Italian artist Duilio Barnabé (1914-1961). Oil on canvas in beautiful silver leafed frame. 21cm h by 28cm w. (8.6" by 11.2").

From our European Collection, a fine late 19th-early 20th century carved marble bust of Madame Recamier, modeled after the original by Joseph Chinard circa 1801-02, which was previously on display at the Getty Center Los Angeles, where the museum description read as follows:

"Coyly looking down, Madame Recamier holds a veil across her chest. The sheath both demurely conceals and reveals her breasts...

In 1971 Haku Maki Japanese Master print-maker was at the height of his creative powers. He had already done several “big” prints and turned his skills to producing dramatic prints. This Big Blue was one. It depicts a war instrument, a halberd. Maki created this design so that it showed how the character was written. He showed us how the stroke order flowed on a woodblock print...

Carl O. Holm, Mass, 1885-1918. Oil on Canvas, 25"h by 23"w in a beautiful gold leaf frame 31"h by 29.5"w. It is signed lower right and dated 1916 and condition is excellent with no old repairs. Provenance: Private Midwestern Collection, Carl Holm was a brilliant artist who studied in Copenhagen and France. A painter of very fine impressionist landscapes and figures, he studied at Zahrtmann's School of Fine Art, Copenhagen and began exhibiting in 1908 at the age of twenty three...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print...

Large crater bowl, thinly potted of black clay and with green glaze pitted with craters for volcanic effect, Signed Lovera; Jamese Lovera (American, b. 1920) modernist potter. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera".

Age: c. 1985.

Size: 14" Diameter x 3.75" Height

Wonderful [Set of 4] 19th century English Fox Hunting oil paintings. A series showing the different phases in a day of hunting. Nice detail. Each is signed by the artist: F. Crooke. Old gilded solid wood frames with gesso detail. Framemakers label on back: William Innes, Very good condition. Each framed piece measures 13.5" x 16.5". For more detailed pics including the backs, please email me at wellingtonandco@bellsouth.net.

Signed original landscape painting on 100% Belgian linen depicting a distant sail boat, large river, cove or lake, and fallen birches in the foreground and a luminous sky. Painted with a lively color palette and with an American romantic idealist approach for the marine, water or tree collector.
Title: Fallen Birches. ID # 03011307- 8.
Image: 8 X 10 Belgian linen on professional archival artist hardboard panel...

Eugenio Fernandez Granell, 1912 (La Coruna, Spain)- 2001. Known For surrealist painting. This surrealist painting by granell is a rare early example of his surrealist paintings. It is 23" by 19", signed upper left and needs some restoration. See photo # 3 for more on his Bio. His paintings sell for up to $60,000

SOLD - First all palette knife marine oil work. Framed signed small original American oil painting on stretched canvas depicting a rocky Maine coast in an impressionist style with a muted neutral palette. New England coastal scene by a self taught artist. All knife, no brush. Title: Marginal Way Cove, Ogunquit Maine. Image: 4" X 6". Framed: 6 1/4 X 8 1/4". First showing, market fresh. Signed lower right: Mimi Dee, a self taught painter. No reproductions...

Signed American original oil painting on stretched canvas of a single bold white orchid in a sage color pot. Title: Solo Phalaenopsis. ID#: 07051006.
Image: 24 X 18" .
Framed in a beautiful professional antiqued gold leaf closed corner gallery frame of 29 1/2" x 23 1/2"...

This long blue print is number 91 of an edition of 154 and measures 29 in. x 14 in.

Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955. Publisher: Adachi Hanga. Medium: Woodblock Print. Impression: Very good, printed on long-fiber Japanese paper. Size: W. 32.5cm( 12.75") x H.42cm (16.5"). Tomimoto Kenkichi was best known as one of the most influential Japanese ceramic artists of the 20th Century. In 1955, he was designated as a "Ningen Kokuho" Holder of Intangible Cultural Propertiy, commonly known in the West as a "Nation...

John Grillo, Calif, 1917- California. Oil on canvas, 40"h by 36"w, framed 45"h by 41", signed lower left. Provenance: Private Midwestern Collection, Bunte Auction, Illinois, Private Collection purchased from Artist.

Pablo Picasso (Spanish, 1881–1973) Oath of the Women from Lysistrata Bloch 267-272. Original pencil signed etching from the deluxe edition of 100 signed etchings. Printed by Roger Lacourière (French, 1892–1966) Date: 1934 Medium: Etching Dimensions: plate: 8 11/16 x 5 3/4 in. (22.1 x 14.6 cm) sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.3 cm) Condition is very good some minor staining and foxing very slight minor surface creasing.

David Cox Original oil painting 1844 signed lower right titled on reverse Manorbier Castle South Wales. Oil on board measuring approx. 30 x 40 inches. Biography

David Cox was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of impressionism.

James Carroll Beckwith, 1852-1957, NY, Illinois, France. This oil on panel is exquisite, 35.5cm by 26.5 cm,(13 5/8" by 10.5") signed, and in good condition in a beautiful 4" gold leaf frame. Provenance: Private collection in the Midwest, Purchased from a Private Collection in Florida, Purchased at Thomas Moran Auction, Private California Collection.

The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.