This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

Oil on unstretched canvas painting of a traditional temple's courtyard, signed at lower left "Pociecha", "Nikko", and dated 1920. This is a rare, very early work by a painter known commonly as STAN PORAY (Stanislaus Pociecha Poray, 1888-1948), and most associated with California art. The work measures 15 1/2" by 12 1/4". Poray was born into nobility (his father a count) in Krakow, Poland and was educated in art there and in Paris...

The SUYDAM House Built by Elie FERT on bushwhack Lane about 1700, a company of Hessians in the revolution says on the selvage. A rare work

This is a early 19th century American Folk Art Oil on canvas Portrait of a gentleman by Erastus Salisbury Field. This could possibly be a self-portrait of Field. He is seated in a chair and he is wearing a stick pin and has a gold chain. It is in its original frame and the frame has some damage and has been repainted gold. The canvas is in untouched condition except for two small marks. It measures 14" x 12" outside the frame. This painting came from an estate in Pass Christian, Miss...

A miniature painting of a lovely young woman attired in a double strand coral necklace and a blue gown with puffy sleeves and a pink flower at the waist sash. Excellent condition with no issues, and in a period black wood frame. Sight size is 3 1/2" by 2 7/8", and the framed size is 5 5/8" by 4 1/2".

NOTE: I have shown two full length photos as the background color varies somewhat depending on whether the painting is seen in natural, fluorescent, or incandescent lighting.

This is a early 19th century portrait of a New York Lady wearing a fur. It appears she is wearing a fur wrap. The oil on canvas portrait measures 26" 21 1/2". The portrait was purchased from the family from Woodstock New York. The name of the lady in the portrait is Mrs. Duenner. We have all the provenance and will advise more later. At this time, I am attributing this portrait to have been done by Sheldon Peck. It is very rare to see fur in paintings...

A portrait miniature of a good looking young gentleman, well painted in watercolors on organic wafer. This fine piece is enclosed in a bronze surround.

The sight size is 2 3/4" by 2 1/2", and the overall size is 3 1/4" by 2 3/4". The condition of the miniature and the surround is excellent, with no problems or restoration at all.

Antique hand-colored Italian engraving, the sheet 13 1/2" by 10" (15 3/4" by 12 1/4" framed), titled "IL MANGABEL". This is a work of the noted Italian engraver LUIGI RADOS (1773-1840). Rados studied engraving in Milan. He was the father of Eugene and Giovanni, who also went on to excellence in the profession...

A well painted miniature portrait on natural organic material of a sea captain, identified on the reverse as "Phillip…MHK Captain". The miniature is in very good condition, with no cracks, chips, bowing, or restoration. The period lacquered frame is missing its cover glass, easy enough to replace. Sight size is 2 7/8" by 2 3/8", and the frame size is 5 1/8" by 4 3/8".

A very nice watercolor painting on natural wafer. The sitter is a beautiful young girl with hazel eyes and brown hair, simply dressed in a bluish gray gown with lace edging at the bodice.

The painting is in excellent condition with no chips, cracks, bowing, or restoration. The original pressed brass frame with wood backing, and has some dents and a crease, which do not take away from the appearance. Sight size is 2 3/8" by 1 7/8", with the framed size being 3 3/4" by 3".

"William Hogarth" "An Emblematical print on the South Sea Scheme" and "The Lottery" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A powerful watercolor on wafer miniature, where the artist decided to show the sitter staring head-on and almost directly at the viewer. The unusual crisscross tie is used to further enhance the strength and immediacy of the handsome subject.

The simple gilt metal case is 2 3/8" by 2", and is in excellent condition, with a missing cover glass to the aperture on the reverse, which is of no import.

A fine American miniature painting on natural wafer of a hazel-eyed woman, dressed in a white bonnet and fichu. Original locket gilt metal case has a plait of hair in the aperture on the back of the case.

Superb condition with no problems. The locket is 2 3/8" by 2", and the sight size of this little gem is 2 1/4" by 1 7/8".

