Modernist still life of wine bottle, coffee pot, pan, flagon and other objects on a table top, arranged artistically and painted with a cubist feeling, unsigned, framed in strip framing, no glass, circa mid 20th century. If you admire Cezanne but can't quite afford one of his masterpieces, this might just be for you. The artist is unidentified but likely created this in the middle years of the century...

PAIR of ink and watercolor/gouache drawings of pink and white dogwood blossoms (commonly seen in the spring in Connecticut), each 10" by 8" inside the mat, 14 1/2" by 13 1/4" as framed, signed at lower right by the noted Darien, Connecticut craftswoman artist DOROTHEA WARREN O'HARA (1873-1972). O'Hara was born in Missouri but settled in the New York area, where she was educated at the Chase School...

A vintage (mid century) illustration of a pink orchid blossom, the background airbrush and the flower hand painted, 14 1/2" by 14 1/2" inside the attractive double mat, the piece 22 1/2" by 22 1/2" as framed in silvery complementary framing, signed at lower right by artist "Childs". The name being a common one, I searched but did not immediately tie this to a listed, known artist. Nevertheless he/she was talented...

This is a painting on artist board, 22" by 14" inside its narrow modern framing, titled on the reverse in ball point pen "Avocado Tree", signed at lower right "Harry Lieberman" and dated there "62". HARRY LIEBERMAN (1876-1983) was a Polish-born, long-lived artist who didn't begin his artistic career until late in life. Lieberman had been preparing for the rabbinate but emigrated to the United States in 1906 when nearly thirty (some give his date of birth as 1880 rather than 1876)...

Drawing in blue ink and watercolor, 14" by 11", in an inexpensive temporary protective frame, unsigned, a second drawing of a female head on the reverse. Judging from the appearance, hairstyle, this probably dates to before World War II. The anonymous artist created an interesting study with skilled use of shadow and line. Allow for a few reflections in the image, appearing as a dark shadow in a few images...

When I first saw this I thought it might be an image of Obama, in the style of Shepard Fairey, who created the now-famous "Hope" image. Upon closer examination I saw that it was obviously older, circa 1960's, judging from the label on the frame, which gives the artist as a Jim Moran of Visalia, California. The subject remains to me a mystery, but I wonder if it might be a famous 1960's African-American activist---or then again it might not be a black subject at all...

This is an original drawing in charcoal and watercolor, by the well listed French artist LUCIEN PHILIPPE MORETTI (1922-2000), the subject a young boy, 25 1/2" by 19 1/2", unframed. It is signed by the artist at lower right, dated 54, and the place where it was drawn is also present (the "Place du Tertre", in the heart of Montmartre's artist district)...

Monotype on paper (where the artist "draws" the image on a sheet of glass, after which the glass plate is very carefully pressed against paper in order to produce an image), 5 3/8" by 7 7/8" (the image), the unframed sheet 7 3/4" by 9 1/2", signed in pencil at lower right margin by listed American artist MARION GRAY TRAVER (1892-1964). This a landscape in perhaps early spring or late fall, with muted pastel colors making for a harmonious and pleasing image...

Gouache and watercolor on paper painting of a tall ship on the ocean, two other vessels visible, 12 1/2" by 17 3/4" inside the mat, 18 1/2" by 23 1/2" framed, signed at lower right "F. P. Tyars/5-9-03/The Brig". A handwritten note of later 20th century date says "ON THE BACK/FROM E.R. HUGHES OR E.V. FLOYD/TO C.H. SULLIVANT ??/ON HIS APPROACHING MARRIAGE". There are some references to Tyars' work online, but little biographical information is available...

This is a work so finely executed that it is difficult to believe that it is a drawing and not a print, but I absolutely guarantee it to be an original drawing. The subject is a priest or monk in an interior nook flooded with sunlight. He is holding a large pair of scissors and appears to be concentrating on a domestic task that is not quite clear to the viewer. At bottom in very poorly spelled German is the phrase "UEBERALL--LOCHER--IM--KIRCHEN--GUT--DA--TUHT--KAIN--FLICKEN--MAHR"...

