This is a nineteenth century European painting facsimile, consisting of hand coloring over a photo-mechanical print, the finished product quite convincing and possessing considerable decorative value. The work measures 10" by 7 3/4" (16" by 13" framed). The name of the artist who created the original painting from which this was derived appears in red at lower right, the name "Marqueta" or similar...

Watercolor on paper, unsigned, 11 1/2" by 19" inside the mat, 20 1/2" by 27 1/2" as framed, the subject a flotilla of impressive ships in a harbor, many of them flying the American flag. The artist is unknown, but was clearly a trained and skilled watercolorist. Judging from the steam vessels I would venture a guess that this would date to the late 19th century or early 20th...

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862...

Large painting of a protest at night in front of an official building, 44" by 31" (50" by 37" framed), unsigned. This is a French work that is most certainly by a listed artist, but he/she remains anonymous. The complexity of the foreground and details of the facade are indications of the skill of the artist. The painting is of a large and impressive size, and would make a decorative addition to a traditional interior...

L'Evenement au Bal ~ Freudeberg....Nicely framed antique print. Light foxing but more pronounced within the boxed script and on the edges. No date. The frame measures 13" x 18". Not examined out of frame -sold as is.

A very attractive Original Oil Painting in the Manner of Henri Joseph HARPIGNIES (1818-1916) of a French Provincial Village Scene depicting a Woman with Child. Oil on Canvass, signed lower left; Frame surround also retains Name lettering. Overall condition good, light craquelure, couple inconsequential small spots of restoration (lower center in trees), areas of frame retouched. 19/20th Century. Size: 15.5" H. x 11.5" W., framed 23" x 18" W. Provenance: Private Estate in Chevy Chase, MD., USA

Japanese Geisha Woodblock Print circa 1880 measuring 16x13 inches Call or email. We have a rare and fine selection of Japanese art dating to 1860

Diana Leaving the Bath (Diane Sortant du Bain), after Francois Boucher (French, 1703-1770). Oil on canvas. 2nd half 19th century. Offered in an antique tin over wood frame. This is an unsigned 19th century copy of the Francois Boucher original that was acquired by The Louvre, in Paris, in 1852. This copy was probably created within twenty-five years after Boucher painted his original.

Emile Lambinet, French, 1815-1877, oil on panel, Punts at a Quiet Landing, 11 x 16 inches, cradle backing, signed lower right.

From our European Collection, a very fine oil on canvas by British painter William Robert Symonds, signed and dated 1875. Symonds, who lived from 1851-1934, was a genre painter known for touching scenes of people and animals, and most often of small children in random snapshots of everyday life, where he captured well their innocence and curious musings...

Cambart Lithograph 1868, The China Merchant London Ed. 22x14” ….a well framed original piece from the era when prints were made in color for the average families

English 19th century watercolor painting of a view of a small river outside a town, two fishermen at left trying their luck in the sluggish waters, the painting signed at lower left "F. K. Seville". The work measures 12 1/2" by 16" inside the mat (21 1/2" by 23 3/4" nicely framed with hand drawn mat lines). Note the details of the skyline, with its many church steeples. The work is nicely painted, which makes it all the more surprising that there is no listing for the artist...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000...

A page from Harper’s Weekly during the American Civil War, dated May 11,1861.. the framed piece measuring 15” x 10”

This fine old work (9" by 20", 19 1/2" by 31" framed/matted, no glass) is a coastal scene including both steam and sail vessels on the horizon, as well as a shipwreck on the rocks at right, signed lower right and dated there 1888 by the well known American 19th century painter EDMUND DARCH LEWIS (1835-1910)...

While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world. We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail...

Courier and Ives central park, winter lithograph 1862 A beautiful work framed

This little lithograph (4 3/4" by 6", 10 1/2" by 11" framed) is titled at bottom "Res. of Levi Davis, Jr., Esq.,/Secs. 28 and 29, Big Rock Tpl, Kane Co., Ill." It is a typical view of a prosperous new homestead in the nineteenth century. Estate owners commonly commissioned local artists to create an image of the proud homes and farms springing up in 19th century America, and this is one of those images, now firmly part of Americana...

