A charming and well limned naive miniature portrait painting on organic wafer. The sitter is a nice-looking young man attired in a black coat with brass buttons and the lapels with blue embellishment. Hi has a white shirt and stock, a high collar, and a yellowish gray vest. Housed in a cast foliate case with a rear glazed aperture containing cross-braided plaits of hair.

Condition is excellent, with no cracks, bowing, paint loss, etc. The case condition is also excellent...

18th Century Oil on Copper Dutch Stable Scene A beautiful oil on copper painting, European,depicting a village scene 18th Century of a stable. Extremely fine quality Circa 1700- 1800. measuring 16x23”,frame size 24x30” on reverse are several stamps from the Royal Dutch Museum Framed in a mid-nineteenth century gold leafed carved frame.

James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

Fine old master style sepia ink drawing on paper, with some pencil underneath, 10" by 15 1/2" inside the mat, 15 1/2" by 20 1/2" in modern day frame, signed at lower right "Furstenburg", the locale identified at bottom center apparently by the artist as "View of the Rhine from Bacharach Aug 17". This could well refer to the year 1817 as the work has sufficient age. On the reverse is written in pencil "Germany $3.75"...

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803...

"William Hogarth" "Paul before Felix The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

A striking miniature with a good attribution to George Newcombe. As opposed to the more usual bust length rendering, this is a 3/4 length pose. That, combined with the style of the dress, intentionally gives a longer, or imposing, feel to the figure.

When the organic substrate of the painting was trimmed, it was done unevenly and close to an edge, so it could be framed better than in the current half of a travel case. Sight size is 3 1/8" by 2 1/2".

A wonderful portrait of an attractive young woman, done in watercolor on organic wafer. The blue-eyed, red-haired sitter is in a black gown with a gauzy white top, highlighted by a large pink bow at her bodice. The artist carefully chose the ground color and the bow to complement the subject's coloring. The frame is period and probably original, with an eglomise glass cover to the painting.

The painting is in excellent condition, with no issues...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration...

"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors...

A wonderfully done naïve portrait of an older woman identified on the reverse as Almira Coolidge of Boston. The 3/4 length depiction shows the sitter holding a handkerchief and wearing a lace trimmed white bonnet, white lace fichu, and a red scarf over a black puff-sleeve dress with gold buttons. The background is nicely done in a striated and shaded blue-gray...

Done in the MANNER OF GILBERT STUART (Anglo-American, 1755 - 1828) "PORTRAIT OF EDWARD KING» Oil on canvas 3/4 length portrait of a distinguished gentleman sporting a black jacket and powdered wig. Housed in a period carved gilt wood frame. Unsigned, titled in pencil inscription on verso stretcher bears several indiscernible collectors labels. SIZE: 30" x 25".

Oil on canvas, view size 26 1/2" x 20" (THIS PIECE WAS PART OF THE IBM CORPORATE ART COLLECTION) As one of the most famous and celebrated portrait artist in the history of this country it is nearly impossible to summarize this mans life in the space available. He was the second child of Charles Wilson Peal's 14 children. Of the legendary Peale family of artists Charles Wilson and his son Rembrandt were and continue to be the most famous and sought after...

A charming c1820 Austro-Hungarian portrait miniature of Crescence Gräfin von Seilern und Aspangan, an attractive young woman with blue eyes and a high style mass of dark brown curls. Wearing a white gown and fichu, pearl earrings and a thin gold chain necklace, she is posed against a multi-colored sky above green foliage and rolling gray hills in the background. Presented in a period ebonized frame.

The painting, on natural wafer, is in excellent condition, with no issues...

Early 19th century Swiss drawing titled on reverse "paysanne", 7" by 5 1/2" (12 1/4" by 10 1/2" as framed), unsigned. This is a fine drawing by a talented hand. I imagine that the artist would be listed were it signed. Condition is excellent. It is taped at top only to the underlying matting materials.

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

A hand colored engraving titled Sepulchral Chambers near Bethany (also in French) after a drawing by Luigi Mayer (1755-1805) published in London in 1803 by R. Bower as part of the set of prints, “Views of Egypt, Palestine and Other Parts of the Ottoman Empire.” The paper with a watermark, “J Whatman/1801” on the right hand edge with the lower part of the date missing. A dramatic view of men in local dress in a tomb lit with torches. The sheet is 12 7/8 (22.5 cm) by 18 ¼ inches (46.5 cm...