A small unframed watercolor painting of an early adobe structure of Northern California, similar to the historical, rare structures that may be seen today around the plaza in Sonoma, 7" by 9 1/2", signed at lower right by listed artist JEAN G. WALFORD (1875-1938). Walford was born in England, but was in Berkeley by 1917. She ran an art gallery until her passing in 1938. The watercolor came from an old Bay Area collection.

A circa 1910 small oil on canvas landscape of a forest pond, signed at lower right "O. Sch". This 3 1/2" by 5 1/2" work (9 1/2" by 11 1/2" framed) came from a local family of German heritage. Their art, some of which I acquired, came with the family from the old country. This work has some condition issues, as the canvas over the decades has buckled, with sharp horizontal roughly parallel "ridges" now apparent, as well as craquelure...

An American contemporary theorem still life painting in the traditional 19th century familiar style, signed by artist Esther M. Attridge and dated on reverse framing paper 1973. The work measures 10 1/2" by 13 1/2" and about 12 1/2" by 15 1/2" in the gold framing. Some contemporary artists have made names for themselves by copying the old American folk art theorem style. Similar works by one latter-day artist named David Ellinger are highly sought after and are auctioned...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a fine image in soft pencil and ink on paper, the drawing itself 10" by 13 1/2", in a simple frame without mat, signed with initials at right and dated '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

This is an unframed study in pencil by a noted figure in eastern American art, XANTHUS RUSSELL SMITH (1839-1929). The artist, at age 85, signed it with his distinctive "XS" monogram at lower left, and wrote "Painted in oil this size", and dated it Nov. 29- 1924. The sketchbook paper measures 6 5/8" by 9". It would be interesting to pair this with the oil version, in order to gain insight into the artist's artistic process...

A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side...

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929...

A contemporary painting in Old Master style, the subject a Dutch street scene with no less than eight figures, a church in the center background. The unframed 24" by 20" oil on canvas is signed at lower right corner "W. Caufield" (or "Canfield"). Note the attention to detail in the cobblestones and stone buildings (which are snow-dusted). The style derives from classic Dutch Old Masters and 19th century painters such as Cornelis Springer, Adrianus Eversen, and others. Condition is excellent...

Oil on canvasboard, 16" by 12" (19 1/2" by 15 1/2" as framed), the subject trees in flaming autumn colors along a quiet dirt forest road, signed at lower right "P.L. King", no date but likely circa late 1940's or 1950's. For a time I had thought it possible that this was a work of the noted American impressionist PAUL KING (1867-1947) but I no longer believe that to be the case, so I am offering it as simply an interesting impressionistic landscape...

Watercolor painting on heavy textured paper by Marion Maas (1930-2023) in very abstract style, a large yellow sun, often seen in her art, and what may be hills, rivers and lakes, all very vivid in classic Fauvist style. Measures 11" x 15", sight size is 8" x 12". This image is almost entirely abstract, and depicts many of the stylistic components found in her art, from slight suggestions of landscape details to fanciful creations...

A watercolor painting of outbuildings and scrubby trees, 10" by 15 3/4" (20" by 25" framed), titled at lower right "Near Filkins/March 1934" and signed at lower left by listed English artist ANTHONY LOUSADA. There appears to be little information on the artist, though some works have sold at auction in England. Some of his paintings seem to show a distinct modernist approach...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject...

Watercolor and ink on paper, 7 1/4" by 9 1/4", (13 1/2" by 15 1/2" in gold color metal frame), the subject a blue-striped lighthouse and keeper's home adjacent, signed at base of that lighthouse by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him. He appar...

Lithograph of a bull in what appears to be a stark Southwestern landscape, 12" by 13 3/4" as framed, pencil signed at lower right margin by listed WPA era American artist CHARLES EARLE MILLER (1907-) and with notation "Ed. 30" at center margin. The image is a very powerful one, similar to the work of Peter Hurd, in some ways. Miller was a painter, etcher and lithographer. I see a number of works online dated in the late 1930's and early 1940's, but after that the trail is difficult to follow....

For your rustic lake cabin, second home, or Adirondack style interior, a well executed pastel drawing of a lake landscape with tent and figures, 17 1/2" by 29 1/2" (21" by 34" as simply framed), signed at lower right by noted American pastel artist ANDREW GUNDERSON (1888-1964). Gunderson is grouped today with such pastellists as William Chandler and Glatthaar. These artists around the turn of the century and the early years of the 20th century produced large numbers of original pastel landscapes...

Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003. This etching is estimated to date from ...

Lithograph titled in pencil at lower margin "Going Home", pencil signed at lower right by the artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 9 1/2" by 14 3/8" inside the mat, 16 3/4" by 20 3/4" framed. The original Associated American Artists labels remain on the backing paper, as shown. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence,...

"William Hogarth" The Politician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see i...