A fine Old Master drawing in pencil and red chalk on laid paper, measuring 6" by 3 3/4" inside the mat (16 1/4" by 14 1/2" in modern day framing), unsigned, but with accompanying information, a circa 1970 typed label, proclaiming this to be "Lady with Jug", and by listed English late 18th century/early 19th century artist PRINCE HOARE II (1755-1834). There is also nearby an "18 Gns" price (18 Guineas). A self portrait by Hoare hammered at Sotheby's New York in 2015 for $16,000...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not yet added to my shop), this is a fine image in charcoal with some strategic and deftly placed green, red and blue color added with chalk or pastel, 12" by 16 3/4", unframed, signed at lower right, and dated there 8/20 '58, by the California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968)...

A most decorative painting: a contemporary oil on canvas laid on board, 17 1/2" by 23 1/2", (26" by 31 1/2" in really beautiful and unusual contemporary hand carved silvery frame in Art Nouveau style), the painting and possibly frame also by noted Chicago artist and antiques restorer DMITRI RYBCHENKOV (1959-), who has signed the work with his initials at lower right. The painting is poetic and classic, two women and a fountain in a Mediterranean sunny landscape...

Oil on canvas scene of a flower-bedecked coastline, 24" by 30", unframed, signed at lower right by the noted, popular, prolific California contemporary artist, GARY RAY (1952-). This is an impressive example of Ray's work, with a thick, rich impasto, and size larger than most. The scene reminds of the Santa Barbara or Laguna Beach regions. Ray is a 4th generation Californian, born in Venice near Santa Monica...

Watercolor on paper painting of a red barn in a country landscape, a high western mountain in the left background, signed at lower left "Elizabeth Quiroga". The painting measures 12 1/4" by 15 1/4" in its present wood frame. The artist seems to have had a good command of the medium. Condition is excellent. There is a pencil sketch of a barn on the reverse side of the paper. Condition is excellent. Allow for reflections in a few images.

PAIR of watercolor coastal scenes, unsigned, circa 1880, on heavy quality watercolor paper, 11" by 18" inside the old mats (18" by 25" in identical framing), found in Essex, Massachusetts. I purchased these for their inherent quality, despite a few condition issues, and hoped to find a signature when I opened them up, but, did not find either signature or any other inscriptions. I imagine these are by a listed artist who worked in the Cape Ann region or in that part of coastal New England...

Watercolor and ink drawing of a river landscape with ship, bridge and surrounding terrain, 7 1/2" by 9 1/2" (14 1/2" by 16 3/4" in interesting old gold frame), signed at lower left by noted Russian-born American artist JOHN WENGER (1887-1976). The artist was born in Russia, his father a local artist. The young man showed early talent and he was accepted into the Imperial Art Academy on scholarship...

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

Oil on canvas, unframed, 15 3/4" by 11 3/4", unsigned, the subject a colorful Indonesian or Chinese traditional dancer in elaborate costume, complete with extra long fingernails and fierce-looking mask. The work was likely executed in the past twenty years or so. A Chinese ad for cigarettes is used as backing paper (a tear in that). This is a most decorative piece that took a long time to create.

A PAIR of Mid Century watercolor paintings of central Paris (guaranteed original work, not prints), one featuring the Arc de Triomphe and environs "(L'Etoile"), the other a peaceful view of the quai along the Seine River. Each work is signed at lower right "Van Lod". Other similar works by this artist are seen but his/her identity is something of a mystery. The drawings measure 16" by 20 1/2" inside the mat and 24 1/2" by 28" as framed...

THREE hand colored French 19th century prints featuring early-day Japanese soldiers, each 9 1/4" by 6 3/8" inside the faded old violet mats, to which each is simply taped at top edge. The prints are unframed. Two have a dark foxing mark, and all are of sufficient age to have acquired the signs of age---paper toning, slight handling creases and so forth. Fresh mats and frames will display them properly and preserve them for another 150 or so years...

Watercolor and gouache small painting of a path between trees leading to a clearing beyond, 8" by 10" (12 1/2" by 14 1/2" as framed), signed at lower right by the noted Indiana impressionist, EDWARD SITZMAN (1874-1949). The artist, most closely associated with Indiana, is known for his watercolor and oil paintings of quiet landscapes, usually lacking figures. Watercolors are more commonly seen, the oils relatively scarce...

