Large original mid-century oil on canvas painting by Edgar Yaeger (American, 1904-1997) depicting "La Baie des Anges" and the old town of Nice. Signed and dated "65" l.r. Frame hand-made by the artist and signed and inscribed by him. 34" by 42" painting alone. 41" by 49" in its frame. In good original condition. Yaeger is an important 20th Century American modernist, whose work has been exhibited at MOMA, the Detroit Institute of Art, the Corcoran Gallery, the AIC, PAFA, etc.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Benson Bond Moore (American 1882-1974)

"October Afternoon, Soldiers Home, Wash...

Original oil painting on panel by Sam Sargent (American, 1889-1959), signed in red "S. Sargent" l.l. This painting is still in its original frame and is in pristine condition. Dates from the 1945-1955 period. Sam Sargent was born in Newburyport, Massachussets, and studied at the Mass. College of Art in Boston under Joseph DeCamp. He exhibited at the Copley Gallery in Boston, the Addison Gallery of American Art, Andover, and the Currier Museum in Manchester, New Hampshire...

Oil on thin board painting of a canal with figures, boats and adjacent sun-drenched buildings, possibly Venice, unsigned, measuring 6 7/8" by 11 1/2" (13 1/2" by 18" in attractive old frame). Whether Venice, Italy, or another Mediterranean locale, this is nicely executed by a trained hand. It could well be by a listed artist but without a signature it will be difficult to place the hand. The work is slipping around loose under the gold mat and it needs to be framed with acid-free materials...

This hand carved rock crystal snuff bottle is 2 ½ inches tall, 1 ¼ inches wide and 1 inch thick. It depicts a bird resting on a small branch of a gourd plant. The snuff bottle is well hollowed and polished. It has a cone shaped agate top. The crystal has natural grains and impurities.

This is a very unusual American portrait of a lady. The painting is oil on canvas mounted loosly on a cardboard with tacks. The painting is done in a many layered style which is similar to the style of Albert Pinkham Ryder (1847-1917). It is marked in pencil on the back Ms. Pitts. The painting is marked in the lower right corner with a large capital R. Many of Ryder paintings have been copied; however this would be a very unusual copy. It is a very American Portrait...

An Italian miniature painting on natural wafer, Signed lower left "Mario Salvi". The sitter is identified, in the family history on the reverse, as Olivia Pia Salvi.

Olivia, a pretty young woman in a pale blue gown, is painted in a soft manner, with luminescent skin tones, as was the Italianate style of the time. The artist composed the painting very carefully, with the almost cloud-like hair framing the face and curling down to follow the neckline of her dress...

Beautiful minimalist work by the artist Glenn Pizer, work has oil on canvas and is a masterpiece in white. Glenn is known for his magnificent colorful work

The print consists of vertical strokes, a mid-1960s series of six different images. The sun is large and shimmering. The paper is very heavy; the print is in good condition. It measures 12.5 “ x 18”.

The untouched signature is shown in this close-up photo and the paint used in the signature is found through out the original abstract painting. It is in untouched condition. Refer to painting.

Done in 1992, Poem 5 is a very stylized take on the kanji for woman女. Maki did many, many versions of woman. All of them are interesting, most of them striking. To me, this dramatic rendering strays the furthest from the actual character. Daniel Tretiak called this a Square Woman. This was done using the silkscreen process; it is not an embossed woodblock print. It measures 11.5in x 11.5 in.

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

Anne Lane American Artist, "Honduran Interlude", 2004, 14x16" Framed. Anne Lane studied art at George mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

William Woollett, British, 1735-1785, "Solitude," Engraving by William Woollett after the painting by R. Wilson, image size 15 1/4 x 21 inches, published June 4 1778, titled "Solitude" with a remarque of a shield in the lower center margin. This is a rare early proof before additional lettering.

This note concerns Poem 70-38, a rarely seen Big Red. NOTE: Daniel Tretiak created the term Big Reds for Haku Maki's large works centered on large kanji in red, usually on a black background and often done in broad strokes. Large ones in blue or yellow or green came to be termed Big Blues, Big Yellows, Big Greens, and so forth.

A finely executed work, circa 1990, featuring a landscape with distinctive beautiful mallee trees (a type of eucalyptus), a number of sheep contentedly grazing among them, signed at lower right by listed Australian artist ALAN TREGENZA (1961-). The work measures 15" by 20 1/2" (24 1/2" by 30" framed)...

A color poster issued by the Amon Carter Museum of Art in Fort Worth, Texas, 31" by 35" in attractive black framing, titled at bottom "AMON CARTER MUSEUM JULIAN ONDERDONK/A Cloudy Day, Bluebonnets near San Antonio, Texas". This attractive image captures the wonderful blues that Onderdonk made famous with his paintings of the Texas countryside, some of which have exceeded $300,000 at auction. Onderdonk is considered today the "Gold Standard" when it comes to Texas classic impressionist art...