"William Hogarth" "Some Principal Inhabitants of the Moon: Royalty, Episcopacy and Law" and "Masquerade Ticket" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A PAIR of lithograph prints of street scenes in Manchester, England, 1823, one titled "Market Street, Manchester", the other "Market Place, Manchester" both drawn by J Ralston, and transferred to the stone by J D Harding, printed by C Hullmandel, and published by D and P Jackson, May 1823. Each measures 21 3/4" by 17 1/2"...

Pencil on paper drawing of two men who appear to be having a serious disagreement, the top hatted figure at left about to swing his cane into the other, all while a woman in bonnet watches from rear left in horror. It's a whimsical, humorous piece, measuring 8 3/4" by 7 1/4" inside the mat, 16" by 15" framed. The paper is very thin and delicate, and has acquired a few noticeable folds and creases in its more than 150 years, as shown. The paper is NOT laid down...

Alexander Wilson (Scottish/American, 1766-1813), Plate 71, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st edition. Engraved by Alexander Lawson. This hand colored, engraving depicts six species: gadwal duck, eider duck, female eider, smew, ruddy duck, and female ruddy. Plate size: 10.25" x 13.25". Condition: some light foxing...

"William Hogarth" Industry and Idleness suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

A very fine miniature of a young lady, done in watercolor on organic wafer. Signed lower right "Becker Px". The sitter is a wearing a gown with elaborate bows along the neckline and sleeves, and a pink sash. The glassless gilded wood frame is original to the painting.

There is a good amount of information on the back, some of which is missing or hard to make out...

A charming miniature portrait, on natural organic material, of a child, signed Mercier for Mlle Hyacinthe Mercier.

The painting is in excellent condition, and is housed in its original silver and embossed tortoise shell frame. The shell portion has two unimportant splits, visible at 6 and 9 o'clock in the photo...

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803...

Charity in the Cellar Engraved by Leney, after Hogarth's painting Heath edition The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A Bronze Indian Sculpture of Vishnu circa 1800 measuring 12” height (Quillen)

This is a finely drawn portrait of a young woman with distinctive ringlet hair of the period, her name given at bottom as "Elizabeth Hartshorne", the work signed at lower right margin "Sketch by A T Agate 1837". The work, measuring 7 3/4" by 6 1/4" plus strip frame, is a very rare example of the work of the American artist ALFRED THOMAS AGATE (1812-1846). Agate studied with his brother Frederick Styles Agate. From 1831 to 1838, as a very young man, he was in New York City...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

An extremely well painted miniature portrait of a very handsome young man. The sitter is dressed in the traditional black coat and cravat, white shirt with a high stiff collar, and a stickpin. The portrait, on natural organic wafer, is housed in a 14K or higher gold case with a glazed rear aperture showing a lock of hair. Condition of the miniature and case are excellent, with no issues at all. Sight size is 2 1/8" by 1 3/4", and the locket size is 2 1/4" by 1 7/8".

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty...

A pencil drawing on paper, 5 1/4" by 7 3/4", (12 1/2" by 15" in modern frame), featuring studies of humped cattle lying down near an early wagon, unsigned, by the noted London-born artist GEORGE CHINNERY (1774-1852). Chinnery is known as the only western painter who was a resident of South Asia from the early to the mid 19th century, and a leading artist of the British community in India. After Royal Academy training he took at ship to Madras (Chennai) in 1802. Chinnery sketched actively, rec...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

"William Hogarth" Don Quixote suite 3 sheets 6 engravings The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G. KEARSLEY FLEE...

"William Hogarth" "Portrait of Charles Churchill (The Bruiser)" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

THE OLD MILL NEAR SNOWDON” by English artist Frederick W. Watts (7 October 1800 – 4 July 1870)[1][2] was an English landscape painter influenced by Constable. He has been known as "Frederic William Watts", "Frederick Waters Watts", "William Watts" or "William Frederick Watts". Life and work[edit] Dedham Vale, Suffolk There is a sparsity of information about this painter which has cast uncertainty over his parentage, training, and date of death.[3] According to the Oxford Dictionary of Na...