Interesting gouache abstract painting in subtle grays and blues, signed on the reverse side of the Crescent art board "Jeannine Isaacs". The piece, measuring 9 3/4" square inside the mat opening, comes in an aluminum frame without glass. I do not see a recognized, listed artist by this name. The art probably dates to the 1970's I would suggest. Condition is excellent.

Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr...

Oil on canvas painting of a small structure surrounded by a beautiful autumnal forest, 16" by 31 1/2" (21" by 36 1/2" as framed), signed at lower right "C. Jonnevelt" (or Sonnevelt), suggestive of a Scandinavian, Dutch or Belgian artist. The painting, in the tradition of earlier works, was probably executed by a Northern European artist circa 1960 to 1970. Note the skilled handling of the reflections at left...

A fine and accomplished watercolor abstracted drawing in the Cubist style of the early 20th century, unsigned, the sheet 15" by 10", the drawing itself 6 1/2" by 4 1/4", (21" by 15 1/2" nicely framed). I did open this to inspect for a signature and found none, nor any other information as to artist. The work could have some age, or it could be of recent vintage; difficult to tell from looking at the pebbled paper. Most certainly it is a nice drawing and very decorative and attractive as it is...

Oil on canvas laid against panel, 10 1/2" by 13 1/2" (14" by 17" framed), signed at lower right by mid-century artist A. R. NOULIN. The beautifully painted little work reminds of Maurice Utrillo's 1920's paintings of the famed quarter around Sacre Coeur's white church. The shutters on all the buildings, the other details, all so nicely crafted. There are three tiny figures in the street. The painting is on a coarse weave canvas and is laid against a panel (not laid down onto it permanently)....

For your consideration, a nicely drawn watercolor and gouache work featuring mallard ducks in flight over a marsh, signed in pencil at lower left by noted American illustrator WILLIAM SCHMEDTGEN (1862-1936). The drawing mixes sporting art with illustration art; the lead duck nearest the viewer glances almost mischievously, from the corner of his eye, at the viewer. Measurements are 13 1/4" by 9 1/4" (drawing inside the drawn lines) and 20" by 16 1/2" as framed. Schmedtgen was especially adept ...

An unsigned watercolor painting of three fish very artistically arranged in a triangular pattern on a simple slab, the background neutral and undefined, measurements 15 3/4" by 12 1/2" (17 1/2" by 14 1/2" framed in wood with an intentional blanched distressed finish). The work could conceivably date to the 1940's or 1950's and the quality of the imagery certainly suggests the hand of a trained or listed artist. The older paper is laid down on a modern day white board. Condition is excellent.

A fine, detailed watercolor and gouache painting of a big horn sheep surveying his desert realm, signed at lower right (and copyright symbol) by talented artist Bill Roach. The work measures 19" by 13" inside the mat and 33" by 26" as framed. Surprisingly I do not see any information online on the artist; perhaps a more vigorous search will turn up something about him and his endeavors as a wildlife artist. The work, despite its depiction of a Southwest scene, was acquired in Maine. Conditio...

A beautiful drawing of the year 1878, featuring a number of women and a solitary man, most apparently gossiping at a picnic or other outdoor social meeting in a wooded setting, the place given as "Lake George". The famous upstate lake features in many an American painting of the period, and it was frequented by many notable artists of the time. Given the skill shown in our drawing, the artist was likely one of these notables, perhaps even one of the Hudson River greats. The drawing is taped a...

A highly detailed etching in brown ink, featuring canal-side classic old architecture of Amsterdam, 12 1/2" by 9 3/4" plus narrow wood frame, pencil signed at lower left margin by the very important Dutch-born 20th century artist WILLEM GERARD HOFKER (1902-1981). At right in pencil is "epreuve d'artiste" and "no. 24" in ink. Hofker was born in The Hague and received early art instruction from his father's friend, the famous artist Isaac Israel. By 1927 he had won the Prix de Rome, and by the ...

Oil or acrylic on canvas painting, measuring 30" square, unframed/unsigned, the subject a young woman, painted in the style of famous twentieth century artist Patrick Nagel (1945-1984). This is offered as a decorative "style of" work. The only information on the frame is the word "Mexico" (as in, origin of the frame I would imagine) and the number 30, the dimension. The painting is wrapped around the stretcher so that the edges are all therefore painted. The surface could be described as dul...

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century. The work takes from Rembrandt or a host of other Dutch artists such as van Ostade, who depicted ...

