Oil on canvas landscape of country cottages and feathery trees on the banks of a small pond or marsh, 9" by 12" (13" by 21" in its modern frame), signed at lower right "S. Clark", the subject given on the framing label as "On the Arun--Sussex". This is a painting by SAMUEL JOSEPH CLARK (1841-1928), a noted 19th century painter of rural landscapes and genre. Sometimes he is listed as Samuel JAMES Clark--there appears to be some confusion in the auction record...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting...

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background...

Traditional watercolor still life of roses, yellow daffodils and maybe some dogwood, arranged in a white vase against a sketchily defined background, 20" by 22 1/2" (27" by 30 3/4" framed), apparently unsigned, though a number "1432" appears at lower right corner under the mat (I do NOT think it says 1932). The paper was laid on a board long ago. I think this dates to the 1940's or so; the hand was trained. Condition is excellent and this is ready for the wall.

Small oil on board painting of houses at left, feathery trees occupying the right hand side of the composition, unsigned, 8" by 11 1/2" (11 1/2" by 15" in mid 20th century frame). The painting reminds one of the Dutch Old Masters though it was very likely executed in the 19th century, perhaps in England. It shows evidence of its age, with soiling, a missing fleck at right center (the white spot) and some smallish scrapes in sky at upper left...

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929...

Watercolor on paper by Marion Maas, (American 1930-2023) depicting a stylized view of buildings with night sky and blood red moon, with eye like features in the sky, all in vivid color in Fauvist style, stamped on verse with estate stamp. Measures 12" x 15 3/4", sight size is 8" x 11 1/4". On smooth heavy paper, the painting is both exuberant and intriguing, the intensity of color and shape create a dense and rich image...

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

Watercolor and ink on paper laid on illustration board, 17 1/2" by 23", unframed, the subject a rural road with houses, low mountains in the background, signed at lower right by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him...

Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented...

"William Hogarth" The Shrimp Girl The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Pencil on paper drawing of a young man, in true 1930's American Scene style. The work measures 12 1/4" by 9 1/2" inside the present mat, the full sheet extending under the mat (some of the drawing is hidden by present mat) 14 1/2" by 11 3/8". The work is unsigned. I would imagine that the artist would be someone listed, judging from the quality and sensitivity of the portrait...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863...

Etching of children in a landscape, 8 1/4" by 10 3/4" inside the present mat (the full sheet 14 1/2" by 17"), not signed but printed information on mat provides artist name, a possible title "Hagyateki Anyaga" and possible edition ("5/50")...

An early 20th century watercolor painting of small structures on a coastline, likely Maine, but most certainly New England, signed at lower left corner by listed English-born, American artist SIDNEY THOMAS CALLOWHILL (1867-1939). Callowhill was born in Worcester, England and was in America by 1885. He worked at the Faience Manufacturing Company for a time, ultimately living for periods in Brooklyn, Baltimore and Boston. An artist, illustrator designer, he is best known today for his decoratin...

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age. Weave of the canvas and the technique all suggest th...

Oil on canvas painting, signed at lower left "Charles T. Harris", late 20th century, the subject a red rock dramatic cliff of the Southwest, framed artistically by a large overhanging branch arching in from the right side. The work is very clean and ready to hang. This came from a local estate. The artist is talented but from what I can tell not listed. Size is 20" by 30" plus 2 1/2" wide on a side wood frame.