A French oil on canvas painting of a flirting couple, the male dressed as a pierrot clown, she in an elegant ornate dress, the work signed at lower left with what appears as "Jos. Bellet". The work could possibly be by JEAN PIERRE JOSEPH ALFRED BELLET DU POISAT (1823-1883), but further research may be required to confirm the artist. Measurements are 13" by 9 3/4" (20 1/2" by 16 3/4" in old gold frame)...

John Charles Maggs.(British,1819 - 1896 )

The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884

Oil on Canvas, signed, and dated l.r.

Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)

A newly discovered gem from one of England's best coaching painters.

John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there...

Oil on canvas painting of a young woman accompanied by a knight in a secluded landscape including a wall at left, 15" by 10" (arched top), 21 1/2" by 16 1/2" in modern day dark tasteful framing, signed at lower left center "TFaed"...

A beautiful antique oil painting of a Girl in a bonnet Holding a Flower Basket. Early 19th century English oil on canvas in original antique frame. Overall size 32ʺW × 2ʺD × 41ʺH in good antique condition minor imperfections commensurate of age.

Portrait of the British Schooner "ESTHER"

Oil on canvas, 19th century Signed indistinctly lower right "Wm Mc *****" and dated

Painting: 21" x 28.5"
Frame: 27" x 34.25"

Ship portraits, such as this, were commissioned by the new owner often time itinerant artists who traveled around different boat builders looking for work. They documented exactly what the ship looked like with full sails, flags and rigging so if a boat was lost at sea the portrait could...

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus....

THOMAS CRESWICK R A; 1811-1869; BRITISH CROSSING THE STREAM; Oil on Canvas Thomas Creswick was a British landscape painter. Among his most favorite subjects were English and Welsh streams and British rural scenery. He exhibited in many art venues including the Royal Academy and the British Institute of Art. Although the painting is not signed, there is an old brass plaque on the frame which, along with the style, leads us to believe that it is likely a Creswick

Sepia Prints set of three FoxHunt Artist F. Cecil Boult circa 1889 Each measuring 14 x 28“ and the original frames which measure 18 x 33“ Francis Cecil Boult was an artist in the long tradition of English sporting painting. His most common subjects were hunt scenes, hounds, horsemen, and coaching scenes. It is likely that he was related to Augustus S. Boult (died 1853), also a British painter of equestrian portraits and shooting and hunting scenes; the two artists shared similar style...

Japanese Woodblock Print Nineteenth Century Emperors Stallion 17x21 inches. Call or email. We have a rare and fine selection of Japanese art dating to 1860

"Admirer de loin" oil on board 13 3/4" W x 10 1/2" H Edouard Toudouze was born on July 28, 1848 in Paris. He was the youngest son of August Gabriel Toudouze, a French architect who was, for a time, the Chief Architect of Marseilles. His mother, Adèle Anais Colin-Toudouze, was the daughter of Alexandre-Marie Colin, a history painter. Toudouze was also the nephew of Jean-Baptiste-Auguste Leloir. He completed studies during his youth at a school in Sainte-Barbe. After leaving school he entered the...

A beautiful courier and Ives Print titled Hudson river from Rugels House, nineteenth Century Print measures 10 x 14“, frame size 14 x 18“

Printed 1850 Map for France, 21" x 14"(frame size), 17" x 11"(print size), Title is "France En 1850", "A Paris, chez, edit Rue de La Pareheminerie", Atlas National Illustre", 3 tears on the top and bottom, yellowed paper with some yellowed spot, belongs to the private collection in DC area.

A large watercolor painting, apparently unsigned, 20 1/2" by 28 1/2" (52 cm. by 72 cm.) and 27 1/2" by 36" framed. The antique work has been laid on a thin card, earlier in the 20th century, so if there was information on the recto it is hidden. The fascinating scene contains at least 20 figures going about their business, two horses, numerous boats, and windmills in the distance, and carefully rendered architectural facades. The artist must certainly be someone known. I sent photos to Chr...

“Stopping The Runaway Cartiage” early 19th century aquatint measuring 12x14”,artwork is beautifully framed 3.5x5.5 inch

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

A very rare and beautiful lithograph in full color by artist R.Knötel,of the hero’s of the Boer War with the names of the armies from Southern African Nations. Frame measuring 13x16”

Etching by the British artist Sir Francis Seymour Haden measuring 5 7/8 x 8 7/8 inches, pencil signed, plate dated, 1877, cat: Schneiderman-155. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers and ...

