Herring’s Fox Hunting Scenes Lithograph 28x39” In color with a beautiful contemporary new silver frame. A hand colored lithograph. JOHN FREDERICK HERRING SR (1795-1865), AFTER, HERRING’S FOX HUNTING SCENES: THE MEET

A fine print by the noted artist THEOPHILE STEINLEN (1859-1923), titled "La Rafle" (The Roundup----of prostitutes!), color lithograph, pencil signed in olive-green at lower right, numbered in same pencil 99 lower left, with the blind stamp lower left of Ed. Kleinmann, Paris. The work measures 13 1/8" by 10 1/8" inside the mat (not examined out of frame, appears clean)...

Tabletop Still Life with Fruit A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.

Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied...

Portrait of the British Schooner "ESTHER"

Oil on canvas, 19th century Signed indistinctly lower right "Wm Mc *****" and dated

Painting: 21" x 28.5"
Frame: 27" x 34.25"

Ship portraits, such as this, were commissioned by the new owner often time itinerant artists who traveled around different boat builders looking for work...

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

Delicious Fruit Still Life lithograph Bontanical Lithograph 10x8 inches

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame...

This is an example of the rare and desirable Currier print "Woodcock Shooting", 1852, measuring 14 1/2" by 19 1/2" inside the mat, 20 1/4" by 25" as framed. Some of these are offered in fine print shops to $4,000 if in excellent condition...

Eighteenth Century Lithograph “Four In Hnad” 24x27” by Courier and Ives from 1861

Charles Adams Platt, American, 1861-1933, "Canal Boats and Tugs", etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.

This is a matching PAIR of prints, one of shorebirds like snipe, the other of partridge-type fowl, each print measuring 13 1/2" by 19 1/2" inside the mat (18 1/2" by 23 1/2" as framed), both by ALEXANDER POPE, JR. (1849-1924), a noted American artist from Boston who is known for his Harnett style trompe l'oeil paintings of harvested wild birds, and sporting and wildlife art. Pope was from an upper class background, and he had a lot of time to paint...

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

This lithograph depicts mountains in the Pakaraima chain...

Robert Henri 1865-1929 As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style...

David Roberts original colored print depicting "The Grand Entrance To the Temple of Luxor," Published by F.G. Moon, 20 Threadneedle St., August 1, 1848. From the original folio series "Egypt and Nubia." Matted and framed. Frame measures 26 inches X 20 inches. Separate from matting, print measures 20 inches X 15 inches. Professionally framed. David Roberts was a Scottish painter...

A wonderful German Lithograph 17th century framed 16x20” 2709 (Berlin Estate)

A NINETEENTH CENTURY, CHINESE NANKING “OPERA” CARVED AND FRAMED WALL SCULPTURE, Measuring 21” x 32”. The carving done circa 1840 and mounted and framed in the 1940’s. The work was typically done for export to the Irish market…..please also see # 3583

The Great Mississippi Steamboat Race by Currier and Ives, July 1870, from New Orleans to St. Louis. Frame Size 15 x19". Currier and Ives was a successful American printmaking firm based in New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored...