Watercolor and ink on paper laid on illustration board, 17 1/2" by 23", unframed, the subject a rural road with houses, low mountains in the background, signed at lower right by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him...

A nicely painted oil on panel, 10" by 9 1/2" (15 1/2" by 14 3/4" as framed), the subject a stone wall surrounding an estate, with an entry portal, the word "Robe" at lower right, and "MLM" at left as presumably the signature. On the reverse is an old label from a framer in Mulhouse (eastern France near the Swiss border and Basel), and pencil writing "M Mougot" (or, "Maugot", or "Mangot", as a possible full name of the artist)...

A black and white poster from the Susan Spiritus Gallery of Newport Beach, California, for an exhibition held in the spring of 1983 of the works of noted American photographer HENRY GILPIN (1922-2011), the poster **hand signed** by Gilpin at bottom center. The image featured is perhaps the best known photo by Gilpin, "Highway #1", the world-famous, dramatic coastal highway hugging the Central California coast. Gilpin, born in Ohio, served as a pilot in Europe during World War II...

A vintage circa 1930's oil on canvas still life of various kinds of flowers in a blue vase on a table top, signed at extreme lower right "N B Wise" or "M B Wise". There is a fragment of a gallery label on reverse and last letters indicated ".......ati", so I believe this might have Cincinnati, Ohio in its past. I do not see a listing for an artist by this name. The work measures 26" by 22" (29 1/2" by 25" in old appealing gold frame)...

A color poster issued by the Amon Carter Museum of Art in Fort Worth, Texas, 31" by 35" in attractive black framing, titled at bottom "AMON CARTER MUSEUM JULIAN ONDERDONK/A Cloudy Day, Bluebonnets near San Antonio, Texas". This attractive image captures the wonderful blues that Onderdonk made famous with his paintings of the Texas countryside, some of which have exceeded $300,000 at auction. Onderdonk is considered today the "Gold Standard" when it comes to Texas classic impressionist art...

Watercolor painting of an old-fashioned water/wishing well in a garden setting, early years of the century, signed lower right KO ASHIWARA. There is an askart listing for the name but an internet search has yielded little information; apparently he had some connection to New York so was an individual of Japanese ancestry working in America. The work is executed by an obviously talented artist...

Large matted watercolor of abstract landscape by Yngve Olsen (1905-2000), American Modernist, one of many watercolors painted in the Southwest in the 1940s and 1950s. Measures: Mat is 22" x 17" and watercolor sheet is 16 3/4" x 13". Like many of his works from this collection, it is not signed, but is guaranteed to be by this artist. Contemporary archival matting with glassine over painting, the mat is a soft creamy yellow tone. Painted in the mid century modernist style, very much in the ...

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803...

Oil on canvas landscape of country cottages and feathery trees on the banks of a small pond or marsh, 9" by 12" (13" by 21" in its modern frame), signed at lower right "S. Clark", the subject given on the framing label as "On the Arun--Sussex". This is a painting by SAMUEL JOSEPH CLARK (1841-1928), a noted 19th century painter of rural landscapes and genre. Sometimes he is listed as Samuel JAMES Clark--there appears to be some confusion in the auction record...

This is an example of Haku Maki’s production of small prints that were known as San Mon Ban. These prints were usually 2in x 2in but there were instances of larger ones. This one measures 6in x 6in. Dan Tretiak writes that Haku Maki began creating San Mon Ban in early 1975, a set of seven volumes of small prints. For some he used themes from the past, others were new themes that he used again and again in succeeding years. A small rendering for collectors to add to their holdings.

Beautifully executed by an unknown but obviously talented artist is this 10" by 8" oil on canvas of a seated woman draped in fabric, against a darker drape background. The work is contemporary. It was found unframed and for illustration purposes I have "married" it to a frame that somewhat fits it, however, the frame is marginally unsuitable because it is a bit shallow for an oil painting's stretcher...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London...

This is an unframed study in pencil by a noted figure in eastern American art, XANTHUS RUSSELL SMITH (1839-1929). The artist, at age 85, signed it with his distinctive "XS" monogram at lower left, and wrote "Painted in oil this size", and dated it Nov. 29- 1924. The sketchbook paper measures 6 5/8" by 9". It would be interesting to pair this with the oil version, in order to gain insight into the artist's artistic process...

The size of Sheet: 11 x 10 5/8
Image size: 9 x 8 1/2
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More II
The condition: Excellent. It never been framed The year of Serigraph: 1990
Edition No.: 5/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website...

Watercolor and ink on paper, 7 1/4" by 9 1/4", (13 1/2" by 15 1/2" in gold color metal frame), the subject a blue-striped lighthouse and keeper's home adjacent, signed at base of that lighthouse by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him. He appar...

Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented. The painting has a few losses and shallow scrapes that could use i...

An example of the wildly popular art of artist EDNA HIBEL (1917-2014), internationally known for her art in many media, the themes usually promoting peace, or exploring universal themes such as motherhood. This lithograph print is signed in pencil by the artist at lower right and is numbered at lower left. I believe the title is "Francesca", dating from 1979. Hibel was born in Boston and spent much of her life in South Florida, where a museum of her works stands on the campus of Florida Atlan...

Watercolor painting on heavy textured paper by Marion Maas (1930-2023) in very abstract style, a large yellow sun, often seen in her art, and what may be hills, rivers and lakes, all very vivid in classic Fauvist style. Measures 11" x 15", sight size is 8" x 12". This image is almost entirely abstract, and depicts many of the stylistic components found in her art, from slight suggestions of landscape details to fanciful creations. Her inspiration came from life around her, still lifes of flow...