This is a spectacular set of necklace, pin, and earrings which were produced 1930's - early 1940's in Mexico. The design is one which originated from Fred Davis, and also one which is very seldom seen. This set does not bear the FD mark from Davis, but is simply hallmarked "Silver Made in Mexico"...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889...

It's been a while since I offered a vintage Italian silver cimaruta necklace but today I hope to prove the wait worth-while with this gorgeous set from the first decades of the 20th c.. An ancient talisman associated with Southern Italy, the cimaruta was used to protect against the evil eye and in our days, it has been re-invigorated as a powerful wiccan symbol...

Bearing the signature of maestro Barrera this carefully made figural brooch depicts a richly clad person, most probably a nobleman or priest, with hands forming a very distinct gesture as if he takes part in a ritual or is performing a dance. Barrera , I suspect, worked in Mexico City, and created some impressive jewelry in the style associated with it...

Maestro C. Molina is one of those “enigmatic” figures of Mexico’s 20th c. Silver Renaissance. Even in Bille Hougart’s seminal work on hallmarks and makers there is minimal information about him - namely, two or three examples of the way his jewelry is hallmarked and the photos are really difficult to read...

From his first design period, with hallmarks dating 1940- 46, this is a silver conch pin designed by William Spratling and featured in books on Mexican silver. Measuring 2 3/4" by 2", weighs 21 grams and is signed as shown. The pin clasp may have been replaced . One of Spratling's favorite designs.

This pin from Los Castillo dates 1940-1945. It's an early piece, likely designed by Margot van Voorhies Carr while she was married to Antonio Castillo. It's a beautiful repoussé sterling silver pin with an oval amethyst cabochon surrounded by tiny silver beading. A floral design with exquisite detailing, this pin measures 3 1/16" wide, 1 1/2" tall. Weight is 24.8 grams. Signed and hallmarked "Los Castillo Taxco Sterling Made in Mexico", with the early design number 100...

Circa 1940's, here is a superb pin produced by Chato Castillo. Chato Castillo apprenticed with Matilde Poulat. In the Davis/Pack book "Mexican Jewelry", it's noted that Chato's pieces are all one of a kind. He left William Spratling's Taller de Las Delicias in 1939 to help his brothers start Los Castillo. Many of his early designs were also used as prototypes for pieces later produced by Los Castillo. Measuring 5" tall, 2 1/8" wide, this pin is a sight to behold...

This early-mid 1940's William Spratling necklace is a magnificent showpiece. The tassel centerpiece features flawlessly inlaid azur-malachite with mesmerizing shades of blue and green. From Spratling's first design period. Measures a closed, wearable length of 20.5", with a hefty weight of 90.8 grams. The center pendant measures 3.5" wide, 2.5" tall. Signed and hallmarked with the WS Print Circle and Sterling. Fold over clasp...

Circa 1930's-early 40's, this necklace is a Fred Davis design, hallmarked simply "Silver Mexico".

It's a gorgeous piece, with large amethyst cabochons and carved malachite stones. It lays perfectly on the neck, measuring a closed, wearable length of 16 1/2". Width is 1 1/16". Amethysts measure 27mm x 20mm, with a depth of 11mm.

Weight is 87.6 grams.

In excellent vintage condition.

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

This majestic piece was designed & signed c. 1940's by American & Taxco, Mexico artist William Spratling (1900-67). The necklace measures 16 1/2" long X 1 3/4" wide & weighs 226 grams. Originally strung on twine, the necklace has been professionally restrung on sterling silver fox tail chain. Each link is set with a turquoise cab. Excellent condition & patina. The necklace is secured with a slide in pin closure. This rare necklace was purchased from a NYC Park Av...

Hallmarks date this William Spratling brick link bracelet to 1940-1944. This design is shown on the Spratling Silver website. It's a hand-wrought bracelet which feels like silk on the wrist. Certainly a timeless design, and one which is understated in both beauty and elegance. Three rows of brick like links with a foldover clasp give this a completely seamless appearance. The silver has a rich warm glow.

Measures a closed, wearable length of 7 1/2" with a width of 3/4".

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An American who arrived in Mexico in the 1940s, opened her own workshop in 1945 and by 1950 employed about twenty five artisans*, Doris is one of the few female designers that we know of in the world of vintage Mexican silver jewelry. My first encounter with her creations wasn’t until a few years into my “career” as a Mexican jewelry dealer and I was immediately captivated by the exquisite design, the impeccable craftsmanship and the quality of the materials used. I have seen kept my eyes...

This jelly belly gazelle brooch is unsigned. There is a signature which I cannot read or photograph. The body of the gazelle is lucite with a red eye.

Hallmark: none that I can read or photograph.

Dimensions: 3 5/8" x 1 3/4"

Circa 1944

This very early Mexican brooch is unsigned as to the maker, hallmarked simply "Mexico Silver". The style is certainly similar to the work of Matilde Poulat / Matl.

Entirely handwrought with exquisite and intricate detailing. A rare and stunning pin. Three amethysts of varying sizes form the center body sitting between the wings.

Measures 2 3/4" wide and 1 3/4" tall.

Weight is 16 grams.

In excellent vintage condition.

A handsome pair of Art Deco multistone cufflinks, the emerald cut green tourmaline, amethyst, yellow citrine and orange citrine simply set in yellow gold bezels. The stones have rich, even coloring, excellent brilliance and very good clarity. The faces and removable connectors are stamped with an unidentified maker's mark "MV in a hexagon" and "585" for 14K.

Origin: Continental Europe, ca. 1930. Condition: excellent, all original. Dimensions: 17/32" x 7/16". Weight: 10.2 grams. Approxima...

Beautiful vintage 14K yellow gold marquis shaped ring with tiny persian turquoise beads. Hallmarked 14K. Size 7.5, can be sized. Weight is 6 grams