Indonesian drawing of three seated figures conversing at a marketplace, three white chickens offered up for sale, painted circa late 1950's or early 1960's I believe, apparently unsigned, 12" by 16 1/4" inside the mat, 17" by 21 1/4" as framed. There is an old Rotterdam, Netherlands framer's sticker on the reverse. The art somewhat reminds of the work of the important Dutch/Indonesian master artist Rudolf Bonnet (1895-1978) but I do not believe the work by him...

Gouache and watercolor on smooth side of Masonite painting of a merchant ship in a stormy sea, 11 1/2" by 15 3/4" (18" by 22" as framed---no glass), signed at lower right "HINGER" (California artist Richard Hinger, born 1937). The work is technically excellent, leading one to think it a print, but I guarantee this to be an original work...

An unusually fine watercolor and ink drawing of palms adjacent to what appear to be Mediterranean-architecture buildings in a landscape, signed at lower right with what appears to be "Ed. Gilmond" and dated there 1926. The artist is actually Belgium-born Edgar Gilmont (1887-1949). The drawing measures 20" by 15 1/2" inside the mat...

Modernist still life of wine bottle, coffee pot, pan, flagon and other objects on a table top, arranged artistically and painted with a cubist feeling, unsigned, framed in strip framing, no glass, circa mid 20th century. If you admire Cezanne but can't quite afford one of his masterpieces, this might just be for you. The artist is unidentified but likely created this in the middle years of the century...

PAIR of ink and watercolor/gouache drawings of pink and white dogwood blossoms (commonly seen in the spring in Connecticut), each 10" by 8" inside the mat, 14 1/2" by 13 1/4" as framed, signed at lower right by the noted Darien, Connecticut craftswoman artist DOROTHEA WARREN O'HARA (1873-1972). O'Hara was born in Missouri but settled in the New York area, where she was educated at the Chase School...

A vintage (mid century) illustration of a pink orchid blossom, the background airbrush and the flower hand painted, 14 1/2" by 14 1/2" inside the attractive double mat, the piece 22 1/2" by 22 1/2" as framed in silvery complementary framing, signed at lower right by artist "Childs". The name being a common one, I searched but did not immediately tie this to a listed, known artist. Nevertheless he/she was talented...

This is a painting on artist board, 22" by 14" inside its narrow modern framing, titled on the reverse in ball point pen "Avocado Tree", signed at lower right "Harry Lieberman" and dated there "62". HARRY LIEBERMAN (1876-1983) was a Polish-born, long-lived artist who didn't begin his artistic career until late in life. Lieberman had been preparing for the rabbinate but emigrated to the United States in 1906 when nearly thirty (some give his date of birth as 1880 rather than 1876)...

Drawing in blue ink and watercolor, 14" by 11", in an inexpensive temporary protective frame, unsigned, a second drawing of a female head on the reverse. Judging from the appearance, hairstyle, this probably dates to before World War II. The anonymous artist created an interesting study with skilled use of shadow and line. Allow for a few reflections in the image, appearing as a dark shadow in a few images...

When I first saw this I thought it might be an image of Obama, in the style of Shepard Fairey, who created the now-famous "Hope" image. Upon closer examination I saw that it was obviously older, circa 1960's, judging from the label on the frame, which gives the artist as a Jim Moran of Visalia, California. The subject remains to me a mystery, but I wonder if it might be a famous 1960's African-American activist---or then again it might not be a black subject at all...

This is an original drawing in charcoal and watercolor, by the well listed French artist LUCIEN PHILIPPE MORETTI (1922-2000), the subject a young boy, 25 1/2" by 19 1/2", unframed. It is signed by the artist at lower right, dated 54, and the place where it was drawn is also present (the "Place du Tertre", in the heart of Montmartre's artist district)...

Monotype on paper (where the artist "draws" the image on a sheet of glass, after which the glass plate is very carefully pressed against paper in order to produce an image), 5 3/8" by 7 7/8" (the image), the unframed sheet 7 3/4" by 9 1/2", signed in pencil at lower right margin by listed American artist MARION GRAY TRAVER (1892-1964). This a landscape in perhaps early spring or late fall, with muted pastel colors making for a harmonious and pleasing image...

Gouache and watercolor on paper painting of a tall ship on the ocean, two other vessels visible, 12 1/2" by 17 3/4" inside the mat, 18 1/2" by 23 1/2" framed, signed at lower right "F. P. Tyars/5-9-03/The Brig". A handwritten note of later 20th century date says "ON THE BACK/FROM E.R. HUGHES OR E.V. FLOYD/TO C.H...

This is a work so finely executed that it is difficult to believe that it is a drawing and not a print, but I absolutely guarantee it to be an original drawing. The subject is a priest or monk in an interior nook flooded with sunlight. He is holding a large pair of scissors and appears to be concentrating on a domestic task that is not quite clear to the viewer. At bottom in very poorly spelled German is the phrase "UEBERALL--LOCHER--IM--KIRCHEN--GUT--DA--TUHT--KAIN--FLICKEN--MAHR". The spel...

Australian aboriginal art eucalyptus bark painting (the art itself 28 1/2" by 20 1/2", the mounting panel 35" by 20"), by listed artist GEORGE ANARAGAYURA (1934-), the powerful image consisting of two parallel crocodiles, surrounded by small fish, some tiny humans, and, I think, several other creatures less easily identified. On the reverse original label appears the artist's name, his tribe (the Burada tribe of the Blyth River area of northern Australia), and the following description of the i...

A fine mixed media study drawing in charcoal and white gouache of a soldier seemingly leaning against a wagon wheel, 10 1/4" by 7 5/8" inside the present mat (the sheet only very slightly larger), and 22 1/2" by 18 1/2" in gold frame with hand drawn lines), titled "Bataille de l'Alma"on the mat, signed with an impressed/embossed signature "I PILS" at lower right. The drawing features a scene from the Crimean War (1854). The artist, ISIDORE ALEXANDRE AUGUSTIN PILS (1813-1875) became known large...

Larger size Australian aboriginal bark painting 38" by 23", the complex image featuring a number of native turtles and lizards, painted in natural earth pigments by the northern Australian aboriginal artist who is sometimes know as "Left Hand George", because he throws a spear with his left hand. He is better known as GEORGE JUNGAWANGA or JUNGAWUNGA or DJUNGGUNWANGA (born circa 1938). The somewhat tattered original label on the reverse is from Mimi Aboriginal Arts and Crafts in Katherine, Nort...

When I first saw this abstracted figure drawing I was half expecting to see the "Moore" signature, thinking this a dead ringer for the work of famous English modern artist Henry Moore (1898-1986). Measuring 8" by 6", 13 1/4" by 10 1/4" including the gray mat and silver metal frame, the piece is signed "Saibra" at lower right, or, possibly (less likely), "Sailera". The artist used black ink and pencil, along with some white highlighting, to draw these faceless, mysterious figures that have head...

Black ink, red watercolor and white gouache drawing, unsigned, 22 1/2" by 15", unsigned, the figure playing a mandolin or lute, wearing poofy medieval-style pantaloons, and sporting a Dali-esque moustache. The drawing definitely has some age, maybe circa mid century. The camera somewhat overstates the color difference between top (more brownish) and bottom (less browned) half; I can't explain the variation. There are some edge flaws (short tears, old nail cuts) and at upper left there is some...