Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London...

This is a remarkable piece of art—an antique oil painting created on a wooden board by the famous English painter Clarkson Frederick Stanfield RA (List of Royal Academicians) RBA (The Royal Society of British Artists) born on December 3, 1793, died May 18, 1867. Even though the painting is unsigned, there is a label at the back that provides information about it and its creator...

From our European Collection, a good and sizable 19th century oil on canvas, British School, depicting gothic ruins over an aqueduct at moonlight. The artist's skillful use of depth perspective, along with adept use of various shades of grays and blacks, all contrasted and backlit by a cloudy moonlit sky, combine effectively to create a wonderfully evocative and somber scene that captures well a time and place from centuries past.

Size and Condition: 30 x 25 inches...

PAIR of English landscape oil on canvas landscape paintings, each including a cottage, a figure (one fishing off a small bridge, the other walking towards the cottage), and feathery trees, each 9" by 16" (18" by 25" framed), one inscribed in ink on the stretcher "Sketch in Kent C.J. Riley". If we assume that this be the artist, I am unable to find a listing for such a name. The style suggests a date of circa 1870's...

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses...

English circa 1850 landscape oil painting of a castle (the shape suggesting often-painted Windsor Castle) topping a low mountain, two tiny figures in the foreground. The work, 16 1/2" by 22" (19 1/2" by 25" in frame that appears "married" to it, and not that successfully, at that) is very, very grimy. This is a restoration project----to remove the dirt of 150 years, repair several small tears, and varnish the dry surface. There is no signature visible...

Circa 1880, oil on canvas of 3 Shire horses in English countryside signed G. Melville. Melville was a 19th c artist and painter of English rustic scenes. Both the fame and painting are in excellent antique condition, measuring site size 29" x 35.5", framed 36" x 42.5".

Henry Maidment (British, fl. 1889-1914)

Farm by a Pond

Oil on canvas, signed lower right

Painting: 24" x 30"
Frame: 30" x 42"

Maidment was a painter in oil of rural scenes and landscapes. He also used the pseudonyms of "R. Fenson" and “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914...

Oil on canvas painting of a coastal village in England, 14" by 24" (20 1/2" by 30 1/2" as nicely framed in mid 20th century gold frame), signed at lower left "W. Thornbury". This work is by a prolific (over 1,000 works in the auction record), talented, well listed, English artist who was active in the second half of the nineteenth century, WILLIAM THORNLEY (approximate birth date 1830, death date circa 1898 though I have seen online that he was active through 1903)...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

An evocative and well-painted framed 22-1/4" x 14-1/2" (sight size) English oil on canvas by Charles Cattermole (R.I., R.B.A., R.O.I. 1832–1900). Entitled "The Patrol's Return" on a mounted plaque on the 31-1/2" x 24" wood and plaster frame, this painting is signed CHAS CATTERMOLE on the lower right. The back has a Toronto gallery label from 1949 and the canvas is numbered 908 on the back...

Oil on canvas bucolic landscape, a figure tending to haystacks in a tawny field, a towering tree looking over it all, 19 1/2" by 30", (26" by 35 1/2 " framed), signed at lower right by late nineteenth century English artist G CLAYTON. There are a few works by the artist in the auction records but I see no biography. Judging from the subject matter,handling, and materials, the work would likely date to about 1890...

The Scottish Traveler

British School, Circa 1870

Charming Genre Scene showing a traveler beseiged by begging children. The Victorians loved this type of painting that "tells a story", Note how the little girl staring straight out pulls you into the picture

Ptg: 27" x 33"
Frame: 32.5" x 38.5"

Henry Maidment signing as R. Fenson (British, fl. 1889-1914)

Stepping Stones

Oil on canvas, signed

Painting size: 9” x 12”
Frame size: 13.5” x 16.5”

Maidment was a painter in oil of rural scenes and landscapes. He is variously catalogued as Robin or Robert Fenson but usually just signed “R. Fenson” in red, often with a date. This was a pseudonym for Henry Maidment who also was known to have signed “A. Wynn”. Dated example...

