A 14k 2 diamonds anniversary or wedding ring circa 1960s 1970. This vintage custom made ring is yellow gold and a size 6. It has a 36 point brilliant cut diamond of VS-2 clarity and F colour, an 18 point diamond of SI-I and F-G colour and also twelve single cut diamonds (27 points in total) of VS-SI clarity and F-G colour (one stone very slightly chipped). The ring is the wider design, and there are 14/fourteen diamonds in total...

Beautifully 1960s detailed necklace or belt in goldtone metal with tassels, colorless and topaz glass faceted stones, and very big unfoiled openbacked topaz glass cabochon stones. A definite Schreiner piece; the faceted colorless stones are inverted (set points up), the dogtooth prongs, "piecrust" back settings, and rhinestone chain are all key Schreiner construction hallmarks. Hook close. 34 inches wearable length and the tassels drop 4 inches. Very good condition...

This is a superior piece of Victorian jewelry. The pin is 2 1/4" long and 11/16" wide. The bezel set onyx or black glass Cameo is 1" in diameter. Circa 1910. The gold filled mount is ribbon like with an intricate scroll design. There have been are no cracks, no repairs to this cameo or to the gold filled finding. This cameo pin is in excellent vintage condition .

The spot in the picture is the light refraction from the camera.

Unsigned but most definitely by Schreiner, this fabulous set has a very large and dimensional pendant suspended from a goldtone metal braided chain. The pendant has a huge marbled blue glass stone surrounded by layers of pale green glass cabochons, and pale blue and raspberry glass faceted stones. The pendant has a drop with matching stones and a matching raspberry poured glass bead. The clip earrings have matching stones and beads...

An exquisite example of Italian Renaissance Revival jewelry that were so popular with tourists on their Grand Tour at the turn and first few decades of the 20th c. this long pendant necklace is the epitome of “figural”. Not only is its chain interspersed with links representing iconic Italian monuments and coats of arms, its large pendant is a work of art too. I will suggest that the central figure is maybe inspired by Verrocchio’s “Child and Dolphin”...

A heavy, outstanding pair of Victorian figural cufflinks in the form of acorns and oak branches, all worked in 14K yellow gold. The larger front faces are fashioned as highly detailed acorns, while the backs are branches. The quality of engraving is excellent and really brings out the subtlest textural details. In the Victorian "language of flowers", the acorn symbolized life and immortality while the oak tree and its branches represented strength and virility...

A handsome pair of 18K white gold cufflinks, the faces set with octagonal mother-of-pearl plaques centered by small square blue sapphires. The mother-of-pearl surfaces are finely crosshatched to match the engraving of the gold at the corners. The faces are joined by chains. Marked "18Ct."

Origin: England, ca. 1930. Condition: excellent. Size: 7/16" x 7/16". Weight: 7.0 grams

Maestro Mateo of Taxco is known among vintage jewelry collectors for his modernist, mostly brutalist, ring designs. His work is sought after for its quality, the beauty of the stones he incorporates in his pieces and the strong sense of tension that his rings exude. His career strides the divide between the so-called Eagle mark period and that of the T-marks and, in my experience, he is one of the very few silversmiths who used .950 alloys before they became the norm in the 1980s...

This is a magnificent Antonio Pineda bracelet which I've never seen before and believe to be very rare. Likely dating to the 1950's, this bracelet showcases three natural untreated blue star sapphire stones. The center stone is approx 5 ct. Each stone sits in a star setting. Very unique, and certainly a statement piece. You can see the star It's a huge bracelet, with a weight of 155.2 grams. Closed, wearable length is 6 1/4". With is 1 1/2"...

This mid-century pendant/pin/necklace can be worn several different ways. Pin on its own, necklace with pendant, and pin and necklace separately.

It's a very rarely seen design, and it is most certainly collector quality.

The shadowbox design has a darkened background which is absolutely flawless.

Pendant/pin measures 1 7/8" x 1 3/8". Closed, wearable length is 17"...

A classic Victorian fancy double belcher chain link necklace composed of interlocking fluted and ropetwist links in 14K gold. The fluted links enhances the reflections in the gold, so they offer a more reflective quality that contrasts nicely with the ropetwist links. The chain is substantial enough to be worn alone or suspending a quite large pendant or locket, and the links are open enough that they can suspend multiple smaller pendants or charms...

A pair of vintage modernist sterling silver earrings signed by the Polish modernist jeweler, M. Krasny. Abstract textured sterling with an overlay of smooth sterling for an interesting contrast...

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: ex...

A vintage hand made Arts and Crafts period hammered brass pair of Cufflinks by Albert Kahlbrandt, (1878-1961), Hamburg, Germany.

The larger ends measure about 5/8" across. Smaller ends are 1/2" in diameter.

Marked Kahlbrandt and Hamburg.

Dark, warm patina. Fine work.

A sterling silver hand wrought brooch by the mid century modernist studio jeweler, Ruth Berridge, (1921-2004).

Shaped like a fish with two layers of curved, overlapping sterling. Has a multidimensional effect. Measures about 2 3/4" across and 1 1/2" high. Signed Berridge, Handmade and Sterling on the back. Rollover clasp holds securely. Fine condition with minor surface scratches and a some tarnish.

Fine craftsmanship.

Large Ottoman part belt buckle half, 19th century. Classic Paisley (teardrop) shape. Repoussé and engraved decoration of an eagle surrounded by flowers. Use of both hook and backside bars will make the buckle a perfect and beautiful pendant. The back with engraved name “Aine” in European lettering. Height "3 ½/ 9 cm, weight 49 grams. Condition: fine.

Sterling and azur-malachite bracelet by Enrique Ledesma measuring 6 3/4" around in the inside, 3/4" wide, 46 grams. Fine original condition. Signed as shown.( The Ledesma signature is worn but there.) Gorgeous stones fused to the silver in Ledesma's impeccable way.

Marci Zelmanoff - born 1942, Philadelphia.

Zelmanoff studied at the Rhode Island school of Design and received a MFA at Southern Illinois University.

Her primary influences were her teachers, Brent Kington and Olaf Skoogfors.

Mixed metal brooch with rich and vibrant expressionist imagery.

2 1/4" x 2"

Very good vintage condition.

Signed and dated - May 26, 1979