Japan paper. Signed in pencil in lower left margin with a large butterfly and 'imp'. Ref: Kennedy 187, second state of three. Bearing a David Tunick, Inc., New York, gallery label on the reverse. Size: 10 inches X 14 /14 inches. Offered framed. A rare etching by this great American artist issued in 1879-80. This etching is the second state of three...

An oil on canvas portrait of statesman Daniel Webster, 1782-1952….more information coming soon

HENRI VAN DER HECHT, FLEMISH 1841-1901, LANDSCAPE WITH FARM, Oil on canvas, 13x 17 in. (33.02 x 43.18 cm.), Frame: 18 1/4 x 23 1/4 in. (46.36 x 59.06 cm.) Henri Van Der Hecht (Brussels 1841-1901) Painter, engraver. Worked mainly in Scandinavia and Europe but also in the Netherlands, the South of France and New York. With his lively landscapes, in warm colors, he is one of the promoters of outdoor painting and realism in Belgium...

Xanthus Russell Smith (February 26, 1839, Philadelphia, Pennsylvania – December 2, 1929, Glenside, Pennsylvania) was an American marine painter best known for his illustrations of the American Civil War.………….. The most historic event of Kearsarge's history was her historic duel with the Alabama off Cherbourg, France in 1864 as it was the only naval duel in which an American warship was one of the principals. On 19 June, Alabama stood out of Cherbourg Harbor for her last action...

Jean Louis Forain 1852-1931 French This is a very rare original drypoint etching by French artist Jean-Louis Forain, the title is C'est Fini, this drypoint was created and printed circa 1890, there was a later Verticle composition with the same name. This image measures 9 1/2X12 inches. Printed on a medium weight laid type sheet,. Weve been unable to find another example of this scarce drypoint. Hand signed in pencil lower right.

A PAIR of paintings on canvas, each featuring hanging game birds after the hunt, each 20" by 16", unframed, each signed by the well-known American western artist HENRY H. CROSS (1837-1918). The use of green painted wood panel background suggests the artist was familiar with the artist William Harnett and his style. Cross was born in New York state and became well known in the 19th century as a painter of portraits of Native American luminaries of the time...

Felix Bracquemond, French, 1833-1914, "Sarcelles (Teals)", etching, plate measures 8 7/8 x 11 1/2 inches, drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left.

Oil on board painting of a winter landscape, unsigned, 15" by 18" (17 1/2" by 20 1/2" framed), executed by a talented yet still naive hand, circa late 19th century. A pleasing work for the antique house or Americana and folk art collection. Notably, there is some abrasion and scratches, principally at lower left center near the fence, but also a bit in the trees at left and right and one in the sky, and varnish is yellowed.

Felix Bracquemond, French, 1833-1914, "Canards Surpris", etching, plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame. Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right.

White Mountain Landscape Oil on canvas 18” x 30” w/o frame Benjamin Champney is synonymous with White Mountain paintings of the 19th century. Most art historians consider him the founder of the White Mountain School of painters who came to North Conway and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals...

Gouache and watercolor on grayish tan paper, 7" by 9 1/2" inside the present mat (14 1/2" by 17" as framed), signed at lower left by listed French academy artist PIERRE FREDERIC LEHNERT (1811-?). This is a beautifully executed poetic drawing by an artist who showed at 19th century salons in Paris. From auction records it appears that studies of shepherds and sheep were a staple of the artist's production. Condition is excellent...

Antique Carved Oak Statue of a Monk holding a book and seated on a curved bench. Probably American, circa 1880.

9" x 9" x 14" tall

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame...

A primitive, circa 1880's oil on gray board landscape painting in the Hudson River style, with trees, water, and tiny figures completing the view. Measurements are 18 3/4" by 24 1/2", unframed. There is no signature. The board is slightly warped from old moisture exposure, which caused paint instability/flaking/losses at top couple of inches, as shown, and cracking at lower right. There are also a few light abrasions as shown.

Jean Baptiste Camille Corot 1796-1875 French This is a fine rich impression of the well known Corot etching Souvenir of Italy, this was first created in 1863, and printed in three states, including later ones with the publishers information at the bottom edge of the sheet. This one does not have that so may be an earlier or possibly later impression. The image measures 12 9/16X9 3/8 inches, printed on an antique laid type paper. Very fine condition, matted not framed...

Attractive praying wooden angel, hand carved teak, 19th Century, Burma, mounted. Condition: good, size: H. 47cm x W. 18cm x D. 10cm

James Abbott McNeill Whistler 1834-1903 American This is a fine impression of the well known Whistler etching, Rotherhithe, It was created in 1860 as part of his Thames Set, published as a portfolio in 1871. The image measures 10 3/4X7 3/4 inches. Signed and dated in the plate, lower left. This impression was last sold by Frederick Keppel in New York City, the label came with this etching...