A 19th century English oil on canvas painting, 23" by 36", (offered unframed, even if the inappropriate style frame shows in the images), apparently unsigned, the subject the Edinburgh to London Royal Mail coach pulled by four horses, as it passes through a town. The work is in the style made famous by English artist Charles Cooper Henderson (1803-1877). The handsome coach, staffed by two coachmen, is shown in considerable detail. The painting's classical style will be attractive to those see...

This is a pre-1900, fine original oil by J.F. Herring. Overall with frame it measures 42” by 30”. The painting itself is 36” by 24”. It is fully signed J.F. Herring.

Sepia Ink Drawing Of Daniel Webster, William Cullen Bryant, and Washington Irving… Dated And Signed 1852 More information coming soon measuring 8x11 inches

Sepia ink on paper drawing, 5 3/4" by 3 3/4" inside a red mat opening, 11" by 8 1/2" as framed, signed at lower left and dated there 1864, by listed English woman artist SARAH LOUISA KILPACK (1840-1909). This is a sweet, beautiful little drawing by an artist who seems to have created mostly coastal landscapes in oil, especially along the English Channel or around the Channel Islands of Guernsey and Jersey. This would be an early work created when she would have been in only her mid 20's. The ...

Sketch of a Skye Terrier

by Edward F.D. Pritchard (British 1809-1905)

Ink on paper, signed. Paper Size: 3.5" x 5.5" (Unframed)

Pritchard was a marine, landscape and architectural painter living in Bristol and London, who exhibited at the Royal Academy, the British Institution, the Society of British Artists, Suffolk Street and elsewhere. He is listed in The Dictionary of Victorian Painters by Christopher Wood, and Benezit, E., Dictonnaire des Peintres, Sculpteurs, Dessinateurs et Gr...

Ink drawing on heavy card, with a bit of black watercolor in the darker areas, the subject an adorable pug wearing a collar with "William Rifle" on it, and at lower right is written in longhand "Robert Glover Age 7 years"; and at lower left corner within the hand drawn border is the date, "94". I am not sure which one of these names be that of the artist, or if a name is actually that of the pug. The measurements within the border are 13 1/2" by 9 1/2", and the entire card measures 19 1/2" by ...

This is an exceptionally early, student work by the ultimately famous and important American-born artist who lived much of his life in Europe. The scene is of a group of fashionably dressed people listening to the guide at left, inside one of Florence's art museums, probably the Uffizi Gallery, the walls hung with pictures, a copyist at his easel, and other tourists gawking at right. The drawing is ink on paper laid on board, and is signed at lower right "Cucuel" and dated there "99". Measu...

A finely worked sepia ink drawing of a Paris street scene, titled at top "Eglise et Seminaire St. Nicolas du Chardonnet", signed at lower right "Delaunay" and dated there 1867. The 6 1/2" by 7 1/2" drawing (11" by 13 1/4" as framed) features a Roman Catholic church in the fifth Arrondissement, on the south bank of the Seine, sometimes known as the Latin Quarter. The Pantheon and Sorbonne are located in this district, south of Notre Dame. There are a number of artists by the common French name...

A very old watercolor painting of a barefoot young man with traditional clothing and conical hat, unframed, 7" by 3", unsigned, dating to the mid 19th century. It could be by a local artist of the China Trade School, or perhaps by one of the rare expatriate artists who visited the region, on the order of George Chinnery. Without a signature we cannot be sure of its authorship, but it is clearly antique. It has some flaws to go with its great age, including an old brown stain in the hat and ei...

Most would see this work as an etching or engraving and never give it a second look----but, it is, amazingly, an original ink on paper drawing (I guarantee that), measuring 23" by 16 3/4" (34 3/4" by 28 3/4" in dark old oak frame). Floating troubadours in their gondola serenade an upscale looking couple at right, as two other figures seem to be appreciating the pretty spring or summer day. The drawing is signed at lower right with what appears as "C J Meancon", the first letters conjoined. Su...

A.(ALEXANDER) M. FLEMMING (1878-1929) Canadian Artist. "SAILING TOWARDS THE COAST"; Oil on Masonite. Signed Lower Right "AM Fleming 1900". Dimensions; 13" x 19.5"; framed 17.5" x 23.5". Excellent condition.