Australian aboriginal art eucalyptus bark painting (the art itself 28 1/2" by 20 1/2", the mounting panel 35" by 20"), by listed artist GEORGE ANARAGAYURA (1934-), the powerful image consisting of two parallel crocodiles, surrounded by small fish, some tiny humans, and, I think, several other creatures less easily identified...

A fine mixed media study drawing in charcoal and white gouache of a soldier seemingly leaning against a wagon wheel, 10 1/4" by 7 5/8" inside the present mat (the sheet only very slightly larger), and 22 1/2" by 18 1/2" in gold frame with hand drawn lines), titled "Bataille de l'Alma"on the mat, signed with an impressed/embossed signature "I PILS" at lower right. The drawing features a scene from the Crimean War (1854)...

Larger size Australian aboriginal bark painting 38" by 23", the complex image featuring a number of native turtles and lizards, painted in natural earth pigments by the northern Australian aboriginal artist who is sometimes know as "Left Hand George", because he throws a spear with his left hand. He is better known as GEORGE JUNGAWANGA or JUNGAWUNGA or DJUNGGUNWANGA (born circa 1938). The somewhat tattered original label on the reverse is from Mimi Aboriginal Arts and Crafts in Katherine, Nort...

When I first saw this abstracted figure drawing I was half expecting to see the "Moore" signature, thinking this a dead ringer for the work of famous English modern artist Henry Moore (1898-1986). Measuring 8" by 6", 13 1/4" by 10 1/4" including the gray mat and silver metal frame, the piece is signed "Saibra" at lower right, or, possibly (less likely), "Sailera". The artist used black ink and pencil, along with some white highlighting, to draw these faceless, mysterious figures that have head...

Black ink, red watercolor and white gouache drawing, unsigned, 22 1/2" by 15", unsigned, the figure playing a mandolin or lute, wearing poofy medieval-style pantaloons, and sporting a Dali-esque moustache. The drawing definitely has some age, maybe circa mid century. The camera somewhat overstates the color difference between top (more brownish) and bottom (less browned) half; I can't explain the variation. There are some edge flaws (short tears, old nail cuts) and at upper left there is some...

To be sold together as a PAIR, here are two ink and gouache drawings of clipper style ships known as barques, each measuring 12 1/2" by 17 3/8" (21 1/2" by 26 3/4" as framed). One is signed "John M. Gorrie" and the other is also signed by the artist and dated 1956. Surprisingly, I do not see a listing for this talented artist. On the reverse is written on one "The Four Masted Barque Herzogin Cecilie"/formerly North German Lloyd Training Ship", and on the second work on reverse label is writte...

Japanese contemporary sculpture of a large Beetle, intricately detailed in leather and metal.

Dates Modern Contemporary
Size H 2 3/4" x W 10 1/2" x D 8"

An ink and wash with watercolor painting of a young Japanese geisha seen in profile in her kimono, her hair perfectly coiffed, 10 3/4" by 7 1/4", 15 3/4" by 12" in simple framing, signed lower left "Strasser/Kyoto" and nearby once again "Roland Strasser Kyoto" at center left. This is a fine work by a well-known Vienna-born artist of Basque descent, ROLAND STRASSER (1895-1974). The artist has been called online "the last of the orientalist romantics". From about 1920 through the end of World W...

A beautiful antique Old Master drawing with great patina, the subject a bridge over a Venice canal, with figures and fascinating detail, unsigned, in the style of Guardi. Francesco Guardi (1712-1793) is the most famous practitioner in the style, but Giacomo (1764-1835) accounts for his share of the production of such works, the so-called "Vedute" popular with tourists of the time. Major oil paintings by Francesco Guardi are among the most coveted of Italian 18th century Old Master works, selli...

