Oil on canvas still life of white flowers in a vase on a table top, a decorative curtain at left, 30" by 25", unframed, signed at lower left and inscribed there "For Mother & Dad", by the listed California artist EUGENE DUNLAP (1916-1999). Dunlap studied with the likes of Jack Wilkinson Smith, J. Mason Reeves and Nell Walker Warner. An exhibitor at the Golden Gate International Exhibition in 1939, he for a good part of his life was a part of the Laguna Beach art scene...

Watercolor on paper, 8" by 11 1/4" (12" by 15 1/2" framed), the scene a shallow, reedy small river and its grassy banks, a few majestic trees completing the peaceful scene. The artist signed his name "E. Starker" at lower left in pencil. Starker was a painter in Stuttgart and Leonberg. He studied at the Akademy Stuttgart with Kappis and Grünenwald and in Karlsruhe with Schönleber...

Colorful landscape painting of a modest dwelling perched on a rise above a turquoise aqua colored sea, leaning coconut palms framing the scene and two small sail boats in the distance, signed at lower left "Dickerson". The work, on panel, measures 12" by 15 1/2" (14 1/2" by 18" simply framed). The scene could be Hawaii or the Caribbean; hard to tell. The impressionist palette, and especially the various shades of blue, make for an appealing painting...

Etching on paper, 10" by 7 1/4" inside the mat, 16" by 12 3/4" framed, signed at lower right in pencil by well-known New Orleans artist EUGENE F. LOVING (1908-1971). The print is titled at lower left, "The Marchand Court Old New Orleans", and bears the artist's notation "Ed/200" at lower center. Loving was a familiar figure on the New Orleans art scene for decades, painting and executing prints as well...

Armenian watercolor painting of the famous, sacred snow-covered mountain, Ararat, signed in Armenian at lower right. The work measures 11 1/4" by 16" (14" by 18 3/4" in gold frame). The work likely dates from about 1970 through 1980 or so. It is framed behind non-glare glass, which tends to blur detail. Condition is excellent. Armenian-speakers, please contact me if you are able to make out the name.

Contemporary pencil and watercolor drawing in simple metal gold framing, the subject two women apparently dancing in a late 19th century cafe, the drawing 8 1/2" by 5 1/4" inside the mat (the entire sheet significantly larger, at 11 3/4" by 8 1/4"), signed at lower right "Dan" or "Han" or similar. The scene reminds of George Grosz' 1920's drawings of Berlin cafe goers, or even Toulouse Lautrec's Parisian cafe's. The drawing is nicely crafted.

A small oil on canvas painting, 9 1/2" b y 12" (13" by 15" in wood frame), featuring an arid landscape with blossoming spring tree in the middle foreground and distant houses scattered over the middle distance, signed at lower left and dated there 2002. An Armenian speaker identifies the signature as "S Baboumian" (or, Babumyan, or other variation possible). This contemporary work shows a skilled hand and is in excellent fresh condition...

Oil on canvasboard painting of a lonely rutted dirt track in the California desert, 16" by 20" (21 1/2" by 25 1/2" framed), signed at lower right by artist Helen Hausman. I think the painting probably dates to the 1950's or very early 1960's. It is very dirty with yellowed varnish and grime. A cleaning would work wonders.

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. Unsigned, there are what appear to be initials "M.E.E." on the inside of the mat and on the inside of the backing...

This is a PAIR of color aquatints, each 8 1/2 by 12" inside the mat, 13 1/4" by 17" as framed, the subjects Notre Dame cathedral and the Seine in Paris, and the flower market at the Madeleine, each numbered at lower left out of editions of 500 and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

Oil on canvas painting of a street scene, presumably in Israel, 16" by 11 1/4" framed, signed at lower left "Moshe M.". This does not appear to be by Moshe Mokady, the best known artist with whom that name corresponds closely. Nevertheless it is a competently handled work in excellent condition.

Acrylic on canvas 15" by 19" (21 1/2" by 24 1/2" framed) painting of northeastern-style clapboard homes in late autumn season, a tiny figure and dog adding a charming touch, signed at lower right by artist BEN ROSEN. A worn label affixed to the reverse of the canvas gives the title "The Suburb", 1984 date, and a 718 area code phone number (greater New York City area)...

Miniature oil on canvas laid on board painting of an ancient stone church in Mexico with a market under umbrellas completing the scene, 6 1/4" by 6 1/4" as framed, signed on the reverse paper and inscribed there "Market Day in Old Mexico by A. J. Merrill of Taos N.M. March 1970". Condition is excellent. Merrill was born in St. Louis but spent his early life in Montreal, Canada, graduating from McGill University in 1911 and taking art classes with A.J...

Watercolor on paper painting 19" by 24" (27" by 34" frame in which found is available at no extra cost), the subject northeastern-style clapboard homes in late autumn season, signed at lower right by artist BEN ROSEN. The painting projects a certain naive charm as a bird's eye view has the viewer contemplating the scene from a unique perspective. There are small edge tears at extreme top that would be entirely hidden by new mat/framing...

Watercolor on paper, 12 1/2" by 18 1/4" inside the present mat, 19 1/2" by 26" as framed, signed "TOWNLEY" at lower right corner and dated there "Oct. 68"...

This is an etching by the important American artist JOHN SLOAN (1871-1951), titled "Dupont's Ride", on wove paper, in an edition of apparently 1,000 examples, published in Boston in 1902 by the Frederick Quinby Company. It is part of a series issued to illustrate the writings of French novelist Charles Paul deKock. Artist William Glackens did the primary work and then talented artists including Sloan, George Luks, Maurice Sterne and others were brought in to turn the images to etching. The pap...

Pencil signed etching, 8 1/2" by 6 1/2" inside the mat, 15 1/4" by 12 1/4" as framed, titled at lower left "The Arts and Crafts Courtyard", (and edition number there given as "100"), the subject the famed and often painted Brulatour Courtyard in the French Quarter, by the well listed Arizona and southwestern painter and art educator GERRY PEIRCE (1900-1969). Peirce was born in upstate New York and educated at the Art Students League and the Cleveland School of Art. Evidently he kept heading we...

A decorative print, 27" by 23 1/2" in its white wood frame with blue inner fillet, after the painting "Blue Bouquet" by the important modern French artist BERNARD BUFFET (1928-1999). The painting was produced in 1957, so the print likely dates to the late 1950's or early 1960's. There are light scratches at lower right measuring about 4", and some small loss areas at upper left showing as white spots. These are not major issues when viewed casually from normal viewing distance, and if they tr...