Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Impressionist Italian Landscape by Thomaso Roberti,an Italian painter 24”x20 oil on canvas, in a period baroque frame 32”x28”

CASTEL SANT’ANGELO, SIGNED HERNANDEZ, Roma 1959, Oil, 21.5” x 32” ….. The Mausoleum of Hadrian, usually known as Castel Sant'Angelo (Italian pronunciation: [kaˈstɛl sanˈtandʒelo]; English: Castle of the Holy Angel), is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum...

An oil on board painting of a landscape with lonely structures and trees, a mountain behind, unsigned, apparently AFTER/IN THE STYLE OF a known 1950's work by famed Utah artist LeConte STEWART (1891-1990). On the reverse in old pencil writing is "American Artist/Nov. 1955/Library/Back page/by LeConte Stewart/"Spring in Eden"/oil 16 x 20"...

Born in Marseille, France, Camoin met Henri Matisse in Gustave Moreau's class at the École des Beaux-Arts in Paris.[1] Matisse and his friends (including Camoin, Henri Manguin, Albert Marquet, Georges Rouault, André Derain and Maurice de Vlaminck), formed the original group of artists labeled the Fauves (meaning "the wild beasts") for their wild, expressionist-like use of color. Camoin always remained close to Matisse...

Rosenfeld 1906-1983,was a Baltimore, Maryland Born Artist who was a featured artist of Duncan Phillips of the Phillips Collection in Washington DC,The Baltimore Museum of Art,The San Diego Museum, etc . The Museum has shown his work including in exhibitions and was also a person friend in the circle of painters of Duncan Phillips The museum still has an extensive collection of his work...

Suzanne Eisendieck (November 14, 1906 — June 15, 1998)[2] was a German Post-Impressionist painter Suzanne Eisendieck was born at Holzraum Platz 2B in Danzig (now Gdańsk in Poland) to German parents Karl Eisendick and Anna Eisendick — maiden name Klegus.[3] At the age of 12, Suzanne Eisendieck became one of the youngest pupils of the painter Fritz August Pfuhle.[4] When she was 21, she went to study for three years at Berlin State Academy for Fine and Applied Arts, attending the clas...

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Unbo, Kim Ki-Chang-雲甫-金基昶 (1931-2001)/모사본(模寫本) of 蕙園-申潤福 作): Korea, mid-20th century, This painting repainted by Unbo, Kim Ki Chang from the original paining by Hyewon, Shin Yun-bok (1758-1814) "蕙園 作 (申潤福), 倣 雲甫-金基昶”,모사본(模寫本) by Kim Ki-Chan, 金基昶, sealed and “倣” written by the painter, with a seal reading "Kim Ki-chang in," ink and light color on paper, framed and glazed...

Oil on board landscape, unsigned, the subject a panorama of red rock cliffs and distant butte, likely in Arizona, or possibly Utah, the scene framed by tree at right. The work has some age, a guess would place this circa 1955 to about 1965. Certainly it is good enough to have been painted by a listed artist. The condition is acceptably good...

PAIR OF signed ink drawings with pencil underneath, each 7 1/2" by 6 1/2" and 13 1/2" by 11 1/2" as identically framed, the subjects famous clipper ships of the 19th century "Gamecock" and "Cutty Sark", each bearing a signature at lower right that could be interpreted as a "G" inside a square. Found in Maine, and said to have come from a Kennebunkport home, the artist who created the drawings might remain a mystery...

An oil on board painting of a harbor surrounded by old houses, 9 3/4" by 13 1/2" (13 3/4" by 17 3/4" framed), unsigned, circa 1950. The work is by a competent, trained artist and exhibits excellent impressionist technique. It seems to be of American origin as "Patent Pending" is stamped on the reverse of the board.

Measuring 37” x 15” the sculpture is A beautiful mesmerizing piece of gilded artistry. Like most former (and present) capitals of Burma, Mandalay was founded on the wishes of the ruler of the day...

Maurice de Vlaminck, French, 1876-1958, etching, "Bretoncelles", image size: 6 1/2 x 10 inches, pencil signed lower right

Dark brown ink drawing on paper, 11 3/4" by 18", unframed, signed at lower right "John Floyd Morris", titled ISCHIA NAPOLI. The artist is well listed, and is associated with California and the east coast, with askart noting exhibitions in Chicago and Palm Beach. He is perhaps best known for his modern and surrealistic paintings, but painted a wide range of subject matter, including clowns. Interestingly, a big collector of his work seems to have been none other than Noel Coward...

Oil on canvas painting titled on the stretcher in pencil "Superstition Mountain, Arizona", signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is of the legendary, rugged and forbidding mountain range just to the east of the metropolitan Phoenix area, said to contain the fabled Lost Dutchman mine. The painting measures 22" by 34" and 28" by 40" framed...

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN. I do not see a listing for an artist of this name. The work likely dates to about the 1950's I would think, and is probably still in its original frame. The impression is strong, with a distinct plate mark. Disregard false yellow colors in some of the photos, which are an effect of the camera...

This is a small California painting on board of the sequoia or redwood forest, 8 1/4" by 11" framed, unsigned, protected behind glass. Condition is excellent. Frame is wood. Though small, the artist captures the majesty of the cathedral-like groves for which the state is famous.