A fine cold-painted Vienna bronze eagle of the highest quality and unusually large size. The painted decoration is wonderfully complex and detailed. The bronze is marked "Austria" under the tail feathers. We have seen this exact bronze with Franz Xavier Bergmann marks.

Origin: Austria, ca. 1900. Condition: excellent, only the faintest paint nicks are the tips of a few features and beak. Dimensions: 9-1/4" x 6-1/2" x 5-1/4" high.

Oval portrait miniature of a young woman; watercolor, signed indistinctly. She is wearing a lace and floral trimmed bonnet, braids coiled over her ears, pearls and a ruched off the shoulder rose dress, all typical of the 1840’s.

Frame: 5.5” x 4.75”

Large oil painting on canvas by Pierre-Ernest Ballue (France, 1855-1928). In beautiful condition and with original frame. Signed "Pierre Ballue" l.r. 21" by 28", 31" by 38" with frame. Pierre-Ernest Ballue was an important painter affiliated with the Barbizon School.

Arthur R. Middleton Todd, British, 1891-1966, "Strolling Players", etching, 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Pencil and plate signed in bottom right. Featured in Fine Prints of the Year in 1927.

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.

Karl Dehmann, German, 1886-1974, "Woolworth Building Through the Arch," etching, 9 3/4 x 7 inches on 15 x 12 inch laid type paper. Printed in brown-toned ink. Pencil signed in the lower right. C. 1925.

Charles Daubigny, French, 1817-1878, "Le Berger et la Bergère ( The Shepherd and the Shepherdess)," etching, 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right...

A nicely painted portrait miniature on natural organic wafer. The sitter is a gentleman dressed in a black jacket and stock, with a white shirt and vest, set against a background which shades from light blue to a darker blue hue. Housed in its original cast foliate case with a glazed rear aperture containing a circlet of hair.

The condition of the painting is excellent with no cracks, chips, paint loss, bowing, or restoration...

Original oil on board c1950 "Portrait of a Horse" signed lower right by Harold Macintosh. Born Winnipeg Canada he studied at Winnipeg School of Art with L.L. Fitzgerald. He later made his way to New York where he found work as an illustrator. While McIntosh’s distinguished career as an illustrator is documented by numerous covers of magazines, Its his later Connecticut paintings can be found in museums and homes throughout New England. Image size 24"L x 36"W...

Daniel Tretiak wrote about prints that were new to him (in 2017) that included, in my (LDT)view, one of the strangest, hard-to-decipher prints that the artist ever did, Bai-1. It was an early one, created in 1958.

This sculpture was carved in 2005 by renowned sculptor Tim Lewis. Tim is an American Stone Carver whose work is represented in the permanent collection of the Owensboro Museum of Fine Art, the Huntington Museum of Art in West Virginia, the High Museum, Atlanta, Georgia, as well as the Smithsonian American Museum in Washington, D.C. His work is also included in George H...

This sculpture was carved in 2003 by renowned sculptor Tim Lewis. Tim is an American Stone Carver whose work is represented in the permanent collection of the Owensboro Museum of Fine Art, the Huntington Museum of Art in West Virginia, the High Museum, Atlanta, Georgia, as well as the Smithsonian American Museum in Washington, D.C. His work is also included in George H...

This sculpture was carved in 2006 by renowned sculptor Tim Lewis. Tim is an American Stone Carver whose work is represented in the permanent collection of the Owensboro Museum of Fine Art, the Huntington Museum of Art in West Virginia, the High Museum, Atlanta, Georgia, as well as the Smithsonian American Museum in Washington, D.C. His work is also included in George H...

A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin...

Chola Dynasty C 1100 - 1130 AD Black Granite Hindu Figure of Agni - God of Fire, extremely rare with the finest carving on His garments and jewelry. Beautiful condition except the loss of his head , size 38" very heavy 150 on the sculpture and 80 pounds on the 1/2" black steel plate base. Agni , ‘fire’; . The god of fire in Hinduism, of great importance, especially in the Vedic period. As sacrifice is at the centre of Vedic religion, Agni is at the centre of sacrifice...