This is a very fine, classical early drawing, 5 1/8" by 8 5/8" (12" by 15 3/4" in attractive ornate gold leaf frame), not dated but likely dating to the 1830's through 1850 or so, signed at lower center by the artist "Loisel". The drawing, executed in pen, watercolor, and gum arabic highlighting in the trees and the low bank in center, is in excellent fresh condition, belying its age. The landscape depicted appears to be in Italy, where Loisel traveled extensively, there being known drawings f...

A striking miniature portrait by Johann Christian Schoeller. The sitter is a girl child, dressed in purple, with a basket of flowers on her lap and posed in front of a window showing a landscape. Charming and colorful, this is an fine example of Schoeller's work. Presented in a period bronze frame, with an overall size of 3" by 2". The reverse has a label and a backing paper with the artist's name. Excellent condition.

BIOGRAPHICAL NOTE: Schoeller (1752 - 1851) was born in Alsace, traine...

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute. He beca...

A fine watercolor folksy miniature portrait painting. The sitter is a nice looking young gentleman dressed in a black coat, patterned white vest, white shirt with stud, and a black stock tie. Housed in its original red leather travel case.

Excellent condition, with no cracks, bowing, or other problems. The sight size is 2 5/8" by 2".

A fine example of an Abraham Parsell watercolor on organic wafer. The sitter, with brown hair and hazel eyes, is dressed in a black coat and cravat and a white shirt with gold stickpin. The background is done in the multi-color style typical of Parsell's work, as is the sketch on the reverse of the wafer.

The 2 3/8" by 2" sight size miniature is housed in a cast foliate case with a glazed lens on the reverse. The condition of the painting is fine, with no cracks, chips, restoration, or bowing....

"William Hogarth" Woman Swearing a Child to a grave Citizen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: app...

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints. De Claussin besides being a highly tal...

A portrait miniature of a young and handsome man unabashedly directly facing the viewer. He is dressed in the height of fashion, wearing a black jacket, light orange cravat (which nicely matches his hair), and a white vest. Presented in a gilt cast foliate case, the reverse of which features a glazed tightly woven field of plaited hair.

Because of the convex glass, the photos unfortunately show reflections, white streaks, dots, and shadows, none of which are in the miniature. The overall...

"William Hogarth" "Receipt for March to Finchley" "The Farmer's Return" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sh...

A set of FOUR framed circa 1836 engravings of exotic Australian birds, with hand coloring, by EDWARD LEAR (1812-1888). Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. As a highly talented watercolorist, and a widely traveled figure, for his day, he created now-prized works featuring the Mediterranean region and the Holy Land. The birds depicted here are...

"William Hogarth" "Receipt for the Election Prints" and "Columbus Breaking the Egg" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195...

A delicate and beautiful original BAROQUE DRAWING OF A PUTTO ANGEL WITH A HARP leaning against a tree and detailed stucco architectural décor on the left. By V. Schwind Moritz (1804-1874). Size framed under glass: 26 x 20.5 cm. Drawing in very good condition, frame shows signs of age. Available for sale, Price: US$ 750.-

A finely painting oil on canvas landscape of a windmill in moonlit landscape, a structure at left with a glowing window, the clouds luminous with the eerie light, and possibly some grazing animals at right, the work apparently UNSIGNED. The detailed meticulous handling suggests an early 19th century date---or possibly even earlier; the work has an Old Master feeling. Measurements are 18" by 24" (21 1/2" by 28" in traditional style old walnut frame with gold fillet). I have searched carefully ...

A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH

"William Hogarth" The Indian Emperor, or, the Conquest of Mexico Painted by William Hogarth, engraved by Robert Dodd. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original cop...

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but n...