This is a charcoal with white highlights fine original drawing of a male head on a plinth, the head appearing as would a Greek or Roman marble sculpture. The work, 16 1/4" by 12" (22" by 18" framed), is signed at bottom by the Austrian artist RUDOLF ZELENKA (1875-1938) and is dated nearby 1894. The drawing would likely be an academic study by the artist at age 19, while receiving art education. Note the fine modeling of the face and curls----a very finished drawing reflecting the skill of the...

Japanese Silk Painting- Shogun and Geisha. Framed Silk Painting. 14 x 40"

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing. I purchased it in Maine, where a dealer had affixed a label attributing it to Pennsylvania artist ...

Italian Drawing Giuseppe Duatto Capri Boy 15 x 12“ A really beautiful drawing framed circa 1900 or earlier

Charles VII- Roy de Suede (King of Sweden). Engraving on Paper. 18th century. 14 x 10"

The Great Mississippi Steamboat Race by Currier and Ives, July 1870, from New Orleans to St. Louis. Frame Size 15 x19". Currier and Ives was a successful American printmaking firm based in New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpen...

Robert Henri 1865-1929 As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

An ORIGINAL drawing of a mid-19th century gentleman, 8 1/2" by 5 7/8" (16" by 13 1/2" framed), signed at lower right by the well-listed French-born artist, etcher and sculptor, ALPHONSE LEGROS (1837-1911). The drawing is primarily in soft pencil, with some watercolor in the suggestion of a chair, and some faint red in the face area. Legros was born in Dijon in eastern France. He was in Paris while still young, exposed to the art world there. By 1863 he had moved to London, where he achieved r...

Scarce and interesting pencil drawing with some white highlights, on heavy paper, 15" by 20", of one of Quebec's most famous sights, "The Falls of Montmorency/Near Quebec". The work is signed at lower left "Blandford 1871" and at lower right it reads "Miss Alice Tiffany". This is a folky, somewhat primitive work, from an early date, of a kind that is rarely seen. The frozen falls were an impressive 19th century spectacle in early Canada and were the subject of paintings by the likes of Cornel...

Original India botanical by the famous Japhur-naturalist artist Neerja featuring a native medicinal plant. The works of this 19th century community of talented Indian painters are desired for their brilliant jewel-like quality and fine detail. This botanical is a wonderful example featuring a hand colored flowering exotic plant with roots, watercolor on parchment, pink, gold,and brown tones with green leaves, artist signed "Neeraj", India. Rich burlwood frame; measuring 19 7/8 x 13 7/8 approx. ...

A beautiful drawing in pencil on French Arches Laid paper measuring 7x9” done circa 1870s

Antique (circa mid 19th century) watercolor and ink drawing, of the famous ruins of Palmyra, Syria, which were partially damaged during the relatively recent ISIS occupation of the archaeological site. Research indicates the piece is after an early 19th century print. Artist is anonymous. Dimensions are 9 3/4" by 14 3/4" inside the mat (with hand drawn lines) and 16" by 20" overall (unframed, just in the mat, which is laid down over the art). On reverse someone once wrote "Palmyra Turkey". ...

Confederate Flags Watercolor dated 1896,11x7 1/2 inches, in its original frame 16x12 inches

W. T. Smedley, 1858 1920, from the Kennedy galleries a Work Inc. on paper dated 1891 9 x 9 1/2“ frame size 17 x 17“

A very rare Watercolor heighten with gouache I have a western Gentleman from the Kennedy galleries provenance 13“ x 19“, frame size is 20 x 15 1/2“

Troisième Position de Salut, Fencing, by J Delin, 18th century colored lithograph etching. 10 x 10". Frame Size 16.5 x 17.5".

Wrestling Lithograph by Augustus Bernard Liege, circa 1900. 12 x 9:"

View of the Great Conflagration at New York, July 19th 1845 by N. Curner, color lithograph, Frame size 18 x 19.5".

F.C. YOHN Stage Scene c1898 Sp. American war w/c19x13” Frederick Coffay Yohn (February 8, 1875 – June 6, 1933), often recognized only by his initials, F. C. Yohn, was an artist and magazine illustrator. Yohn's work appeared in publications including Scribner's Magazine, Harper's Magazine, and Collier's Weekly. Books he illustrated included Jack London's A Daughter of the Snows, Frances Hodgson Burnett's The Dawn of a To-morrow and Henry Cabot Lodge's Story of the American Revolution. He st...

Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W

Robert E. Lee Watercolor Circa 1860s 8x11 inch a contemporary work when the Civil War was raging

Drawing, I believe in charcoal, 12 3/4" by 18 1/2" inside the matting, framed, but no glass, signed at lower left "M. Moss" and dated "March '93", the subject a large wooden house on a lake surrounded by mountains, small boats tied up in front. I think this is American but I suppose it could also be English; I'm undecided..........though, the framing suggests would make me lean towards American, as the reverse was backed by the typically American wood slats with knotholes. Some of the acid fro...

Beautiful charcoal drawing of an American Landscape Signed Vincent, on paper measuring 10 x 19“, frame size 20 x 27“ circa 1900

Currier and Ives Lithograph, The Old Oaken Bucket, 1878, Framed Print 15 x 19". $300 As-Is

An attractive italian 19th Century Painting depicting 2 Figures in a Park. Good condition. Size: 21 cm. x 14 cm. unframed. Framed: 47 cm. x 36.5 cm.

A circa 1868 albumen photo on thin paper, 9 3/4" by 7 1/2" inside the mat and 19" by 15 1/4" framed, with the blind stamp at lower left of noted early Italian photographer GIACOMO BROGI (1822-1881). The subject is identified at bottom edge in the image, as "Gerusalemme" (Jerusalem) and is assigned reference number 4019 there. This is a view of the so-called "Golden Gate", the oldest of the gates in the walls surrounding Old Jerusalem. The site is of importance to members of the Jewish, Musli...

Original 19th Century albumen photograph by Jean-Pascal Sebah (1872-1947) of the New Hotel in Cairo. Circa 1888-1895. Titled l.l. Signed in the plate l.r. Jean-Pascal was the son of Pascal Sebah (1823-1886) and took over the family studio in Constantinople in 1888. The studio specialized in scenes of Egypt and the Middle East.

An original circa 1870's photograph of a sculpture of a warrior, in the National Museum of Greece in Athens, the photograph by the famed "Fratelli (brothers) ALINARI" of Florence, Italy. The photo measures 9 1/2" by 7 1/2" inside the mat and 22 1/2" by 19" framed behind (scratched) Plexi. On the reverse is a hand written not giving the Alinari name and title "Stele du guerrier Aristion/Museee Nationale Athens, Greece". The Alinari brothers, Leopoldo (1832-1865), Giuseppe (1836-1892) and Romua...

Original 19th century albumen photograph by Jean-Pascal Sebah (1872-1947) depicting the old Cairo and the island of Rhoda (the photograph is titled in the plate l.l "Vieux Caire et Ile de Rowdah"). Signed in the plate l.r. Jean-Pascal Sebah was the son of Pascal Sebah (1823-1886). He continued the family studio in 1888 in Constantinople. The studio specialized in scenes of Egypt and the Middle East.

Original 1870s Cabinet card photograph of the Capital pale depicting horse and carriages out front. 8.5" 5.25"

1870s Cabinet card photograph of the White House pale image showing huge lanterns on the front pillars and extensive cast iron railings. 8.5" 5.25"

Possibly purchased at the Chicago 1893 Worlds Fair Exposition.,where photographs were sold of Egypt at the pavilion This work shows the famous entrance to the Souk market

This is an original oil on canvas painting of the Madonna and Child. It is in a gorgeous gilt wood frame. The artist was Austrian, Hans Zatzka (1886-1945) In signing the painting, he used one of his pseudonyms, H. Ballheim. The painting is dated 1886. It measures 42 1/2 inches by 37 1/2 inches.

An original very detailed watercolor drawing of a man who looks to be a commoner, drawn on paper laid on thin card or directly on card, 7 3/4" by 4 1/8" (14" by 11" in modern frame), signed at bottom with the distinctive signature of mid 19th century renowned academic painter and draftsman JEAN LOUIS-ERNST MEISSONIER (1815-1891). The drawing is finely crafted, the lone figure vignetted, the background empty. Meissonier was famous in Europe in his day, that fame buying a lavish lifestyle. His ...