By the important Australian aboriginal artist MICK KUBARKKU, 1922-2008 (often misspelled in various ways as "Gubargu", "Gobargu", etc.) is this circa late 1960's/early 1970's natural earth pigment on eucalyptus bark painting of a barramundi fish in typical stylized form, measuring 11" by 20". On the reverse is an original old typed label which says: "Artist--Gubargu; Tribe: Gunwinggu from the Upper Liverpool River. In the Dreamtime era, the ancestor NAGORKU travelled along the coast of Arnhem...

In the style of an artist like Stark Davis is this 15 1/2" by 19 1/2" gouache painting, gold paint used for the background to the parrot and vegetation, possibly oleander, the work signed at lower left "O. Schroeter". This is a work dating to about the late 1930's to about 1950, by listed artist OTTO FELIX SCHROETER (born circa 1880 in Germany, died circa 1965 in California). Schroeter was possibly familiar with the works of Stark Davis, who painted such scenes in the first half of the century...

Watercolor and ink on paper painting of a large mature tree in a landscape, 14" by 18" inside the mat, 22" by 25" overall in contemporary pleasant gold framing, titled at lower right "HORTUS LEIDEN GLINGKO TREE/RAPHAEL". The work is by the hand of the important impressionist painter JOSEPH MORRIS RAPHAEL (1869-1950). Raphael was born in Jackson, California, in the so-called Gold Country, but spent a lot of his time in the Low Countries of Europe, so both artistic communities "claim" him. He i...

Gouache and pencil on paper, 16 3/4" by 12 1/2" (slightly larger as simply framed), signed at lower left by listed American artist JOHN EDWIN JACKSON (1876-1950). The scene is a genteel one, with a proper southern gentleman and belle, in a grand architectural setting. The artist was very prolific, illustrating many books and magazines in the first half of the twentieth century, yet, little seems to be known about him. A few pieces have been sold at illustration art auctions. This work is in ...

Small painting on a medium that might be jute fibers, 12 1/4" by 12 1/4" framed, possibly signed at lower right with initials or monogram, but essentially unreadable. The piece is very "Atomic Age" 1950's style and is doubtless of that period. Unfortunately over time there has been some abuse, and scattered losses cover a large portion of the painting, as shown. Nevertheless it is collectible and has considerably integrity as an ambassador of its time, and should find a home in a Mid Century ...

A very modernist drawing in oil on heavy paper, perhaps with some other media, over which some shiny varnish was subsequently applied. The subject is two young women with bright yellow faces and open mouths, in the midst of an apparently angst-filled argument or discussion, signed in Russian "BUK" or "BUKH" at lower right corner. The work measures 15" by 20" (20" by 26 1/2" in metal framing---photos show glass which is cracked and will be removed prior to shipping). The art was acquired by me...

For the fan of clown art, or, the fan of the world famous mime and actor Marcel Marceau, or, the fan of singer and entertainer Eydie Gorme----here is one work of art that ties together all of these things. This is a watercolor, gouache and ink drawing on paper, 23 1/2" by 17 3/4" (30 1/2" by 24 1/2" as framed), signed at lower right "CRIONAS" and dated 1958, the subject the iconic Marceau as his alter ego character, "Bip". The piece was acquired here in Los Angeles from the nephew of singer-en...

For the collector of contemporary art, this is an unusual mixed media work signed at lower right by MARGARET HEHMAN (known since 1985 as Margaret Hehman-Smith). The work (11 3/4" by 16 3/8", 20 1/2" by 25 1/4" as framed behind glass) is executed with ochre chalky paint over a thin highly polished aluminum sheet. The artist has a website, which shows that she grew up in Pennsylvania, and studied at the Otis Art Institute in Los Angeles in the mid 1970s, with some study in Europe as well. Her w...