A unique piece that transcends art and entertainment.........a color poster advertising the November 13, 1989 sale of the famous Billy Wilder art collection at Christie's auction house in New York City. At lower right in blue marker, Wilder wrote "For Bianca---a true pearl/Billy Wilder Oct. 89". Wilder of course was the Austrian-born American filmmaker, screenwriter, producer, artist, and journalist whose career spanned more than five decades. He is regarded as one of the most brilliant and ve...

A vintage still life oil painting of yellow daffodils and other spring flowers in a tall silvery jug on a table top, 32" by 25", 37 1/2" by 30" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits a...

An original watercolor painting of a pueblo in New Mexico against a dark blue sky, traditional pots displayed in foreground. The work, 13 3/4" by 10" on heavy watercolor paper (24 3/4" by 20 1/2" framed) is unsigned. It dates to the late 20th century and was likely created by a talented amateur artist, perhaps for the tourist trade. The designs on the pottery suggests this is possibly Zia Pueblo.

A work by the noted California plein air artist RALPH HOLMES (1876-1963), featuring a stark arid landscape of the Southwest: a scene from Capitol Reef National Park in southern Utah (previously Capitol Reef National Monument), one of Holmes' favorite locales for painting. ***The 24" by 30" (28 1/2" by 34 1/2" in the probably original frame) painting is in need of restoration; there are numerous cuts and tears in the canvas, but it is hardly beyond recovery. I have received an estimate of $120...

A small tight little contemporary acrylic or oil on canvas painting for that small wall, 7 7/8" by 7 7/8", unframed, with reverse dedication "For Shell Sam and Mina", and signed there on stretcher by artist Warren Boothby. Condition is excellent. Found in the Pacific Northwest; the style resembles that of the influential, famed artist associated with that area, Mark Tobey.

One of two works in my shop by apparently the same artist, (acquired at different times---the other JB01670): a watercolor on paper, 10 3/4" by 7 1/2" (17" by 14" in its simple green frame), signed illegibly (faint, at lower right), the subject a Spanish (most likely) church tower, the foreground dominated by impressive arches and columns. I have included three photos of the faint signature and leave it to the viewer to try to decipher it. My best guess is that this would be one of the famous b...

Painting on canvas of urban skyline with foreground boats, painted in modern and stylish grays, black, white and red, signed at lower right "LF Mark" or similar. The piece, in strip typical late sixties or early seventies frame, measures 18 1/2" by 26". Condition is very good save for a small puncture at lower left that actually blends in with the design and is not all that easy to find. Frame at left and lower right is also ever so slightly askew. Would make a tasteful addition to your Mid ...

**ONE OF A NUMBER WORKS BY THE ARTIST IN MY SHOP**, this is an etching on paper print, 8 5/8" by 10 1/2" inside the mat (14 1/4" by 16 1/4" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "Summer Cloud--Apache Trail--Ariz". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors. This example, showing a towering, bill...

Drawing in watercolor and pencil of a figure staring out at the viewer, 23" by 18" inside the mat (33" by 26" framed), signed at lower right by noted mid 20th century California artist ROGER KUNTZ (1926-1975). I believe this would be a female figure with short hair. She is drawn skillfully in pencil, and finished out with a gray-green watercolor wash. There is a South Bend, Indiana framer's label that likely dates to the 1960's. Kuntz was born in Texas and moved around California as a youth, a...

An old "cabin art" oil on soft paper board primitive style painting of Northern California's famed Mt. Shasta, towering over a rugged landscape including waterfall, tall trees, steep gorge, and a charming log house at left with smoke coming from the chimney. The painting measures 24 1/2" by 19 1/2", unframed. The board is warped, the surface uneven, and there is a snaking 8" crack in the board at right and small puncture at lower center. The work is delicate and requires very careful handling...

A skilled pencil drawing of decorative towers of a church or mosque complex, next to a river, apparently in a milder climate location (see palm trees), signed at lower right "STOLZE". The towers, which somewhat resemble those fantasy towers of St. Basil's in Moscow, seem to be part of a mosque complex, as tiny crescent moons appear to be affixed at the tops of the towers. On the reverse is written "by Martin Stolze" There are several "Stolze" names among listed artists, but none of those artis...

An oil on canvas painting of a clipper in full sail on the high seas, 16" by 20" (19 3/4" by 23 3/4" framed), signed at lower right in red by artist PAUL MASON and dated there with what appears as 1936. The work features attractive impressionist technique and colors. A search for information on the artist was not productive. There is a framer's label from Boston's Beacon Hill area, so we can likely assume that the artist was a New Englander. The surface is dry and there are some tiny losses ...