The Pensive Shepherdess

(British School, 19th Century)

Oil on canvas, Unsigned

Painting size: 30” x 20”
Frame size: 36.25” x 26.5”

This sweet genre painting of a shepherdess with her flock reflects the theme of the child-of-nature, a sensibility embraced by Victorians during the 19th century. The figure’s youth and comely face convey innocence, while her steadfast pose next to the goldenrod suggests that she is at ease in her environment.

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work. The artist's works have sold into five figures at So...

Original 19th century lithograph "A Scene in Old Ireland", by Currier and Ives, the famous American printmakers. This is a true antique hand-colored lithograph and not a later restrike. The work is framed in a late 19th century wood frame with gold inner fillet. Wood backing with rotary saw marks indicates it was framed after the 1870's. Measurements are 12" by 15 3/4" as framed (margins are ample but might have been trimmed a little in early days). The print is in about average condition ...

Pastel on paper work, the subject a wintry tree and split rail fence in a snowy landscape, a distant house with smoke from a chimney suggestive of a snug refuge from the cold. The work is signed at lower left "E Taylor". Most likely, the date of execution is within ten years of the turn of the century. Condition is excellent. Measurements are 12" by 17 3/4" inside the mat and 21 1/2"by 26" in silvery modern framing with gold tint (some wear noted especially at bottom). Note that all photos ...

The watercolor scene depicts a tent housekeeping camp on the shore of a body of water, with four figures, all African-American, in the composition, making it therefore quite unusual and scarce. The date of execution might be circa 1880 I feel, given the dress and the primitive camp set-up. The work is an historical record of African-American life in the 19th century. Size is 9 5/8" by 13 1/2" inside the mat, 18 1/4" by 22" in the narrow gold framing. I've looked in vain for a signature or hi...

A large scale Lithograph Landscape depicting a wooded scene with a River running towards a beautiful sunset. 19th century gilded ornate frame. Measuring 36x48”

Map of Isthmus of Suez, Illustrated 1860 I beautifully illustrated map measuring 23 x 29“ and very rare

John Burr (Scots/English, 1831-1893)

Caught Napping

Oil on canvas, signed and dated: “1867”

Painting size: 15.5” x 26.5”
Frame size: 22.5” x 33”

A student of Scots artist, Scott Lauder, John Burr studied at the Trustee’s Academy in Edinburgh. He moved to London in 1861 with his brother and fellow painter, Alexander Burr. Upon his arrival Burr began exhibiting at the Royal Academy. He continued to exhibit there until 1882. In addition, he exhibite...

Oil on canvas painting, unsigned, featuring a cluster of green grapes and apples, a woven basket at upper left, 8 1/4" by 11 1/4", 13 1/2" by 16 1/2" in modern day quality reproduction frame, circa 1880's. The canvas stencil on reverse is of Reeves & Sons, 113 Cheapside, London (the well-known art supplies firm moved to that address in 1857 and remained there until 1890). When acquired this work had attached a modern handwritten note with "Lisa Statt Sterling/1800's". I do not see a liste...

Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka. At their Lord’s death the samurai became ronin and swore revenge on Kira Yoshinaka which they carried out a year later and then many of t...

Nicely framed antique print. Light foxing but more pronounced on the edges. The frame measures 13" x 18". Not examined out of frame-sold as is. "In the French engraving Le Lever after Freudenberg, of the 1780s (illustration, right), gentle social criticism is levelled at the lady of the court; that she slept without unlacing her stays, apparently, perhaps can be seen as artistic licence. Her maids dress her with deference, while the wallclock under the hangings of her lit à la polonaise reads n...

Large oil by J. Syer (1815 - 1885) British, this pleasant country scene was painted in 1870. It measures 51 1/2" wide x 38" high on the inside of the frame. On the back of the canvas there is a label that reads "Scene on the River Llugwy, North Wales." and says to keep the label attached for authenticity. This canvas has been relined, and there is a very tiny puncture on the left side near the fence.

