TWO pen and ink drawings, identical size and frames, 9 7/8" by 7 5/8", one titled "Down the Gulch" and the other "Slave Quarters, Glen Haven, Colo.", each signed "A.C." and one dated 1936. I don't know who "A.C." might be/have been, but, if you collect Colorado art, you might like this pair of drawings of a mountain road and a mountain cabin. You might wish to reframe them. If anyone knows who the artist is, please do let me know.

An example of the 1957 poster of a seated nude, titled "Andre Derain Dessins", by Galerie Maeght. The lithograph is framed in a silver metal frame with orange backdrop. Measurements are 25 3/4" by 18 3/4" (30 1/2" by 24 1/4" as framed). Derain was a major French artist in the first half of the twentieth century, renowned early on for his Fauvist works and later for a wealth of works, both drawings and paintings, many of which depicted the female nude. WILL BE SHIPPED WITHOUT GLASS.

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title...

Drawing of a nude woman lying on her side, 10 1/4" by 15" inside the mat, 16 1/2" by 20" in frameless protective framing, signed at lower right "Sean Mayten" or similar, and dated there 1-13-86. The artist does not appear to be listed, at least under that name or variants of it. He seems to have used perhaps grayish-tan silverpoint or other unusual medium to draw this on a pebbled paper. An artistic work with sensitive shading and line...

Pencil signed and numbered lithograph print of a Civil War subject (Confederate soldiers with their flag, surrounded by gigantic black-eyed Susans), 13" by 11", 19" by 17" framed, by the well listed Louisiana artist ROLLAND HARVE GOLDEN (1931-2019). The juxtaposition of the oversized flowers and Confederate warriors is in keeping with Golden's self-described "borderline surrealism"...

"William Hogarth" "The Man of Taste" and "Rich's Triumphant Entry" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

Three fine engravings of Mount Vernon, Monticello, and Independence Hall, nicely mounted and framed together vertically. The framed piece measures 16 1/2" by 11". These appear to be the same images that appear on US currency, and the very high quality of the printing (intaglio?) is similar. One wonders if these have been produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting...

Drawing, I believe in charcoal, 12 3/4" by 18 1/2" inside the matting, framed, but no glass, signed at lower left "M. Moss" and dated "March '93", the subject a large wooden house on a lake surrounded by mountains, small boats tied up in front. I think this is American but I suppose it could also be English; I'm undecided..........though, the framing suggests would make me lean towards American, as the reverse was backed by the typically American wood slats with knotholes...

An old watercolor of a street scene in Alsace (the portion of eastern France that borders Germany), featuring a well for water and a half timbered house wall, along with a pretty window with flowers in pots. The artist, AMELIE FOLEY-RISLER (1870-1947) signed at bottom left and the town is identified there as Niedermorschwihr, Alsace. The unframed watercolor, 14 3/4" by 11", is in excellent condition...

Watercolor painting on paper, 29 1/2" by 21 1/2", (37 1/2" by 29 1/2" framed behind Plexi, in simple gold metal framing), signed at lower right "Julia R. Ayres" (and copyright symbol and 1985 date). The subject is the world famous Grand Canyon in Arizona. Ayres might be a listed artist, there being another Julia Ayres on google known as an artist, but further research should be conducted to see if there might be a relationship...

Lithograph on paper, 11 1/2" by 14 1/2" inside the mat, 19" by 23" as framed, (no glass), the title at bottom "The Peerless GOLDSMITH MAID, driven by Budd Doble./"THE QUEEN OF TROTTERS" UNRIVALLED IN THE WORLD." This is a popular, folky image of an apparently well known 19th century trotting horse pulling the single driver of the sulky...

A print of Pierre-Auguste Renoir's 1889 painting "A Young Girl with Daisies", 9 1/2 by 7 1/2" (18" by 16" in the attractive wood frame). The print is very glossy, as made---giving the impression of being on porcelain, or made as an enamel. The frame is likely of Mexican origin and is hand carved and gilded, making for an attractive combination. A work for the Renoir fan who cannot quite afford the real deal at a Sotheby's auction.

Painting on canvas of a corgi dog in a landscape that suggests the beach, signed on the reverse with initials EG, which correspond to Eric Gregory. The painting is titled by the artist "Corgi study". Condition is excellent. The artist has not only created a simple portrait of a corgi; it is art, considering the placement of the animal within the landscape----off to the side, rather than centered...

An original turn of the century print, apparently from a publication of the era, featuring a cabman and an elegantly dressed woman walking away, signed at lower left corner by the noted Spanish artist FRANCISCO XAVIER (JAVIER) GOSE (1876-1915). This original lithograph is not behind glass and is loose in the current framing. The measurement of the sheet is approximately 12" by 9" (19" by 17" in the framing). There is a tear at top as shown, and a slight crease at right...

Watercolor painting of a harbor, probably Maine, signed at lower right corner by artist M...

An English early to mid nineteenth century watercolor, featuring a house or cottage with cross-hatched windows, an arch at left with two small figures nearby, and tree at right. The work is apparently unsigned. The hand is a little stiff and primitive, but the work is antique and charming. Someone spent a considerable sum on the pleasing newish gold frame and hand-drawn "French mat" with lines and glittery goldish foil border. Frame is in generally excellent condition, just a small dig at lo...

Hand colored stipple engraving botanical print, titled "LONICERA Alpigena", and "CHEVREFEUILLE Alpigene" in French (a type of honeysuckle), after the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810 and the prints were created not long thereafter. Redoute was renowned in his own time for his skills, patronized by ...