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

"William Hogarth" The Distrest Poet The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

An uncommon c1840 miniature by Richard Morrell Staigg, signed lower right. The sitter is a blue-eyed young woman, simply posed in a black dress with lace edging at the bodice. Presented in 1/2 of a dag case. The sight size is 3" by 2 1/4".

BIOGRAPHICAL NOTE: Richard Morrell Staig was born in England in 1817 and moved to the U.S. in 1831, first settling in Newport, RI. While there, Staigg studied under Jane Stuart, Gilbert Stuart's daughter...

From one collection, EIGHT framed watercolor drawings (****NOT PRINTS****) of flowering botanical specimens, with their respective Latin classification names written in brown ink, generally at lower left. The works are on an exceedingly delicate tissue-like paper, which is then affixed at edges to a card, causing a puckering effect of the paper. There is another original drawing on the reverse side of one of the works (not pictured). I have opened all eight in search of a signature of the art...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

18th Century Oil on Copper Dutch Stable Scene A beautiful oil on copper painting, European,depicting a village scene 18th Century of a stable. Extremely fine quality Circa 1700- 1800. measuring 16x23”,frame size 24x30” on reverse are several stamps from the Royal Dutch Museum Framed in a mid-nineteenth century gold leafed carved frame.

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

A Bronze Indian Sculpture of Vishnu circa 1800 measuring 12” height (Quillen)

Saint Catherine Of Alexandria Eighteenth Century Oil 22x18 inch. This work is Italian from an old Washington family purchased over 70 years ago. The work depicts the Saint with her attributes of a palm and her wedding ring

A fine miniature portrait, watercolor on organic wafer, of a blue-eyed gentleman.

Excellent condition with no issues. Sight size is 2 1/4" by 1 7/8", with the period frame being 4 1/4" by 3 3/4".

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors. Someone in more recent times affixed it with adhesive to the overmat, but only at the bottom margin where there was original...

A nicely painted portrait of a fashionably dressed attractive young woman, done in watercolor on natural wafer. The sitter is wearing a lace-edged blue dress, tightly belted at the waist, with a gold and red brooch centered at the bodice, and a lace cap, The painting and the ebonized wood frame (which has a finely craquelured surface) are in fine condition. Sight size is 2 7/8" by 2 1/4", with a frame size of 5 1/4" by 4 1/2".

A charming antique watercolor in monochromatic gray tones, the sheet 8 1/4" by 13 1/2", mounted to a blue-gray card 11" by 16" with hand drawn mat lines. There is no signature. A guess as to the date of execution could be anywhere from late 18th century to about 1820. There is some watermark in the paper. The drawing exhibits some of the faults that a piece of paper 200 years old might acquire.....light brownish discoloration in spots, small torn area at bottom center, small edge tear at upp...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration. A popular miniature painting format of the time was round, and it was not uncommon for the artist to do the painting on a rectangular wafer, and then do "artist...

A striking portrait miniature, on natural wafer, done by Geibel (signed along left side). Thus far we have not been able to find the artist listed in any of the main directories. The sitter is shown wearing a white stock, waistcoat, and a royal blue jacket.

The condition of the painting is excellent, with no problems at all. Please note that the darker area on the right part of the jacket is due to the difficulty of photographing the painting. In fact, because of the angle of the glass the p...

Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Unsigned Miniature Lithograph, English. View of country Harbor framed measuring 7x8” Image measures 3 x 4 1/2“

An American portrait miniature of a woman with strong features and striking presence. Excellent condition, although the photo came out somewhat blurry. A card with illegible writing was inside the traveling case which measures 4" by 3 1/8" when closed. The sight size is 2 5/8" by 2".

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

"William Hogarth" Analysis of Beauty suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 in...

A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing. The sight size is 1 5/8" by 1...

A nicely executed Italian antique pencil and watercolor drawing of classical temple ruins (Doric capitals) with figures, 11 1/2" by 9", in an interesting 19th century frame measuring 15 1/2" by 13". The work appears unsigned, though there is a "G.F." in a rectangle at lower right......likely a collector stamp. On the reverse is written in Italian "rosso matlorio/pass e conire" or similar; also in ink below that, a dedication in Italian: "Alla cara Fra. Virginia ni ricordo di mi Padre Adele La...