A fine 19th century miniature version of Gilbert Stuart's "Lansdowne" portrait, the iconic 1796 life size portrait of George Washington. The painting here is done in watercolor and gouache on organic wafer. From its origin until the present day many copies of the portrait have been made, but very few on ivory.

This 3 1/8" by 2 1/2" example is in excellent condition, with no issues. The 11" by 9 3/4" gilt over gesso frame is period and might be original.

NOTES: 1...

Max Weyl (German/American, 1837-1914)

"Evening on the Marsh"

Oil on Academy Board, signed and dated "(18)88", dated "Dec. 27,1888" on the reverse and titled by Benson B. Moore also on the reverse.

Provenance: The Washington area painter Benson B. Moore. Moore studied with Weyl at the Corcoran in Washington D.C.

Painting: 11 x 16 in.
Frame: 16 x 21 in.

**Please Note: This item is not currently on view in our gallery...

A wonder oil on canvas portrait of a young woman, painted on canvas and frame behind glass in a gold leaf nineteenth century ornate frame. More information coming soon

A wood engraving, late 19th century, titled at bottom center "The Yosemite Valley, California", the image a breathtaking panorama of the waterfalls and sheer cliffs of the world-renowned natural wonder, set off by foreground trees and rocky ledges. Although the vintage print is perhaps not an actual Harper's Weekly work, it is in that vein and style. Not examined out of the frame, which is an attractive dark distressed burl wood or quality wood simulation...

Wonderful Victorian Oil on Canvas Portrait of a Little Girl in a White Dress. Original Oak Frame with Framers Label on Verso. Name of Child or Artist also on Verso. Circa 1890. Dimensions; 9.5" x 7.5"; framaed 14.5" x 12.5". Excellent condition.

A fine Italian painting in the style of Boldini and John Singer Sargent. The work is signed lower left. More information coming soon.

Beautiful Bronze roundel of Franz Liszt by artist Ellen Rankin (Cropp) dated 1891 measuring 12” diameter Ellen Rankin Copp (August 4, 1853 – August 8, 1901), also called Ellen or Helen Houser Rankin, was an American sculptor. Her works were featured at the World's Columbian Exposition in Chicago in 1893...

Watercolor drawing on paper of two figures with a distant building that resembles a mosque, measuring 8 1/8" by 6 3/8" (21 1/4" by 17" as presently framed), not signed but bears reverse notation by Elizabeth R. Anshutz, the artist's daughter in law, and stickers from Christie's New York indicating that this was offered in the sale of November 19, 1991, and, more recently, Skinners...

Albert-Ernest Carrier-Belleuse (born Albert-Ernest Carrier de Belleuse; 12 June 1824 – 4 June 1887) was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour. Carrier-Belleuse was born on 12 June 1824 at Anizy-le-Château, Aisne, France. He began his training as a goldsmith's apprentice.[1] Carrier-Belleuse was a student of David d'Angers and briefly studied at the École des Beaux-Arts...

Done by the renowned French Watercolorist dated 1882. Born in the Alsace region of France he was formally trained and also painted in Italy

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

American (likely California) oil on canvas painting, 5" by 4" (8 3/4" by 7 5/8" in stained oak period frame), signed at upper right corner with initials "M.W." and dated there '87 (or, possibly, '97). Stamped on the stretcher is "Fred Rhoda/Fruitvale, Cal", and written in pencil in an old hand is " Whitney"; we can probably assume therefore that the artist is one M. Whitney...

Oil on board painting of a winter landscape, unsigned, 15" by 18" (17 1/2" by 20 1/2" framed), executed by a talented yet still naive hand, circa late 19th century. A pleasing work for the antique house or Americana and folk art collection. Notably, there is some abrasion and scratches, principally at lower left center near the fence, but also a bit in the trees at left and right and one in the sky, and varnish is yellowed.

Original Japanese woodblock print by Utagawa Hiroshige (Hiroshige II), from his series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", circa 1860. This vertical oban is signed Hiroshige ga. Published by Uoya Eikishi. Beautiful color and condition. Never framed. A rare print from a series partially based on Hiroshige I's series (Famous Views of the 60-odd Provinces). This particular view by his protege is not based on a Hiroshige I work.

A classic work of 19th century American art: oil on artist's board painting of an elderly lady, apparently lost in thought, as she contemplates a bill and a paltry few coins in her palm, the proceeds from her sales of apples at two cents apiece (they seen in the right background). The 11 1/2" by 9 1/2" oval shaped painting (14" by 11 3/4" in the frame) is signed at right center "C. C. Markham" (CHARLES COLE MARKHAM, 1837-1907)...

A beautif Pre-Raphaelite Oil Painting circa 1895 Burn Jones attribution work of two woman. Original frame, 36 x 27“, FS 42 x 34“ $6000

Many artists in the 19 century travel to exotic Italy in the 1880s and 1870s as the John Singer Sargent. Cormens was one of those Artist. This work is of a Neapolitan beauty wearing gold jewelry possibly by the Italian craftsman Fortunato Pio Castellani. Hugh Cormens was an English artist with ties to the United States and exhibited in Europe

Oil on canvas laid on board portrait painting of a young girl in a fine blue dress with lacy edge, circa 1875 (possibly, earlier?), apparently unsigned, I feel likely American or perhaps French origin; hard to say. The antique work, 40" by 19 1/2" (45" by 25 1/2" framed) has a folky ambience to it, in the American east coast tradition, but I suppose we should not eliminate its being of European origin...