**SEE OTHER WORKS BY THE ARTIST IN MY SHOP**Gouache on a silvery paper, 48" by 19 5/8" and a milky robins-egg light green painted wood narrow frame, signed at lower left by the listed California and Illinois artist MARGO ALEXANDER (1894-1965). This is a whimsical scene of a flowering branch, a bird included in the scene as well. The artist studied at the Art Institute of Chicago and the Pennsylvania Academy of Fine Arts, and exhibited at the Golden Gate International Exposition in 1939. Subject ...

Signed at lower right "PURWADI" and dated just above it 1998, this is a 17" by 14 1/4" work on heavy paper or paper laid on heavy paper, unframed, the subject two Asian women identically dressed, viewed from behind, carrying a heavy load on their heads. This Indonesian contemporary work is by the young, new generation artist DIYANO PURWADI (1971-). Purwadi was born in East Java and schooled there in art. By 1993 he was in Bali, where he now works from the art center town, Ubud. The artist's ...

DALE NICHOLS (1904-1995) is an American artist best known for his lyrical paintings of Midwest Heartland homesteads and farms in deep winter. These coveted paintings sell for mid to upper five figures at major New York auctions. Nichols was a traveler and later in life he spent considerable time in Guatemala, where he painted a number of works showing the landscape and inhabitants. See the askart listing on him. The present work is from that later period. Measuring 18 1/2" by 13 1/2" (28" b...

Australian "bark" painting, the painting itself (not including the panel to which it is mounted) measuring 25 1/2" by 11 1/2", bearing reverse label showing this to be a work of the well-known artist and respected tribal elder ENGLAND BANGALA (1925-2001). The handwritten label shows his age as 42, so this would have been created in 1967 or thereabouts. The label gives Bangala's tribe and tells the story of what we see: "The families have been hunting & caught a bream & 2 snakes . So...

This is a beautifully executed white pigment on eucalyptus bark painting by ANDREW MUNAKALI (KUNWINJKU), an aboriginal painter from Arnhem Land in northern Australia. The piece measures 12" by 18" (31 cm. by 43 cm.) The Oenpelli label on the reverse says "Depicting: A Possum --- djebbuh. Gunbalanya Council Inc. Code No. TT232 By Andrew Munakali of Liverpool River." Judging from another sticker, the piece was sold in Sydney at some point after its creation, at an "aboriginal curios" shop,...

A complex mixed media drawing, in the style of Russian artist Wassily Kandinsky (1866-1944), featuring geometric shapes and forms, measuring 7 1/2" by 11 3/4" inside the mat opening (17" in 21" in frame). The drawing is created with graphite, watercolor, gouache and perhaps pastel crayon. The detail is tight and finished. A very decorative work with color and form, sure to be a conversation piece.

A circa 1960's or early 1970's mixed media collage painting of a "Big Eyed" girl and her doll, painted in his usual whimsical fashion, by the French mid century impressionist artist ROGER ETIENNE (1922-2011). The painting (23 1/4" by 17 1/2", and 29 1/4" by 23 1/4" as framed) is signed at lower right "Rousseau", but this fools no one; it is clearly by the artist Roger Etienne. Why he chose to use a pen name on this particular example will remain an unknown. Etienne is known for mid century dra...

Oil on a pair of porcelain plates of 9 3/4" diameter, one a painting of a younger woman in her late 20's or early 30's, wearing a pearl choker, the other of a young man of similar age with a circa 1950's style flat top, each signed by major 20th century Chinese-American artist GEO CHANN (1913-1995). Chann is a major, very sought after painter, the abstract works of whom regularly sell for more than $100,000 at major auctions in Asia and America. One reached $400,000 within the past few years, a...

This is a very decorative item of impressive size for your Southwest style home: a gouache painting on cloth, roughly square at 30 1/8" by 30 7/8" plus about 3 1/2" on a side of frame and undermat......no signature that I can see but it reminds me of the popular "yeibichai" weavings of the Navajo and Hopi Southwest. The condition is excellent and this is ready for the wall. Allow for reflections in the glass.