An original black ink drawing of a Native American Indian stalking a herd of bison. He hides behind a bush, his bow resting behind him, his fringed arrow quiver at the ready. The drawing is nearly square, at 9 1/2" by 9 1/4" (14 1/4" by 14 1/4" in black simple framing). There is a Reno, Nevada framer's label remaining on the backing, but no other information. I have been unable to match the name to a listed artist. Allow for reflections in a few images.

A PAIR of contemporary unframed 8" by 10" oil on canvas paintings of whitewashed buildings and blue seas, as one would see in Santorini or another of the famous Greek Islands of the Aegean Sea, one work signed lower right "Billis". These were likely souvenirs of a great vacation, brought home by tourists wanting some imagery to remind them of the spectacular Greek Islands. I have removed the frames, which were damaged and useless...

A circa late twentieth century oil on board painting of steep desert mountains behind a lush golf course with palms, likely in the Coachella Valley of Southern California (Palm Springs and environs), 16" by 20", unframed and unsigned. The work is by a talented hand, though likely still an amateur hand. There are a few light surface abrasions and a small loss area in the sky as seen in the photos...

Original ink on paper drawing of four ducks in flight over a swamp or marsh, circa 1930's, signed at lower right with initials "P.Z.", which appears to correspond with inscription on backing "Painted or sketched by Paul Zeeze". At top on backing, is written "James Zeeze". Online research suggests the name may be found in Minnesota, which would make sense with duck habitat. Measures 10" by 6 1/4" inside the mat and 14 3/4" by 10 3/4" in black strip frame.

Engraving "The natives of Otaheite Attacking Capt Wallis" C1780 . Copper plate London 1780 engraving size 8" by 6.75"

A watercolor painting of what appears to be Lake Como or possibly other northern Italian lake, signed at lower right by American artist GLENN BUTLER, who was apparently associated with Indiana, he being said to have exhibited in 1957 with the Chicago Artists No-Jury Exhibition at the Art Institute. This work is back by an old gray Crescent art board...

Watercolor on paper painting of a windmill, measuring 8 3/4" by 6" (14 1/2" by 11" framed), signed "A. L. Terrell" or similar at lower right, where the artist dated it "07" and added "The Hague". I do not see a listing by this name or similar possibilities, though there was an artist Adriaan Terhell who painted windmills in watercolor...

"William Hogarth" Woman Swearing a Child to a grave Citizen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" "An Emblematical print on the South Sea Scheme" and "The Lottery" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

Sketch of a Skye Terrier

by Edward F.D. Pritchard (British 1809-1905)

Ink on paper, signed. Paper Size: 3.5" x 5.5" (Unframed)

Pritchard was a marine, landscape and architectural painter living in Bristol and London, who exhibited at the Royal Academy, the British Institution, the Society of British Artists, Suffolk Street and elsewhere...

Color print, 8 1/4 by 12" inside the mat, 14 1/2" by 18" as framed, (no glass), the subject the famous booksellers by the Seine in Paris, Notre Dame cathedral in the distance, numbered at lower left 166 out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed...

Hand colored botanical print, 8 3/8" by 4 3/8" inside the mat (the actual print as trimmed just a bit larger), 16" by 11 3/4" as framed, the words "Pub. by Wm. Curtis St. Geo: Crescent Aug. 1. 1798. S. Edwards del. ESansom sculp" below and "No. 417" at upper right corner. This is a decorative work with fresh colors, in the tradition of 18th century botanical engravings and etchings, by a noted artist...

An original panoramic photograph of San Francisco, circa 1950, the view appearing to be south and west from the Coit Tower at the top of Telegraph Hill. The photo is laid to a card. Measurements are 9 1/2" by 7" inside the existing mat and 16" by 13" in blond wood strip frame. The photo has come loose inside the frame...

ONE OF TWO DRAWINGS BY THE ARTIST IN MY SHOP---A pencil drawing of the Hell Gate railroad bridge in New York City, (so identified after research conducted on the internet), 8 7/8" by 6 3/4" (14 1/2" by 11 1/2" framed, no glass, loose in black metal frame), signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Sch arts class Co Founder Panavision Co.". This early work would date to the artist's teens. Moo...

Watercolor on paper painting, 10 1/2" by 13 1/2" (18 1/4" by 21" framed), signed at lower right "J.C. MIDDLETON.", the subject a suburban boathouse in a neighborhood, possibly in southeast England. Middleton painted in oil and watercolor in Surrey, greater London, and Cornwall, as well as South Africa, apparently, as a number of works from Cape Town are known. The artist was skilled in watercolor, as this painting shows a sure hand.

A very colorful fanciful idealized Central American (or, Mexican) landscape painting featuring mountains, churches and colorful houses, birds, peasants working the fields, executed on what I believe is called "amate paper", a woody-looking amalgam that in some ways can resemble a cork board. The piece measures 23 1/2" by 16 3/4" as framed in wood (no glass). There is no signature. Condition is good despite the absence of glass; there are a few wrinkles in the paper at upper left that may hav...

Watercolor painting circa early 20th century, featuring a child wearing traditional Chinese garments, probably a scene from early San Francisco or Los Angeles Chinatown, in the manner of other works of the period by various artists such as Esther Hunt. This example, 9" by 6" in an early frame, is unsigned. The colors are bright and not faded.