Watercolor on paper painting of a classic stone castle with figures outside its portals, 14" by 10 1/2" (26 1/2" by 23" as framed), apparently unsigned. This is a circa 1850 work which has survived in presentable condition. There is foxing in the sky principally, as shown, but no large stains. To be sure, there were a lot of anonymous skilled watercolor artists in the British Isles in the 19th century, though this might well have been created by an artist that would be "listed" today.

George C. Bell, American, active 1875-1889, Watercolor on paper, "Castle Path", image size: 14 1/4 x 10 11/16 inches, dated 1885 and signed in lr Geo. C. Bell

Found in southwestern New Hampshire is this charming drawing, 7 3/4" by 5 3/4" (9 5/8" by 7 3/8" framed), the subject a lady with a slight neoclassical profile, standing isolated against an extensive landscape. There's no signature nor other information but it would appear to be an American drawing dating to the 2nd quarter of the 19th century. Condition is very good save for a 3/8" by 1/4" disturbed area in the sky that appears at first glance to be a drip of some kind but which appears to ac...

Richard Redgrave (British, 1804-1888)

Resting Deer in a Forest Landscape

Oil on canvas

Provenance: Thomas McLean Gallery, London (retaining the original label on the back).

Painting: 20.75" x 36"
Frame: 30" x 45"

Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825. He began by painting historical genre in 18th century costume but in the 1840s he was among the fir...

Portrait of a woman by French artist Jean-Jacques Henner (1829-1905). Board: 9.25"L x 12.9"H framed 18.5" L x 14.75" w. Henner entered the École des Beaux-Arts and won the Prix de Rome in 1858. He exhibited paintings in the Salon, many now in the Musée d'Orsay. In 1889, he became commander of the Legion of Honour and succeeded Cabanel in the Institut de France. In 1900, he won a Grand Prix for painting at the Paris Exposition Universelle. Excellent condition minor age wear.

From our European Collection, a lovely and substantially-sized 19th century nautical oil painting of ships in a European port, signed and dated S. Brade 1871. This painting is in excellent condition with only the typical fine craquelure expected in paintings of its age. UV light inspection suggests possible small random areas of touch-up to the sky, but otherwise this piece has survived well in fine original, essentially unrestored condition.

Provenance: De-accessioned from a Boston a...

From our European Collection, a stunning 19th century oil on canvas vista of Interlaken Switzerland, by Danish landscape master August Fischer ((1854-1921). Signed and dated by the artist 1886, lower left.

Size and Condition: Framed dimensions are approximately 44 inches wide by 32 inches tall. Unframed dimensions are approximately 38.5 inches wide by 25.5 inches tall. Excellent condition: In-painting and touch-up on 19th century pieces is usually expected, but we don't actually see an...

Circa late 19th century oil on canvas, 14 1/4" by 24" (18" by 27 1/2" framed), unsigned, though I think quite possibly by a listed artist, the subject one of the picturesque lakes surrounded by mountains in southern Germany or Tyrol in Austria, a lakeside chalet at right surrounded by trees and a pair of figures in a small boat just pulling up to the shore after their excursion. The painting is in excellent condition, having been cleaned and relined in 1976, as per a handwritten note in pencil ...

"The Sleigh Ride" Oil on board, 26" x 21" framed, 19.5" x 14.75" unframed, circa 1855 Jan Walraven is a Dutch artist popular for his depiction of children and as seen in this wonderful piece, sleigh rides. Jan Walraven's art typlifies the Dutch style, which he executes masterfully. He is a well listed artist and this would make a wonderful addition to the finest art collection.

This is a very fine painting of a man and his dog fishing. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner,by Francois Vuagnat. Francois Vuagnat was born in Geneva in 1826. and died in 1910. He was a well known Artist and Photographer. Housed in a 19th century frame with gold liner. A fine scene with the man's trusty companion awaiting dinner.

A very poetic landscape, oil on board, 18" by 13" (24 1/2" by 19 1/2" in gold frame), the scene an idyllic mountain setting, a large and important-looking house at left, a water wheel at right powering a mill, a tiny female figure and goats at left relaxing on a lawn. The light is luminous, handled well by an obviously talented hand. The artist, who signed at lower left in green, is FERDINAND SOMMER (1822-1901). On the back of the board is written in pencil in old hand "Muhle Goldau" (mill, G...