ANDREW CHEBOTARU (born in Sevastopol in 1984) graduated from the Inkerman Art School and the Crimean Art Schoo under Prof. Grigoriev. He also studied landscape painting at the National Academy of Fine Arts and Architecture, Chebotaru became a Member of the National Union of Artists of Ukraine in 201 1...

Edmund John Niemann was a highly prolific and greatly celebrated landscape artist. His extremely large portfolio covered scenes across the length and breadth of Britain. His most famous works are those depicting the river Thames. Niemann was the son of a German banker. He followed in his father’s footsteps for a time, working as a clerk in Lloyds bank. In 1839, however, he decided to give up the pen and the bank records and take up the paintbrush and pursue art...

Poem 70-10 is the kanji for day 日. It is a striking, simply executed print. Created in 1970, it is now over a half-century old. The print is 17.5in W x 24.5in H, large (but not huge). As Daniel Tretiak has said: In 1970 quite suddenly Haku Maki started producing truly large prints. He tells us that this one was large but Maki was destined to do even larger ones, that year and in 1973.

J-10 is an exciting example not only of Haku Maki’s depiction of Chinese characters but also his use of a hard gold-edged board (instead of simple single or multiple sheets of paper). In the last year of Maki’s life, Daniel Tretiak tells us, he was ill but continued to work. He did lithographs on shikishi board, which was a hard board covered in white rice paper. The back was yellow with a small design in gold and the whole board is gold-edged. These words apply to J-10 as well...

Collection 30 is one of the many striking prints of ceramics that fascinated Maki from the late 1970s to the early 1990s. Maki’s ceramic prints conveyed the “feel” of the bowls or cups or wine vessels—a sense of how it would feel if touched was imparted to the viewer through his ability to suggest texture in his prints...

What fun this print is—a swirl of kanji virtually unreadable but a delight to the eye. 79-9 was done in 1979 and measures 9.25in W x 10.75in H. The print is in excellent condition.

Poem 70-19 is one of the fairly small group of deep blue prints that Maki made. This one is 5.75 in W x 8.5in H and created in 1970. It is in good condition, with some toning due to its once having been framed.

Done in oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

Done in oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

Done in oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

Done in oil on canvas Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

19th Century Frame Miniature Painting Plaque of Couple and Angle Signed

The frame is 7.9 inches (20 cm) long by 8.9 inches (22.7 cm) wide. The plaque is about 4.1 inches (10.5 cm) long by 5.5 inches (14 cm) wide. It is 1.5 Lb.

The plaque is warped and has stains, cracks, surface wears and scratches, and uneven surface (as seen in the photos).

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ZEN ZEBRA

Upside-down Japanese bamboo ikebana vase painted in black and white calligraphy, attached with aluminum plate on the top and pink corrugated urethane foam at lower part, made by Dai Okumura (@dai_okumura), 2023, H 74.5 x W 40 x D 30cm (29.33 x 15.74 x 11.81in)

This is a form of 'Bi No Yo' (lit. 'Usage Of Beauty' - Adaptation from perfection) as a counter for the recognition of art called ‘Yo No Bi’ (lit...

August H.O. Rolle (American 1875-1941)

Stream in Winter

Oil-on-canvas, signed lower right (minor losses to frame)

Ptg.: 25" x 30"
Frame: 32.5" x 38.5"

SAFA/11229
August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary...

Carol Chase formally of the Washington area is an abstract painter whose work is figurative born in Kansas City in 1947. This work on fine French paper is attractive and well framed.

VOLUPTUOUS TORSO

Plastic torso wearing smaller pantie than full scale manufactured (but not for sale) by Wacoal, the Japan's leading undergarment maker...

Three Bathers II” by Cornelius McCarthy circa 1985, unsigned, gouache on paper, framed, 51” x 60”. A Certificate of Authenticity (pictured) from Adonis Art Gallery dated Aug 18, 2022 and a 61 page illustrated book accompany the work. Bio: Cornelius McCarthy (1935-2009) was among the top painters of the male form working in Britain in the second half of the twentieth century. Trained at Goldsmiths College in the 1950's, where he came under the formative influence of Sam Rabin. From Rabin...

Alvina Schosek Noll, an American artist from New York was active in the art scene in the postwar years showing in group shows especially in western part of the state. This work is in Encaustic medium and measures 51” x 26” in its’ original frame The title on the reverse is “Captured O This work was shown at an exhibition at the ALBRIGHT GALLERY, BUFFALO, NEW YORK